Motive X


Book Description

He strikes at random. His motive unknown. No one is safe... Helsingborg police must solve the unsolveable. A wave of apparently random homicides is sweeping through their idyllic seaside town. The murders have no pattern, no order, no reason. The perpetrator is immune to psychological profiling; forensically untraceable; utterly invulnerable to modern police techniques. The body count is growing. But lead investigator Fabian Risk is distracted by his mission to expose a corrupt colleague, and his boss Astrid is spiralling back into addiction. As the hunt for the solution becoming ever more desperate, their tight-knit team begins to unravel... Motive X is both an explosive, multi-layered thriller and a fearless exploration of the darkest side of human nature. To enter Stefan Ahnhem's world, with its interwoven plotlines and sprawling cast of characters, is to put yourself in the hands of a master storyteller. The story continues in X Ways to Die, available May 2020. REVIEWS FOR STEFAN AHNHEM: 'Atmospheric and complicated [...] with great cop characters and some imaginatively grisly perps' Sunday Times (star pick). 'More gripping than Jo Nesbo, blacker than Stieg Larsson and more bleakly human than Henning Mankell' Tony Parsons. 'Epic in scale and ambition' Daily Mail. 'An intense journey, with an intricate plot... Ahnhem has mastered atmosphere, pacing and intrigue' Crime Review. 'Masterly plotting, grisly murders and chilling suspense: Stefan Ahnhem keeps the threads of this complex, two-country narrative pulled tense' Better Reading.




Motives


Book Description

Motives were introduced in the mid-1960s by Grothendieck to explain the analogies among the various cohomology theories for algebraic varieties, to play the role of the missing rational cohomology, and to provide a blueprint for proving Weil's conjectures about the zeta function of a variety over a finite field. Over the last ten years or so, researchers in various areas--Hodge theory, algebraic $K$-theory, polylogarithms, automorphic forms, $L$-functions, $ell$-adic representations, trigonometric sums, and algebraic cycles--have discovered that an enlarged (and in part conjectural) theory of ``mixed'' motives indicates and explains phenomena appearing in each area. Thus the theory holds the potential of enriching and unifying these areas. These two volumes contain the revised texts of nearly all the lectures presented at the AMS-IMS-SIAM Joint Summer Research Conference on Motives, held in Seattle, in 1991. A number of related works are also included, making for a total of forty-seven papers, from general introductions to specialized surveys to research papers.




Motives and Algebraic Cycles


Book Description

Spencer J. Bloch has, and continues to have, a profound influence on the subject of Algebraic $K$-Theory, Cycles and Motives. This book, which is comprised of a number of independent research articles written by leading experts in the field, is dedicated in his honour, and gives a snapshot of the current and evolving nature of the subject. Some of the articles are written in an expository style, providing a perspective on the current state of the subject to those wishing to learn more about it. Others are more technical, representing new developments and making them especially interesting to researchers for keeping abreast of recent progress.




Performing Knowledge


Book Description

How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bartók, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris illuminate focal issues such as the role of embodiment, the affordances of a score, the cultural understanding of notation, the use of metaphor, and--to round out the viewpoints of theorist and performers with those of composer and listeners--the role of structure in audience reception. Each exploration engages deeply with musical structure, redefined to encompass the creative activity of composers, performers, analysts, and listeners. Performances, demonstrations, and interviews online complement the book's written text; practical application and pedagogical guidance round out theoretical and analytical content. The collaborations themselves demonstrate different dimensions of knowledge at the intersection of analysis and performance, and illustrate Leong's theory of the things and people that facilitate cross-disciplinary collaboration in music. They also exemplify the antagonisms and synergies that emerge when theorists and performers meet. Both flexibly and rigorously conceived, Performing Knowledge is a brave crossing of disciplinary divides between scholarship and practice, a work of analysis shaped by the voices of performers.




Cadence


Book Description

Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.




Cadence


Book Description

Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.







Chow Rings, Decomposition of the Diagonal, and the Topology of Families (AM-187)


Book Description

In this book, Claire Voisin provides an introduction to algebraic cycles on complex algebraic varieties, to the major conjectures relating them to cohomology, and even more precisely to Hodge structures on cohomology. The volume is intended for both students and researchers, and not only presents a survey of the geometric methods developed in the last thirty years to understand the famous Bloch-Beilinson conjectures, but also examines recent work by Voisin. The book focuses on two central objects: the diagonal of a variety—and the partial Bloch-Srinivas type decompositions it may have depending on the size of Chow groups—as well as its small diagonal, which is the right object to consider in order to understand the ring structure on Chow groups and cohomology. An exploration of a sampling of recent works by Voisin looks at the relation, conjectured in general by Bloch and Beilinson, between the coniveau of general complete intersections and their Chow groups and a very particular property satisfied by the Chow ring of K3 surfaces and conjecturally by hyper-Kähler manifolds. In particular, the book delves into arguments originating in Nori's work that have been further developed by others.




The Handbook of Personality Dynamics and Processes


Book Description

The Handbook of Personality Dynamics and Processes is a primer to the basic and most important concepts, theories, methods, empirical findings, and applications of personality dynamics and processes. This book details how personality psychology has evolved from descriptive research to a more explanatory and dynamic science of personality, thus bridging structure- and process-based approaches, and it also reflects personality psychology's interest in the dynamic organization and interplay of thoughts, feelings, desires, and actions within persons who are always embedded into social, cultural and historic contexts. The Handbook of Personality Dynamics and Processes tackles each topic with a range of methods geared towards assessing and analyzing their dynamic nature, such as ecological momentary sampling of personality manifestations in real-life; dynamic modeling of time-series or longitudinal personality data; network modeling and simulation; and systems-theoretical models of dynamic processes. - Ties topics and methods together for a more dynamic understanding of personality - Summarizes existing knowledge and insights of personality dynamics and processes - Covers a broad compilation of cutting-edge insights - Addresses the biophysiological and social mechanisms underlying the expression and effects of personality - Examines within-person consistency and variability




The Norm Residue Theorem in Motivic Cohomology


Book Description

This book presents the complete proof of the Bloch-Kato conjecture and several related conjectures of Beilinson and Lichtenbaum in algebraic geometry. Brought together here for the first time, these conjectures describe the structure of étale cohomology and its relation to motivic cohomology and Chow groups. Although the proof relies on the work of several people, it is credited primarily to Vladimir Voevodsky. The authors draw on a multitude of published and unpublished sources to explain the large-scale structure of Voevodsky’s proof and introduce the key figures behind its development. They proceed to describe the highly innovative geometric constructions of Markus Rost, including the construction of norm varieties, which play a crucial role in the proof. The book then addresses symmetric powers of motives and motivic cohomology operations. Comprehensive and self-contained, The Norm Residue Theorem in Motivic Cohomology unites various components of the proof that until now were scattered across many sources of varying accessibility, often with differing hypotheses, definitions, and language.