Waiting for Bojangles


Book Description

An “oddball fairy tale” (The New York Times)—shortlisted for one of France’s highest literary prizes—a dark, funny, and wholly charming novel about a young boy and his eccentric family, who grapple with the realities of mental illness in unique and whimsical ways. A young boy lives with his madcap parents, Louise and George, and an exotic bird in a Parisian apartment, where the unopened mail rises in a tower by the door and his parents dance each night to Nina Simone’s mellifluous classic “Mister Bojangles.” As his mother, mesmerizing and unpredictable, descends deeper into her own mind, it is up to the boy and his father to keep her safe—and, when that fails, happy. Fleeing Paris for a country home in Spain, they come to understand that some of the most radiant people bear the heaviest burdens. Told from the perspective of a young boy who idolizes his parents—and from George’s journals, detailing his epic love story with his wife—Waiting for Bojangles is a “lighthearted and yet sorrowful tale” (San Francisco Chronicle) that will stay with you long after the final page.




Mr. Bojangles


Book Description

Over sixty years after his death, Bill "Bojangles" Robinson is still the most famous tap dancer who ever lived. Robinson was the first black single dancer to star in white vaudeville circuits and he was a headliner for nearly thirty years. He got top billing at the Palace in New York, and he played command performances for kings and presidents. This first full-length biography reveals the charmer, gambler, brawler, athlete, and consummate entertainer behind the crusade for actors' rights, who pushed past the color barrier in the first half of the twentieth century. Haskins and Mitgang, with access to many of the people who knew Bojangles best, and to his scrapbooks and personal papers, have created a vivid portrait of the man behind the myth, from his birth in Richmond, Virginia, to his death and the star-studded funeral where he was eulogized by Rev. Adam Clayton Powell, Jr., and Ed Sullivan. When people talk about famous American freedom fighters they talk about Rosa Parks, a brave woman who took a seat in the front of a bus and broke it down. They talk about Rev. Dr. Martin Luther King, Jr. They talk about Jackie Robinson. They talk about many others who sacrificed to achieve equality and justice. The person they don't talk about is the man who helped to break down vaudeville, Broadway, the recording industry, radio, television, and Hollywood. They don't talk about the man who broke down Miami and was responsible for its first integrated audience. They don't talk about the man who was responsible for the hiring of the first African-American on the Dallas police force. They don't talk about the man who went to F.D.R. during World War II for changes for African-American soldiers who were risking their lives for their country. They don't talk about the freedom fighter, Bill "Bojangles" Robinson, who happened to be the world's greatest tap dancer of his day. Rev. Adam Clayton Powell, Jr., one of Harlem's greatest leaders and freedom fighters, and Pastor of the Abyssinian Baptist Church in Harlem, helped to answer that question when he eulogized "Bojangles" in 1949. Rev. Powell said: Born within the shadow of slavery and dying at the middle of the twentieth century, the most glorious century of mankind, Bill Robinson was a legend. He was a legend because he was ageless and raceless. Bill wasn't a credit to his race, meaning the Negro race. Bill was a credit to the human race. No Protestant ever appeared at more benefits for Catholics than Bill Robinson. No gentile ever appeared at more benefits for Jews than Bill Robinson. He was raceless. He was not a great Negro dancer. He was the world's greatest dancer. In some way the legend got around that Bill Robinson was an 'Uncle Tom.' Oh, no! You didn't know Bill if you heard of that story! So, let's ask the question again. Why don't people think of Bill Robinson as an American hero and front-line freedom fighter? They one word answer is simple - racism. Not the racism of white against black, but the racism of black against black. The people he fought for the most turned their backs on Bill Robinson and let the cancer of racism enter his legacy. "Bojangles " was the Mayor of Harlem and a founding member of the Rainbow Coalition long before the term was coined. Bill Robinson fought for respect with every weapon he had - his charming smile, his humor, his dancing feet, his fists, or his gold plated pearl handled gun given to him by the New York City Police Department. During a time when too few African-American voices shouted for justice, Bill Robinson's whispers were heard by presidents, governors, kings, queens, and countless others. Bill "Bojangles" Robinson was a man who fought dignity for himself, and others. Bill "Bojangles" Robinson stood up to fight for what was right from the onset of his sixty-year career. He demanded justice and equality as a performer, and as a man. He stood up then, and never sat down.




