Motion Pictures, 1894-1912


Book Description

Met ind. - Ook aanwezig: Film superlist : motion pictures in the U.S. public domain 1950-1959 / Walter E. Hurst and William Storm Hale. - Hollywood : 7 Arts, cop. 1989. - IV, 668 p. ; 28 cm. - (Entertainment Industry series, ISSN 0071-0695 ; vol. 37). - ISBN 0-911370-73-0. - Ook aanwezig:Motion picture copyrights & renewals 1950-1959 / by David Pierce. - Laurel : Milestone, 1989. - [XXXXII], 494 p. ; 28 cm. - ISBN 0-927347-02-4. Ook aanwezig: Motion pictures in the U.S. public domain, 1950-1959 / Walter E. Hurst. - Hollywood : Hollywood Film Archive, cop. 1994. - 654 p. ; 29 cm. - (Film superlist ; vol. 3). - ISBN 0-913616-29-X.




Motion Pictures, 1894-1912


Book Description













The Man Who Made Movies


Book Description

The story of W.K.L. Dickson—assistant to Edison, inventor, and key figure in early cinematography: “Valuable and comprehensive.” —Communication Booknotes Quarterly W.K.L. Dickson was Thomas Edison’s assistant in charge of the experimentation that led to the Kinetoscope and Kinetograph—the first commercially successful moving image machines. In 1891–1892, he established what we know today as the 35mm format. Dickson also designed the Black Maria film studio and facilities to develop and print film, and supervised production of more than one hundred films for Edison. After leaving Edison, he became a founding member of the American Mutoscope Company, which later became the American Mutoscope & Biograph, then Biograph. In 1897, he went to England to set up the European branch of the company. Over the course of his career, Dickson made between five hundred and seven hundred films, which are studied today by scholars of the early cinema. This well-illustrated book offers a window onto early film history from the perspective of Dickson’s own oeuvre.




Vitagraph


Book Description

Winner of the 2022 Peter C. Rollins Book Award and the 2022 Browne Best Edited Reference/Primary Source Work in Popular and American Culture Award In Vitagraph: America's First Great Motion Picture Studio, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business. In fact, the truth about Vitagraph is far more interesting than the myths that later moguls propagated about themselves. Established in 1897 by J. Stuart Blackton and Albert E. Smith, Vitagraph was the leading producer of motion pictures for much of the silent era. Vitagraph established America's studio system, a division of labor utilizing specialized craftspeople and artists and developed fundamental aspects of American movies, from framing, lighting, and performance style to emphasizing character-driven comedy and drama in stories that respected and sometimes poked fun at every demographic of Vitagraph's vast audience. For most of its existence America's most influential studio was headquartered in Brooklyn, New York, before relocating to Hollywood. A historically rigorous and thorough account of the most influential producer of American motion pictures during the silent era, Erish draws on valuable primary material long overlooked by other historians to introduce readers to the fascinating, forgotten pioneers of Vitagraph.







Early Motion Pictures


Book Description




Motion Picture Catalog


Book Description