Mongolian Music, Dance, & Oral Narrative


Book Description

This book celebrates the power of music, dance, and oral narrative to create identities by imaginatively connecting performers and audiences with ethnic and political groupings, global and sacred landscapes, histories and heroes, spirits and gods.Three distinct cultural eras of Mongolian society are represented. Many Mongolsare now performing publicly the diverse traditions of Old Mongolia that they practised in private following the communist revolution of 1921; some are perpetuating the Soviet transformations of those traditions introduced prior to 1990; and yet others are dipping their curly-toed boots into new performance arts as they revel in musical encounters on the global stage. By highlighting the sheer variety ofrepertories, this book illustrates the rich diversity of Mongolia's peoples andperformance arts.An accompanying compact disc contains musical examples linked to the text.Carole Pegg is ethnomusicology editor for the New Grove Dictionary of Musicand Musicians and associate lecturer in social anthropology at the University of Cambridge, England. As an ethno-musicologist and musician she has been working with nomadic groups in remote areas of Mongolia and Inner Mongolia, China, and with urban Mongols in both countries since 1987. She has also toured with Mongol musicians in England and Hong Kong.




Mongolian Music, Dance, & Oral Narrative


Book Description

Works on accompanying sound disc include rare field recordings of herders from different ethnic groups in remote areas of Mongolia




Music around the World [3 volumes]


Book Description

With entries on topics ranging from non-Western instruments to distinctive rhythms of music from various countries, this one-stop resource on global music also promotes appreciation of other countries and cultural groups. A perfect resource for students and music enthusiasts alike, this expansive three-volume set provides readers with multidisciplinary perspectives on the music of countries and ethnic groups from around the globe. Students will find Music around the World: A Global Encyclopedia accessible and useful in their research, not only for music history and music appreciation classes but also for geography, social studies, language studies, and anthropology. Additionally, general readers will find the books appealing and an invaluable general reference on world music. The volumes cover all world regions, including the Americas, Europe, Africa and the Middle East, and Asia and the Pacific, promoting a geographic understanding and appreciation of global music. Entries are arranged alphabetically. A preface explains the scope of the set as well as how to use the encyclopedia, followed by a brief history of traditional music and important current influences of music in each particular world region.




Mongolia - Culture Smart!


Book Description

Mongolia is landlocked between its neighbors China and Russia in the heart of Asia. For centuries after the disintegration of Genghis Khan s empire it was ruled by one or the other, but in 1990 the Mongols embraced democracy. Now, after two centuries of Manchu stagnation and seventy years of Soviet communism, they are rebuilding their national heritage. Rarely in the news but making progress toward a market economy, this resource-rich but infrastructure-poor country is a land of pioneers, and its greatest asset is the Mongol people, who are friendly, cooperative, ambitious, and well educated. English is now the first foreign language and the country s leaders are forging new partnerships with international investors. Travelers from across the world are drawn to the land of blue sky by its picturesque mountains and lakes, flower-carpeted steppes and stony deserts, home to the snow leopard, the wild horse and camel, and the Gobi bear. The broad pasturelands, with herds of grazing livestock, and the traditional lifestyle of the nomads contrast with the busy streets of the capital Ulan Bator, a bustling metropolis of over one million people, modern hotels, apartments, and shops, interspersed with Buddhist monasteries and temples, surrounded by crowded suburbs of traditional felt tents. Mongolia s many attractions range from dinosaur skeletons and the remains of ancient civilizations to relics and reenactments of the Genghis Khan era, and the traditional sports of wrestling, archery, and horse-racing. "Culture Smart! Mongolia" provides rare insights into contemporary Mongolian society, and offers practical tips on what to expect and how to conduct yourself in order to get the most out of your visit. Despite the undeniable challenges posed by modernity, these warm, tough, adaptable, and hospitable people welcome visitors and are open to the world."




Where Rivers and Mountains Sing


Book Description

Theodore Levin takes readers on a journey through the rich sonic world of inner Asia, where the elemental energies of wind, water, and echo; the ubiquitous presence of birds and animals; and the legendary feats of heroes have inspired a remarkable art and technology of sound-making among nomadic pastoralists. As performers from Tuva and other parts of inner Asia have responded to the growing worldwide popularity of their music, Levin follows them to the West, detailing their efforts to nourish global connections while preserving the power and poignancy of their music traditions.