Rap a Tap Tap


Book Description

In illustrations and rhyme describes the dancing of Bill "Bojangles" Robinson, one of the most famous tap dancers of all time. A brief Afterword outlines his career.




Deathryde


Book Description

They say you can't cheat death... well, that doesn't stop these guys from trying... James DeRossa is a natural born rebel. Just released from Jackson County Jail, he turns his back on the family funeral business in Detroit and heads out to Tinseltown to set up a heist and settle an old score. Who better to hire than a group of unscrupulous undertakers. Only this time they aren t burying anyone, they're out to disinter $25 million in missing cash and ice. But Detective Hank Gladwin brought his shovel to the party and is onto DeRossa when his list of suspects starts pushing up more than daisies. These felons are all about to join a deadly procession and one hell of a ride. Deathryde: Rebel Without a Corpse is written in the hip, offbeat, satirical crime novel style of Elmore Leonard and Carl Hiaasen. Fans of Six Feet Under or Evelyn Waugh's The Loved One should also appreciate this oddly entertaining book.




space.time.narrative


Book Description

Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in terms of an open, narrative environment, which at its roots displays deep similarities with performance on stage, or installation in urban and rural space. The book breaks new ground by looking at the exhibition as a cultural format firstly within a great sweep of the arts in general, weaving a web of philosophical, museological, linguistic and media-theoretical references, which expands the contextual field of the profession. It then offers unique and important insights from within, in extreme close-up, by bringing together interviews with six of the leading exhibition designers who discuss the dynamics of the medium, its interactive dimensions, the soft parameters of the exhibition, and how to get to grips with the format as a complex narrative space, in which the public takes part. Curator and designer should reposition themselves professionally at the heart of the axis, which divides (or connects) content and form.




Morbid Curiosities: An Anthology of Unconventional Horror Stories


Book Description

Vampires? Werewolves? Ghosts? Not quite. This anthology of horror peels back the veneer of normalcy to uncover the strange and spine-tingling fears lurking behind. Created by the minds of Singapore American School's Advanced Topic Writing Workshop and Publication students, this collection of twenty-five oddly specific horrors will make you look twice at everything from a Barbie doll to a ball of twine.




Level 4 - Popular Repertoire Book


Book Description

(Faber Piano Adventures ). The Popular Repertoire Book combines popular hits with imaginative "Activity Pages" that explore rhythm, note reading, and theory fundamentals. Level 4 includes: Ashokan Farewell * Change the World (recorded by Eric Clapton) * The Greatest Love of All (recorded by Whitney Houston) * If You Believe (recorded by Jim Brickman) * I Will Remember You (recorded by Sarah McLachlan) * "Jurassic Park" (Theme from) * Mr. Bojangles * New York, New York (Theme From) (recorded by Frank Sinatra) * The Way It Is (recorded by Bruce Hornsby).




Airman


Book Description




Pickers and Poets


Book Description

Many books and essays have addressed the broad sweep of Texas music—its multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as “ruthlessly poetic.” All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center. Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were “folksingers.” Unlike Dylan, however, these were folksingers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted. That rootedness, in fact, is reflected in the book’s emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the “founders” got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets. Please see the listing for the print edition to view the table of contents for this title.




Phone Genius


Book Description

Take your communication to a whole new level. Become a Phone Genius! You probably already have a technical manual that tells you how to use your telephone efficiently. Yet there has never been a manual that tells you how to actually communicate effectively using this highly important piece of business equipment. Until now. In Phone Genius you will discover: • Why talking to someone you can’t see is so much harder than in person. • What technology does to your voice and how you can change that. • How to recognise behaviour and language patterns so as to pre-empt the needs and wants of others. • How to increase your effectiveness over the phone and gain better results. Michelle Mills-Porter passes on her skills in using the telephone as her main tool of communication. Using stories and lessons gleaned from her 25 years of making calls, building business relationships and securing high level appointments, Michelle will show you how you too can become a Phone Genius.