HIST SPOTS OLD EDN


Book Description

"Now in a one-volume revised edition, this encyclopedia of California historical information remains an ideally practical reference to the state."--From the dust-jacket front flap.




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Designing Motherhood


Book Description

More than eighty designs--iconic, archaic, quotidian, and taboo--that have defined the arc of human reproduction. While birth often brings great joy, making babies is a knotty enterprise. The designed objects that surround us when it comes to menstruation, birth control, conception, pregnancy, childbirth, and early motherhood vary as oddly, messily, and dramatically as the stereotypes suggest. This smart, image-rich, fashion-forward, and design-driven book explores more than eighty designs--iconic, conceptual, archaic, titillating, emotionally charged, or just plain strange--that have defined the relationships between people and babies during the past century. Each object tells a story. In striking images and engaging text, Designing Motherhood unfolds the compelling design histories and real-world uses of the objects that shape our reproductive experiences. The authors investigate the baby carrier, from the Snugli to BabyBjörn, and the (re)discovery of the varied traditions of baby wearing; the tie-waist skirt, famously worn by a pregnant Lucille Ball on I Love Lucy, and essential for camouflaging and slowly normalizing a public pregnancy; the home pregnancy kit, and its threat to the authority of male gynecologists; and more. Memorable images--including historical ads, found photos, and drawings--illustrate the crucial role design and material culture plays throughout the arc of human reproduction. The book features a prologue by Erica Chidi and a foreword by Alexandra Lange. Contributors Luz Argueta-Vogel, Zara Arshad, Nefertiti Austin, Juliana Rowen Barton, Lindsey Beal, Thomas Beatie, Caitlin Beach, Maricela Becerra, Joan E. Biren, Megan Brandow-Faller, Khiara M. Bridges, Heather DeWolf Bowser, Sophie Cavoulacos, Meegan Daigler, Anna Dhody, Christine Dodson, Henrike Dreier, Adam Dubrowski, Michelle Millar Fisher, Claire Dion Fletcher, Tekara Gainey, Lucy Gallun, Angela Garbes, Judy S. Gelles, Shoshana Batya Greenwald, Robert D. Hicks, Porsche Holland, Andrea Homer-Macdonald, Alexis Hope, Malika Kashyap, Karen Kleiman, Natalie Lira, Devorah L Marrus, Jessica Martucci, Sascha Mayer, Betsy Joslyn Mitchell, Ginger Mitchell, Mark Mitchell, Aidan O’Connor, Lauren Downing Peters, Nicole Pihema, Alice Rawsthorn, Helen Barchilon Redman, Airyka Rockefeller, Julie Rodelli, Raphaela Rosella, Loretta J. Ross, Ofelia Pérez Ruiz, Hannah Ryan, Karin Satrom, Tae Smith, Orkan Telhan, Stephanie Tillman, Sandra Oyarzo Torres, Malika Verma, Erin Weisbart, Deb Willis, Carmen Winant, Brendan Winick, Flaura Koplin Winston







Still Alright


Book Description

Enjoy the stories behind Kenny Loggins' legendary five-decade career as a celebrated songwriter, chart-topping collaborator, and “The Soundtrack King” with this pop icon’s intimate and entertaining music memoir. In a remarkable career, Kenny Loggins has rocked stages worldwide, released ten platinum albums, and landed hits all over the Billboard charts. His place in music history is marked by a unique gift for collaboration combined with the vision to evolve, adapt, and persevere in an industry that loves to eat its own. Loggins served as a pivotal figure in the folk-rock movement of the early ’70s when he paired with former Buffalo Springfield member Jim Messina, recruited Stevie Nicks for the classic duet “Whenever I Call You ‘Friend,’” then pivoted to smooth rock in teaming up with Michael McDonald on their back-to-back Grammy-winning hits “What a Fool Believes” and “This Is It” (a seminal moment in the history of what would come to be known as yacht rock). In the ’80s, Loggins became the king of soundtracks with hit recordings for Caddyshack, Footloose, and Top Gun; and a bona fide global superstar singing alongside Bruce Springsteen and Michael Jackson on “We Are the World.” In Still Alright, Kenny Loggins gives fans a candid and entertaining perspective on his life and career as one of the most noteworthy musicians of the 1970s and ’80s. He provides an abundance of compelling, insightful, and terrifically amusing behind-the-scenes tales. Loggins draws readers back to the musical eras they’ve loved, as well as addressing the challenges and obstacles of his life and work—including two marriages that ended in divorce, a difficult but motivating relationship with the older brother for which “Danny’s Song” is named, struggles with his addiction to benzodiazepines, and the revelations of turning seventy and looking back at everything that has shaped his music—and coming to terms with his rock-star persona and his true self.




