Mophology of the Fairy Tale. Disney's Literary Original "The Princess and the Frog" Analysed on the Basis of Propp's "Morphology of the Folktale"


Book Description

Seminar paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Rostock, language: English, abstract: In 2009 Walt Disney published the movie "The Princess and the Frog," a story set in 1920s New Orleans. The particular thing of the movie was the return of Disney to traditional 2-D hand-drawn animation. But what kind of story is it? It would seem that this should be a remake of the old fairy tale "The Frog Prince." But aside from classical components like the frog, magical moments, and the princess there are still a lot of changes in the content, characters and settings in the story. This leads to the question if "The Princess and a the Frog" is nevertheless a fairy tale with all these changes relating to the original story? To find out this essay will have a focus on the structural form of fairy tales. To begin with, the essay considers a theoretical part about the origin and definition of fairy tales. It explores some characteristics and gives an overview about the genres the fairy tale belongs to. Afterwards it takes a closer look on the concept for structural analysis. In "Morphology of the Folktale" Vladimir Propp analysed fairy tales referring to their structure. In continuation, segueing into the individual analysis of "The Princess and the Frog," the essay will study Disney's story and Propp's theory connectedly. It aims to find out what they have in common and to which extend they are quite different. In the conclusion I will sum up and evaluate the key results gained by the former studies. It will additionally come back to the opening question if Disney's story is still a fairy tale according to Propp's analysis.




Mophology of the fairy tale. Disney's literary original "The Princess and the Frog" analysed on the basis of Propp's „Morphology of the folktale“


Book Description

Seminar paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Rostock, language: English, abstract: In 2009 Walt Disney published the movie "The Princess and the Frog", a story set in 1920s New Orleans. The particular thing of the movie was the return of Disney to traditional 2-D hand-drawn animation. But what kind of story is it? It would seem that this should be a remake of the old fairy tale "The Frog Prince". But aside from classical components like the frog, magical moments, and the princess there are still a lot of changes in the content, characters and settings in the story. This leads to the question if "The Princess and a the Frog" is nevertheless a fairy tale with all these changes relating to the original story? To find out this essay will have a focus on the structural form of fairy tales. To begin with, the essay considers a theoretical part about the origin and definition of fairy tales. It explores some characteristics and gives an overview about the genres the fairy tale belongs to. Afterwards it takes a closer look on the concept for structural analysis. In "Morphology of the Folktale" Vladimir Propp analysed fairy tales referring to their structure. In continuation, segueing into the individual analysis of "The Princess and the Frog", the essay will study Disney’s story and Propp’s theory connectedly. It aims to find out what they have in common and to which extend they are quite different. In the conclusion I will sum up and evaluate the key results gained by the former studies. It will additionally come back to the opening question if Disney’s story is still a fairy tale according to Propp’s analysis.




Morphology of the Folk Tale


Book Description

This seminal work by the renowned Russian folklorist presents his groundbreaking structural analysis of classic fairytales and their genres. One of the most influential works of 20th century literary criticism, Vladimir Propp’s Morphology of the Folk Tale is essential reading for anyone interested in examining the structural characteristics of fairytales. Since it first appeared in English in 1958, this groundbreaking study has had a major impact on the work of folklorists, linguists, anthropologists, and literary critics. “Propp’s work is seminal…[and], now that it is available in a new edition, should be even more valuable to folklorists who are directing their attention to the form of the folktale, especially those structural characteristics which are common to many entries coming from different cultures.”—Choice




Fairy Tale Films


Book Description

This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.




Why Fairy Tales Stick


Book Description

In his latest book, fairy tales expert Jack Zipes explores the question of why some fairy tales "work" and others don't, why the fairy tale is uniquely capable of getting under the skin of culture and staying there. Why, in other words, fairy tales "stick." Long an advocate of the fairy tale as a serious genre with wide social and cultural ramifications, Jack Zipes here makes his strongest case for the idea of the fairy tale not just as a collection of stories for children but a profoundly important genre. Why Fairy Tales Stick contains two chapters on the history and theory of the genre, followed by case studies of famous tales (including Cinderella, Snow White, and Bluebeard), followed by a summary chapter on the problematic nature of traditional storytelling in the twenty-first century.




The Complete Grimm's Fairy Tales


Book Description

Once upon a time in a fairy tale world, There were magical mirrors and golden slippers;Castles and fields and mountains of glass,Houses of bread and windows of sugar.Frogs transformed into handsome Princes,And big bad wolves into innocent grandmothers.There were evil queens and wicked stepmothers;Sweethearts, true brides, and secret lovers. In the same fairy world, A poor boy has found a golden key and an iron chest, and " We must wait until he has quite unlocked it and opened the lid . . ." A classic collection of timeless folk tales by Grimm Brothers, Grimm' s Fairy Tales are not only enchanting, mysterious, and amusing, but also frightening and intriguing. Delighting children and adults alike, these tales have undergone several adaptations over the decades. This edition with black-and-white illustrations is a translation by Margaret Hunt.




Briar Rose


Book Description

An American journalist is trapped in Nazi Germany in this variation on the Sleeping Beauty theme.




Narrative Mechanics


Book Description

What do stories in games have in common with political narratives? This book identifies narrative strategies as mechanisms for meaning and manipulation in games and real life. It shows that the narrative mechanics so clearly identifiable in games are increasingly used (and abused) in politics and social life. They have »many faces«, displays and interfaces. They occur as texts, recipes, stories, dramas in three acts, movies, videos, tweets, journeys of heroes, but also as rewarding stories in games and as narratives in society - such as a career from rags to riches, the concept of modernity or market economy. Below their surface, however, narrative mechanics are a particular type of motivational design - of game mechanics.




Speaking Out


Book Description

This book lays out ways in which teachers and storytelling groups can foster the imaginative lives of children and their parents.




Crossing the Line


Book Description

For centuries, new sailors from European and North American countries have been subjected to an elaborate hazing at sea called “crossing the line.” Typically initiated upon a crossing of the equator, the beatings, dunkings, sexual play, and drinking displays that constitute crossing the line have in recent decades been banned by some fleets— but they have also been the subject of staunch defenses and fond reminiscences. Crossing the Line studies the purpose and the changing meaning of the ceremony, substantially revising long-held assumptions.