Montaigne & Melancholy


Book Description

Montaigne (1533-1592), the personification of philosophical calm, had to struggle to become the wise Renaissance humanist we know. His balanced temperament, sanguine and melancholic, promised genius but threatened madness. When he started his Essays, Montaigne was upset by an attack of melancholy humor: He became temperamental and unbalanced. Writing about himself restored the balance but broke an age-old taboo--happily so, for he discovered profound truths about himself and about our human condition. His charm and humor have made his writings widely enjoyed and admired.




Shakespeare's Montaigne


Book Description

An NYRB Classics Original Shakespeare, Nietzsche wrote, was Montaigne’s best reader—a typically brilliant Nietzschean insight, capturing the intimate relationship between Montaigne’s ever-changing record of the self and Shakespeare’s kaleidoscopic register of human character. And there is no doubt that Shakespeare read Montaigne—though how extensively remains a matter of debate—and that the translation he read him in was that of John Florio, a fascinating polymath, man-about-town, and dazzlingly inventive writer himself. Florio’s Montaigne is in fact one of the masterpieces of English prose, with a stylistic range and felicity and passages of deep lingering music that make it comparable to Sir Robert Burton’s Anatomy of Melancholy and the works of Sir Thomas Browne. This new edition of this seminal work, edited by Stephen Greenblatt and Peter G. Platt, features an adroitly modernized text, an essay in which Greenblatt discusses both the resemblances and real tensions between Montaigne’s and Shakespeare’s visions of the world, and Platt’s introduction to the life and times of the extraordinary Florio. Altogether, this book provides a remarkable new experience of not just two but three great writers who ushered in the modern world.




How to Live


Book Description

Winner of the 2010 National Book Critics Circle Award for Biography How to get along with people, how to deal with violence, how to adjust to losing someone you love—such questions arise in most people’s lives. They are all versions of a bigger question: how do you live? How do you do the good or honorable thing, while flourishing and feeling happy? This question obsessed Renaissance writers, none more than Michel Eyquem de Monatigne, perhaps the first truly modern individual. A nobleman, public official and wine-grower, he wrote free-roaming explorations of his thought and experience, unlike anything written before. He called them “essays,” meaning “attempts” or “tries.” Into them, he put whatever was in his head: his tastes in wine and food, his childhood memories, the way his dog’s ears twitched when it was dreaming, as well as the appalling events of the religious civil wars raging around him. The Essays was an instant bestseller and, over four hundred years later, Montaigne’s honesty and charm still draw people to him. Readers come in search of companionship, wisdom and entertainment—and in search of themselves. This book, a spirited and singular biography, relates the story of his life by way of the questions he posed and the answers he explored. It traces his bizarre upbringing, youthful career and sexual adventures, his travels, and his friendships with the scholar and poet Étienne de La Boétie and with his adopted “daughter,” Marie de Gournay. And we also meet his readers—who for centuries have found in Montaigne an inexhaustible source of answers to the haunting question, “how to live?”




Shakespearean Melancholy


Book Description

A new edition of the bestselling textbook for Scottish teacher training courses.




Unsettling Montaigne


Book Description

Striking new readings of Montaigne's works, focussing on such concepts as scepticism and tolerance.




Michel de Montaigne


Book Description

Michel de Montaigne, the inventor of the essay, has always been acknowledged as a great literary figure but has never been thought of as a philosophical original. This book treats Montaigne as a serious thinker in his own right, taking as its point of departure Montaigne's description of himself as 'an unpremeditated and accidental philosopher'. Whereas previous commentators have treated Montaigne's Essays as embodying a scepticism harking back to classical sources, Ann Hartle offers an account that reveals Montaigne's thought to be dialectical, transforming sceptical doubt into wonder at the most familiar aspects of life. This major reassessment of a much admired but also much underestimated thinker will interest a wide range of historians of philosophy as well as scholars in comparative literature, French studies and the history of ideas.




Melancholy, Medicine and Religion in Early Modern England


Book Description

The Anatomy of Melancholy, first published in 1621, is one of the greatest works of early modern English prose writing, yet it has received little substantial literary criticism in recent years. This study situates Robert Burton's complex work within three related contexts: religious, medical and literary/rhetorical. Analysing Burton's claim that his text should have curative effects on his melancholic readership, it examines the authorial construction of the reading process in the context of other early modern writing, both canonical and non-canonical, providing a new approach towards the emerging field of the history of reading. Lund responds to Burton's assertion that melancholy is an affliction of body and soul which requires both a spiritual and a corporal cure, exploring the theological complexion of Burton's writing in relation to English religious discourse of the early seventeenth century, and the status of his work as a medical text.




Montaigne's English Journey


Book Description

Montaigne's English Journey provides a vivid account of the ways in which English readers made sense of Montaigne's Essays during the seventeenth century and how it influenced their own writing.




Michel de Montaigne


Book Description




Challenges to Authority


Book Description

The evolution and reception of the Renaissance was mediated by developments in various other spheres of early modern life and culture. Foremost among these were the religious changes initiated by the Protestant Reformation, which are discussed in the opening chapters of this book. Religious and cultural developments in Germany are contrasted with sixteenth-century Spain and are further explored through the study of the picaresque novel Lazarillo de Tormes. Subsequent chapters explore the Renaissance fascination with witchcraft and demonology in both learned discourse (Pico’s Strix) and popular drama (The Witch of Edmonton). The volume concludes with a study of one of the most influential and provocative writers of the sixteenth century, Michel de Montaigne, whose Essays provide stimulating material for a reassessment of the impact of the Renaissance on contemporary thought.