Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum


Book Description

J. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths’ work, pietre dure, and furniture from Italy and Northern Europe. This book is a revised and expanded edition of Decorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum (1993). In addition to more than forty recent acquisitions—among these four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld—it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.




Richelieu


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The Joys of Collecting


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Originally published: New York: Hawthorn Books, 1965.




Dictionnaire Napoleon


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Coin Hoards


Book Description

This, the ninth volume of Coin Hoards, is again dedicated solely to hoards of Greek coins. It includes hoards from all areas around the Mediterranean from the sixth century BC to the second century AD. Coin Hoards IX, together with the previous volumes in the series, thus forms an essential supplement to the Inventory of Greek Coin Hoards, published in 1973 by Thompson, Morkholm and Kraay. Since the last volume, published eight years ago, the number of Greek coin hoards has increased considerably. Not only does this volume list new hoards, but it also updates and often amends information on hoards already published. Overall, the inventory for this volume consists of 744 entries, with detailed references to find-spot (if known), content, approximate burial date and bibliography. In addition to the inventory, Coin Hoards IX also contains the detailed publication of a number of significant hoards. An important aspect of this volume is the inclusion of 66 plates of photographs illustrating a large proportion of those coins described. This volume will be in indispensable tool for all future research in the field.




The Wrightsman Collection


Book Description

Volume Five: This catalogue of a private collection includes works by such artists as Vermeer, Rubens, Renoir, La Tour, the Tiepolos, El Greco, Canaletto, and Van Dyck. -- Metropolitan Museum of Art website.




Masterpieces of the J. Paul Getty Museum: European Sculpture


Book Description

The J. Paul Getty Museum’s collection of European sculpture featured in this volume ranges in date from the late fifteenth century to the very early twentieth and includes a wide variety of media: marble, bronze, alabaster, terracotta, plaster, wood, ivory, and gold. The earliest sculpture represented is the mysterious Saint Cyricus by Francesco Laurana; the latest is a shield-like portrait of Medusa by the eccentric Italian sculptor Vincenzo Gemito. Among the more than forty works included in this handsomely illustrated volume are sculptures by Antico (Bust of a Young Man); Cellini (a Satyr designed for Fontainebleau); Giambologna (a Female Figure that may represent Venus); Bernini (Boy with a Dragon); and Carpeaux (Bust of Jean-Léon Gérôme). Well represented here is the Museum’s splendid collection of Mannerist and early Baroque bronzes, including such masterpieces as Johann Gregor van der Schardt’s Mercury and two superb works by Adriaen de Vries: Juggling Man and Rearing Horse. These works are indicative of the extraordinary quality of the J. Paul Getty Museum’s collection of post-Classical European sculpture.




Mounted Oriental Porcelain


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Coin Hoards from Roman Britain


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This volume presents details of 57 coin hoards from Roman Britain, all but two of which were discovered within the last ten years. They include a unique group of 110 plated denarii from northern Suffolk, a rare hoard of 2nd C gold aurei from Didcot Suffolk, and a late 4th C hoard of nearly 7,500 coins from Bishops Cannings, Wiltshire. All the hoards are listed in detail and the catalogues are complemented by pot drawings, discussions where relevant and plates.




Qing Cash


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