Waiting for Bojangles


Book Description

An “oddball fairy tale” (The New York Times)—shortlisted for one of France’s highest literary prizes—a dark, funny, and wholly charming novel about a young boy and his eccentric family, who grapple with the realities of mental illness in unique and whimsical ways. A young boy lives with his madcap parents, Louise and George, and an exotic bird in a Parisian apartment, where the unopened mail rises in a tower by the door and his parents dance each night to Nina Simone’s mellifluous classic “Mister Bojangles.” As his mother, mesmerizing and unpredictable, descends deeper into her own mind, it is up to the boy and his father to keep her safe—and, when that fails, happy. Fleeing Paris for a country home in Spain, they come to understand that some of the most radiant people bear the heaviest burdens. Told from the perspective of a young boy who idolizes his parents—and from George’s journals, detailing his epic love story with his wife—Waiting for Bojangles is a “lighthearted and yet sorrowful tale” (San Francisco Chronicle) that will stay with you long after the final page.




Mr. Bojangles


Book Description

Over sixty years after his death, Bill "Bojangles" Robinson is still the most famous tap dancer who ever lived. Robinson was the first black single dancer to star in white vaudeville circuits and he was a headliner for nearly thirty years. He got top billing at the Palace in New York, and he played command performances for kings and presidents. This first full-length biography reveals the charmer, gambler, brawler, athlete, and consummate entertainer behind the crusade for actors' rights, who pushed past the color barrier in the first half of the twentieth century. Haskins and Mitgang, with access to many of the people who knew Bojangles best, and to his scrapbooks and personal papers, have created a vivid portrait of the man behind the myth, from his birth in Richmond, Virginia, to his death and the star-studded funeral where he was eulogized by Rev. Adam Clayton Powell, Jr., and Ed Sullivan. When people talk about famous American freedom fighters they talk about Rosa Parks, a brave woman who took a seat in the front of a bus and broke it down. They talk about Rev. Dr. Martin Luther King, Jr. They talk about Jackie Robinson. They talk about many others who sacrificed to achieve equality and justice. The person they don't talk about is the man who helped to break down vaudeville, Broadway, the recording industry, radio, television, and Hollywood. They don't talk about the man who broke down Miami and was responsible for its first integrated audience. They don't talk about the man who was responsible for the hiring of the first African-American on the Dallas police force. They don't talk about the man who went to F.D.R. during World War II for changes for African-American soldiers who were risking their lives for their country. They don't talk about the freedom fighter, Bill "Bojangles" Robinson, who happened to be the world's greatest tap dancer of his day. Rev. Adam Clayton Powell, Jr., one of Harlem's greatest leaders and freedom fighters, and Pastor of the Abyssinian Baptist Church in Harlem, helped to answer that question when he eulogized "Bojangles" in 1949. Rev. Powell said: Born within the shadow of slavery and dying at the middle of the twentieth century, the most glorious century of mankind, Bill Robinson was a legend. He was a legend because he was ageless and raceless. Bill wasn't a credit to his race, meaning the Negro race. Bill was a credit to the human race. No Protestant ever appeared at more benefits for Catholics than Bill Robinson. No gentile ever appeared at more benefits for Jews than Bill Robinson. He was raceless. He was not a great Negro dancer. He was the world's greatest dancer. In some way the legend got around that Bill Robinson was an 'Uncle Tom.' Oh, no! You didn't know Bill if you heard of that story! So, let's ask the question again. Why don't people think of Bill Robinson as an American hero and front-line freedom fighter? They one word answer is simple - racism. Not the racism of white against black, but the racism of black against black. The people he fought for the most turned their backs on Bill Robinson and let the cancer of racism enter his legacy. "Bojangles " was the Mayor of Harlem and a founding member of the Rainbow Coalition long before the term was coined. Bill Robinson fought for respect with every weapon he had - his charming smile, his humor, his dancing feet, his fists, or his gold plated pearl handled gun given to him by the New York City Police Department. During a time when too few African-American voices shouted for justice, Bill Robinson's whispers were heard by presidents, governors, kings, queens, and countless others. Bill "Bojangles" Robinson was a man who fought dignity for himself, and others. Bill "Bojangles" Robinson stood up to fight for what was right from the onset of his sixty-year career. He demanded justice and equality as a performer, and as a man. He stood up then, and never sat down.




Rap a Tap Tap


Book Description

In illustrations and rhyme describes the dancing of Bill "Bojangles" Robinson, one of the most famous tap dancers of all time. A brief Afterword outlines his career.