Learn from the Legends


Book Description

" ... Chuck Leavell, Reese Wynans, Dr. John and Al Kooper [are] the four legendary performers profiled in this book ... these four artists will tell you about their early years and musical beginnings. You'll see and hear music in each of their styles so that you can practice on your own piano. You'll also pick up licks and registrations for the classic Hammond B-3 organ. Be advised that a basic level of technical skill is needed to play the exercises in this book ... musical licks are written in the keys of C major or C minor, then transposed to a second key ..."--Introduction







Ray Charles: Birth of Soul


Book Description

For a generation of musicians and fans, the late Ray Charles provided the catalyst that fused the previously largely exclusive genres of jazz, blues and gospel music. In an era when jazz and pop music were seemingly poles apart, the impact of Charles' music was truly revolutionary in that it brought together these strands and fans for the first time.This critically acclaimed biography traces Ray Charles' amazing story from the abject disadvantage of being orphaned, black and blind in the South of the 1930s to the height of international success.With many quotes and exclusive interviews, including several with Ray Charles himself as well as from those who worked with, or were simply influenced by, the man who more than anyone else could truly be called the founding father of soul music.Mike Evans was a regular contributor to Sounds, Cream, and Melody Maker. He is also the author of books on The Beatles, Elvis Presley and the music in New York.Paperback edition.




For the Record


Book Description

"For the Record is a personal, compelling story of the real world of music." - Forward Clarion Reviews "An eloquent story of a music man who faced and overcame the challenges that life threw at him." - Kirkus Reviews A student of records from my earliest days, I studied them in minute detail on the 45 rpm records that were the industry standard of the day. I was curious about anything and everything. They came in sleeves to protect them from scratches, and pictures of the artist, fan club information, plugs for the album, and various other tidbits of information usually adorned the sleeves. I internalized the music first before absorbing all the information contained on the labels: the artist, songwriters, titles, song lengths, publishing companies, producers, copyright information, and so on. Nothing escaped my attention. I don't know how I deciphered all of this, but I did to a large degree. My record collection, though small, likely never numbering more than twenty at any given time, was my most prized possession, and I pored over the records endlessly for any scrap of information I might have missed previously. An opportunity to view a friend's collection was always a cause for celebration, and an hour in a record shop was heaven. I had no particular plan in mind, as I didn't know enough to have a plan. But I knew I wanted to make music, and thus, the seeds of my future were sown in the fertile fields of my imagination at an early age. With a lifelong love of music dating back to his childhood, author Don Tolle dreamed about achieving fame as a recording artist. But it was in 1973, after a tour in Vietnam, that he finally took the leap, picked up the telephone, and called record companies about his songs. It was a fateful day in his career, one that reverberates even today. In For the Record, Tolle shares his career as a music man, beginning in the record business of the wide-open 1970s, when everything seemed possible. The story follows his career from its beginnings in an entry-level position at a record company to his eventual founding of a record company and production of his own hit records, winning multiple awards in the process. Tolle also shares the story of his precipitous fall from the summit of success. For the Record describes his walk through the long shadows of the valley, where he wandered lost and alone before staging a remarkable comeback that ultimately led to his greatest triumph and the realization of the misplaced, but not forgotten, dream of his youth. Filled with the experiences, memories, revelations, and reflections of an amazing career during the golden age of the music business, this memoir offers an insider's view of the music world filled with unique personalities.




Mouse Tracks


Book Description

Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records. Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio. Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down. Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. Mouse Tracks is a collector's bonanza of information on this little-analyzed side of the Disney empire. Learn more about the book and the authors at www.mousetracksonline.com.