Ethnomusicology: A Contemporary Reader, Volume II


Book Description

Ethnomusicology: A Contemporary Reader, Volume II provides an overview of developments in the study of ethnomusicology in the twenty-first century, offering an introduction to contemporary issues relevant to the field. Nineteen essays, written by an international array of scholars, highlight the relationship between current issues in the discipline and ethnomusicologists’ engagement with issues such as advocacy, poverty and social participation, maintaining intangible cultural heritages, and ecological concerns. It provides a forum for rethinking the discipline’s identity in terms of major themes and issues to which ethnomusicologists have turned their attention since Volume I published in 2005. The collection of essays is organized into six sections: Property and Rights Applied Practice Knowledge and Agency Community and Social Space Embodiment and Cognition Curating Sound Volume II serves as a basic introduction to the best writing in the field for students, professors, and music professionals, perfect for both introductory and upper level courses in world music. Together with the first volume, Ethnomusicology: A Contemporary Reader, Volume II provides a comprehensive survey of current research directions.




Encyclopedia of Contemporary Chinese Culture


Book Description

This is the first reference book to digest this vast cultural output and make it accessible to the English-speaking world. It contains nearly 1,200 entries written by an international team of specialists, to enable readers to explore a range of diverse and fascinating cultural subjects from prisons to rock groups, underground Christian churches to TV talk shows and radio hotlines. Experimental artists with names such as 'Big-Tailed Elephants' and 'The North-Pole Group' nestle between the covers alongside entries on lotteries, gay cinema, political jokes, sex shops, theme parks, 'New Authoritarians' and 'Little Emperors'. While the focus of the Encyclopedia of Contemporary Chinese Culture is on mainland China since 1980, it also includes longer, specially commissioned entries on various aspects of contemporary culture in Hong Kong and Taiwan. Including full and up-to-date references for further reading, this is an indispensable reference tool for all teachers and students of contemporary Chinese culture. It will also be warmly embraced as an invaluable source of cultural context by tourists, journalists, business people and others who visit China.




The Anti-Social Contract


Book Description

Set in a remote district of villagers and nomadic pastoralists in the northernmost part of Mongolia, this book introduces a local world where social relationships are cast in witchcraft-like idioms of mistrust and suspicion. While the apparent social breakdown that followed the collapse of state socialism in Mongolia often implied a chaotic lack of social cohesion, this ethnography reveals an everyday universe where uncertain relations are as much internally cultivated in indigenous Mongolian perceptions of social relatedness, as they are externally confronted in postsocialist surroundings of unemployment and diminished social security.




The Constitution and Contestation of Darhad Shamans' Power in Contemporary Mongolia


Book Description

This book offers an in-depth insight into post-socialist rural shamans in Mongolia thereby making a rare but important contribution to the ethnography of both Inner Asia and Southern Siberia. It examines the social making of shamans, in particular those of the Shishget depression of the northernmost borders of Mongolia. By analysing practices, discourses and performances in local and national arenas, the author traces the social constitution of the shamans’ inspirational power, examines the shamans’ performance of power during the seance, discusses the economy of reputation of successful shamans and scrutinizes their legitimizing practices. The study will be welcomed by students of social/cultural anthropology and religious studies with a particular interest in shamanism or ritual studies.




Not Quite Shamans


Book Description

The forms of contemporary society and politics are often understood to be diametrically opposed to any expression of the supernatural; what happens when those forms are themselves regarded as manifestations of spirits and other occult phenomena? In Not Quite Shamans, Morten Axel Pedersen explores how the Darhad people of Northern Mongolia's remote Shishged Valley have understood and responded to the disruptive transition to postsocialism by engaging with shamanic beliefs and practices associated with the past.For much of the twentieth century, Mongolia's communist rulers attempted to eradicate shamanism and the shamans who once served as spiritual guides and community leaders. With the transition from a collectivized economy and a one-party state to a global capitalist market and liberal democracy in the 1990s, the people of the Shishged were plunged into a new and harsh world that seemed beyond their control. "Not-quite-shamans"—young, unemployed men whose undirected energies erupted in unpredictable, frightening bouts of violence and drunkenness that seemed occult in their excess— became a serious threat to the fabric of community life. Drawing on long-term fieldwork in Northern Mongolia, Pedersen details how, for many Darhads, the postsocialist state itself has become shamanic in nature.In the ideal version of traditional Darhad shamanism, shamans can control when and for what purpose their souls travel, whether to other bodies, landscapes, or worlds. Conversely, caught between uncontrollable spiritual powers and an excessive display of physical force, the "not-quite-shamans" embody the chaotic forms—the free market, neoliberal reform, and government corruption—that have created such upheaval in peoples' lives. As an experimental ethnography of recent political and economic transformations in Mongolia through the defamiliarizing prism of shamans and their lack, Not Quite Shamans is an attempt to write about as well as theorize postsocialism, and shamanism, in a new way.