Modernist Jewelry 1930-1960


Book Description

The work of 175 of the most important American modernist artist jewelers appears in over 540 color and 35 black and white photos. Their story and jewelry is arranged chronologically and linked to four pivotal mid-cantury exhibitions. They comprise the modernist movement of wearable art directly and through their influence to the next generations.




Form & Function


Book Description

This book features the work of 96 jewellers, whose jewellery was experimental and inspired originality in successive generations. It includes work by Alexander Calder, Harry Bertoia, Arline Fisch, Albert Paley, and Peter Macchiarini.




Messengers of Modernism


Book Description

In this beautifully designed and lavishly illustrated book, Toni Greenbaum analyzes the output of American modernist jewelers, many of whom, such as Alexander Calder and Harry Bertoia, began as sculptors or painters. In their metal-working skills many of these artists were self-taught and evolved new techniques. This jewelry rejected expensive precious stones in favor of cheaper, irregular gems, and even glass, pebbles and shards of pottery. The influence of Surrealism, Cubism, Constructivism, and Abstract Expressionism led these artists to explore representations of space and individual perception in ways which challenged the traditions of earlier jewelry production.







Messengers of Modernism


Book Description

In this beautifully designed and lavishly illustrated book, Toni Greenbaum analyzes the output of American modernist jewelers, many of whom, such as Alexander Calder and Harry Bertoia, began as sculptors or painters. In their metal-working skills many of these artists were self-taught and evolved new techniques. This jewelry rejected expensive precious stones in favor of cheaper, irregular gems, and even glass, pebbles and shards of pottery. The influence of Surrealism, Cubism, Constructivism, and Abstract Expressionism led these artists to explore representations of space and individual perception in ways which challenged the traditions of earlier jewelry production.







Jewellery in the Age of Modernism 1918-1940


Book Description

Why has jewellery and body adornment often been marginalized in studies of modernist art and design? This study explores the relationship between jewellery, modernism and modernity from the 'jazz age' to the second world war in order to challenge the view that these portable art forms have only a minor role to play in histories of modernism. From the masterworks of the Parisian jewellery houses to the film and photography of Man Ray, this study seeks to present jewellery in a new light, where issues of representation and display are considered to be as important in the creation of a modern 'jewellery culture' as the objects themselves. Drawing on material from museums, archives, contemporary journals, memoirs, literary and theoretical texts, this study shows how the emergence of modern jewellery began to seriously question conventional notions of body adornment.







California Design, 1930¿1965 Living In a Modern Way


Book Description

The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.P>California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.iders, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.




Answers to Questions About Old Jewelry, 1840-1950


Book Description

A Jewelry Classic For three decades, Answers to Questions About Old Jewelry has served as the most respected and authoritative reference to the subject of vintage jewelry on the market. The new edition of this timeless classic finds acclaimed jewelry expert C. Jeanenne Bell at her best uÌ‚ sharing her impressive understanding of the subject with unbridled passion for her life-long pursuit. Offering significant historical information and lavish images of remarkable pieces, this best-selling guide to antique jewelry takes you on a beautiful and edifying adventure. Bell's historical sense, coupled with her keen eye for detail and value, makes her work a cherished addition to the library for both the beginning or veteran jewelry collector. This new edition features nearly 1,000 all-new color photographs of the most collectible jewelry today from 1840 to 1950, fully vetted values, and offers indispensable insight for various jewelry styles, including: • Victorian • Edwardian and Egyptian Revival • Art Nouveau and Art Deco • Retro Modern • Bakelite, Costume, Mexican and Modernist A former appraiser for "Antiques Roadshow," Bell also provides additional information on maker's marks, trademarks, designer marks, and circa dating clues.