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The Nation


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The Bookseller


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Official organ of the book trade of the United Kingdom.




There Is a Tribe of Kids


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Winner of the Kate Greenaway Medal When a young boy embarks on a journey alone . . . he trails a colony of penguins, undulates in a smack of jellyfish, clasps hands with a constellation of stars, naps for a night in a bed of clams, and follows a trail of shells, home to his tribe of friends. If Lane Smith's Caldecott Honor Book Grandpa Green was an homage to aging and the end of life, There Is a Tribe of Kids is a meditation on childhood and life's beginning. Smith's vibrant sponge-paint illustrations and use of unusual collective nouns such as smack and unkindness bring the book to life. Whimsical, expressive, and perfectly paced, this story plays with language as much as it embodies imagination, and was awarded the 2017 Kate Greenaway Medal. This title has Common Core connections.







John Barth


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In 1969, while David Morrell was writing First Blood, the novel in which Rambo was created, he also wrote his doctoral dissertation about acclaimed author, John Barth. In it, Morrell analyses Barth’s early fiction, using interviews with Barth, his agent, and his editors as well as several of Barth’s unpublished essays and letters to tell what Morrell calls “the story behind the stories, a biography of Barth’s fiction.” Over the years, scholars have found John Barth: An Introduction invaluable for its lengthy biographical sections, which Barth himself approved. Fans of Morrell’s fiction will find this book enlightening in terms of what Barth taught him about writing. CRITICAL REACTION “David Morrell’s not just a fine writer; he’s also a great and generous teacher.” —New York Times bestselling author Lawrence Block “Morrell has written an interesting and informative book which reads occasionally like a biography. His prose is eminently clear and straightforward. His book has something for everyone. There is no doubt that it will become a necessity for serious students of Barth, and that, coincidentally, it is a genuinely interesting book.” —Journal of Modern Literature “Morrell’s study tells the story of Barth’s storytelling, how he got his ideas, and then how the publishers and reviewers dealt with them. He includes detailed biographical information [and] writes with great economy and clarity.” —Modern Fiction Studies “Morrell gives the reader the benefit of his familiarity with Barth and his manuscripts to plot the career of each work, from plans and, in some cases, research through revision, publisher-agent reactions, sales, and post-publication revisions. The whole enterprise is carried off with appealing confidence and informality that add up to an eminently readable book.” —World Literature Today




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The Paper Menagerie and Other Stories


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Featured in the Netflix series Love, Death & Robots Bestselling author Ken Liu selects his multiple award-winning stories for a groundbreaking collection—including a brand-new piece exclusive to this volume. With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features many of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon Award finalists), “All the Flavors” (Nebula Award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards). Insightful and stunning stories that plumb the struggle against history and betrayal of relationships in pivotal moments, this collection showcases one of our greatest and original voices.




Moni the Goat Boy and Other Stories: Moni the Goahout a Friend; The Little Runaway


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Outside of the province of the Märchen, which constitutes so rich a field in German literature, there is no writer better known or better loved in the young German-speaking world than Johanna Spyri. Her stories, written "for children and those who love children," are read and reread as something that never grows old. The secret of this charm lies, above all, in the author's genuine love of children, as shown in her sympathetic insight into the joys, the hopes, and the longings of childhood, and in her skillful selection of characteristic details, which creates an atmosphere of reality that is rare in books written for children. Johanna Heusser Spyri was born in the little Swiss town of Hirzel, canton of Zürich, in 1827, and died in Zürich in 1901. She wrote especially for young people, her writings dealing mostly with Swiss mountain life and portraying the thrifty, industrious nature of the people. The stories are sometimes sad,—for the peasant's life is full of hardships,—but through them all a fresh mountain breeze is blowing and a play of sunlight illumines the high Alps.