Race, Philosophy, and Film


Book Description

This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center? The collection’s contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays’ theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, comedies, horror, and science fiction films (among other genres) into its discussions, as well as recent and popular titles of interest, such as Twilight, Avatar, Machete, True Blood, and The Matrix and The Help. The essays compel readers to think more deeply about the films they have seen and their experiences of these narratives.




A Long, Long Way


Book Description

The American cinema is one of the great myth-making machines of the last century and has been used to craft defining narratives of race. Films like Birth of a Nation and Gone with the Wind have promoted racist stereotypes and films like Get Out and BlacKkKlansman have worked to tear those same stereotypes down. Greg Garrett's new book suggests that looking to religious traditions can help us discern and correct our national narratives of race and ultimately lead to reconciliation in a meaningful and lasting way.




Black Film Through a Psychodynamic Lens


Book Description

Black Film Through a Psychodynamic Lens delves into the nuanced character development and narrative themes within the struggles and successes presented in Black films over the last five decades. In this pioneering book, Katherine Marshall Woods looks at Black cinema from a psychological and psychoanalytic perspective. Focusing on a decade at a time, she charts the development of representation and creative output from the 1980s to the present day. She deftly moves from analyzing depictions of poverty and triumphs to highlighting the importance of cinema in shaping cultural identity while considering racial prejudice and discrimination. Adopting theoretical viewpoints from Freud to bell hooks, Marshall Woods examines the damaging effect on cultural psychology as a result of stereotypical racial tropes, and expertly demonstrates the healing that can be found when one sees oneself represented in an honest light in popular art. From Do The Right Thing, The Color Purple and Malcolm X to contemporary classics like 12 Years a Slave, Black Panther and American Fiction, this book is an essential read for those interested in the intersection between Psychology, Psychoanalysis, Film Theory, and African American cultural identity.




The Marshmallowist


Book Description

Discover decadent marshmallows in grown-up flavours like Earl Grey, Passionfruit & Ginger and even Campari - let The Marshmallowist share the secrets of today's coolest confectionery. Think marshmallows are just pink or white balls of tasteless fluff? Think again, and prepare to be amazed by delicious, decadent flavour combinations and recipes. The Marshmallowist began life as a street-food stall on London's iconic Portobello Road, bewitching passers by with marshmallows of unimaginable lightness and fascinating flavours. A Paris-trained patissiere, her creations proved so popular that she now has a bakery all of her own, and sells her wares through the very best food shops including Harvey Nichols and Selfridges. This, her first book, offers sweet treats for every season, as well as tips on how to get your mallow just right. There's a flavour combination masterclass, as well as recipes sweet marshmallow-themed desserts and treats, such as a brioche loaf, rocky roads and hot chocolate: everything you possibly could need to master the marshmallow in the comfort of your own kitchen.




The Business Playbook


Book Description




Measurements, Numerals and Scales


Book Description

This book brings together chapters on the semantics and pragmatics of measurement, scales, and numerical expressions. The chapters highlight recent developments in measurement theory, the meaning of numerical expressions and the relation between measurement scales and entailment scales. The authors provide explorations in formal and experimental semantics and pragmatics, as well as at the interfaces of this field with others including philosophy of language and sociolinguistics. This book will be of interest to students and scholars in these areas, as well as psychology, psycholinguistics and artificial intelligence.




Mets Fan


Book Description

This collection of well-crafted essays spans more than 40 years of franchise history but hews to a single theme: the experience--sometimes humorous, sometimes painful--of being a fan of the New York Mets. From the sound of jets overhead to Keith Hernandez and the Seinfeld connection, Hofstra professor Dana Brand writes about the experiences and lore that make baseball in Queens unique. Mets fans will recognize themselves in this book, and everyone who enjoys great baseball writing will delight in the reading.




Closely Watched Films


Book Description

How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to James Cameron’s Avatar, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium. Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film—arguably the most influential of contemporary forms of representation—constitutes our pleasure, influences our thoughts, and informs our daily reality. Updated to include a discussion of 3-D and advanced special effects, this tenth anniversary edition is an essential film studies text for students and professors alike.




Doc, Donnie, the Kid, and Billy Brawl


Book Description

Doc, Donnie, the Kid, and Billy Brawl focuses on the 1985 New York baseball season, a season like no other since the Mets came to town in 1962. Never before had both the Yankees and the Mets been in contention for the playoffs so late in the same season. For months New York fans dreamed of the first Subway Series in nearly thirty years, and the Mets and the Yankees vied for their hearts. Despite their nearly identical records, the two teams were drastically different in performance and clubhouse atmosphere. The Mets were filled with young, homegrown talent led by outfielder Darryl Strawberry and pitcher Dwight Gooden. They were complemented by veterans including Keith Hernandez, Gary Carter, Ray Knight, and George Foster. Leading them all was Davey Johnson, a player’s manager. It was a team filled with hard?nosed players who won over New York with their dirty uniforms, curtain calls, after-hours activities, and because, well, they weren’t the Yankees. Meanwhile the Yankees featured some of the game’s greatest talent. Rickey Henderson, Dave Winfield, Don Mattingly, and Don Baylor led a dynamic offense, while veterans such as Ron Guidry and Phil Niekro rounded out the pitching staff. But the Yankees’ abundance of talent was easily overshadowed by their dominating owner, George Steinbrenner, whose daily intrusiveness made the 1985 Yankees appear more like a soap opera than a baseball team. There was a managerial firing before the end of April and the fourth return of Billy Martin as manager. Henderson was fined for missing two games, Lou Piniella almost resigned as coach, and Martin punctured a lung and then gave drunken managerial instructions from his hospital room. Despite all that, the Yankees almost won their division. While the drama inside the Mets’ clubhouse only made the team more endearing to fans, the drama inside the Yankees’ clubhouse had the opposite effect. The result was the most attention-grabbing and exciting season New York would see in generations. And it was the season the Mets would win the battle for the hearts of New York baseball fans, dominating the New York landscape for nearly a decade, while the Yankees faded into one of baseball’s saddest franchises.




Black City Cinema


Book Description

In Black City Cinema, Paula Massood shows how popular films reflected the massive social changes that resulted from the Great Migration of African Americans from the rural South to cities in the North, West, and Mid-West during the first three decades of the twentieth century. By the onset of the Depression, the Black population had become primarily urban, transforming individual lives as well as urban experience and culture.Massood probes into the relationship of place and time, showing how urban settings became an intrinsic element of African American film as Black people became more firmly rooted in urban spaces and more visible as historical and political subjects. Illuminating the intersections of film, history, politics, and urban discourse, she considers the chief genres of African American and Hollywood narrative film: the black cast musicals of the 1920s and the "race" films of the early sound era to blaxploitation and hood films, as well as the work of Spike Lee toward the end of the century. As it examines such a wide range of films over much of the twentieth century, this book offers a unique map of Black representations in film.