Deathryde


Book Description

They say you can't cheat death... well, that doesn't stop these guys from trying... James DeRossa is a natural born rebel. Just released from Jackson County Jail, he turns his back on the family funeral business in Detroit and heads out to Tinseltown to set up a heist and settle an old score. Who better to hire than a group of unscrupulous undertakers. Only this time they aren t burying anyone, they're out to disinter $25 million in missing cash and ice. But Detective Hank Gladwin brought his shovel to the party and is onto DeRossa when his list of suspects starts pushing up more than daisies. These felons are all about to join a deadly procession and one hell of a ride. Deathryde: Rebel Without a Corpse is written in the hip, offbeat, satirical crime novel style of Elmore Leonard and Carl Hiaasen. Fans of Six Feet Under or Evelyn Waugh's The Loved One should also appreciate this oddly entertaining book.




space.time.narrative


Book Description

Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in terms of an open, narrative environment, which at its roots displays deep similarities with performance on stage, or installation in urban and rural space. The book breaks new ground by looking at the exhibition as a cultural format firstly within a great sweep of the arts in general, weaving a web of philosophical, museological, linguistic and media-theoretical references, which expands the contextual field of the profession. It then offers unique and important insights from within, in extreme close-up, by bringing together interviews with six of the leading exhibition designers who discuss the dynamics of the medium, its interactive dimensions, the soft parameters of the exhibition, and how to get to grips with the format as a complex narrative space, in which the public takes part. Curator and designer should reposition themselves professionally at the heart of the axis, which divides (or connects) content and form.




Morbid Curiosities: An Anthology of Unconventional Horror Stories


Book Description

Vampires? Werewolves? Ghosts? Not quite. This anthology of horror peels back the veneer of normalcy to uncover the strange and spine-tingling fears lurking behind. Created by the minds of Singapore American School's Advanced Topic Writing Workshop and Publication students, this collection of twenty-five oddly specific horrors will make you look twice at everything from a Barbie doll to a ball of twine.




Airman


Book Description




Summer of the Vigilantes


Book Description

In an age when crime runs rampant through the urban jungle of New York City, and the ruthless subsist by preying upon the weak, a clandestine organization of enforcers digs in its heels, and fights back. Led by the obsessed Gary Parker, the multitalented Vigilantes operate in secrecy, taking no prisoners in their never-ending crusade against the powers of corruption, injustice, and evil. From a game of cat-and mouse with the most powerful gangster on the eastern seaboard, to a blood-soaked showdown with the Chinese mafia, to a narcotics war with a rogue Mexican general, the Vigilantes are taking justice to street level. Therell be no talk of Miranda rights this evening. If the Vigilantes give you your right to remain silent, it will be by way of cutting your throat.




Big Deal


Book Description

Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical. He also became the only star director of musicals of his era--a group that included Jerome Robbins, Gower Champion, Michael Kidd, and Harold Prince--to equal his Broadway success in films. Following his unprecedented triple crown of show business awards in 1973 (an Oscar for Cabaret, Emmy for Liza with a Z, and Tony for Pippin), Fosse assumed complete control of virtually every element of his projects. But when at last he had achieved complete autonomy, his final efforts, the film Star 80 and the musical Big Deal, written and directed by Fosse, were rejected by audiences and critics. A fascinating look at the evolution of Fosse as choreographer and director, Big Deal: Bob Fosse and Dance in the American Musical considers Fosse's career in the context of changes in the Broadway musical theater over four decades. It traces his early dance years and the importance of mentors George Abbott and Jerome Robbins on his work. It examines how each of the important women in his adult life--all dancers--impacted his career and influenced his dance aesthetic. Finally, the book investigates how his evolution as both artist and individual mirrored the social and political climate of his era and allowed him to comfortably ride a wave of cultural changes.




Holy Treasure Chest


Book Description

I pray that you find a poem that will leap off the page into your heart and cause a change to take place in your life spiritually and naturally. I pray that you share your favorite poem(s) with someone else and encourage everybody you come in contact with to buy this book Holy Treasure Chest. Encourage them to find their own favorite poem and read it over and over again. I believe that freedom can come from anywhere and at anytime. I pray that no man be lost that has been waiting to be found. I'm sending up a spiritual emergency flares soon help can find you wherever you are at in your life today. You must know that there is no place that the help of God can't go. Please pray for me as I do God's will for my life thank you.