Mrs. Dane's Defence


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Mrs. Dane's Defence


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Mrs. Daneś Defence


Book Description




Mrs. Dane's Defence


Book Description

Excerpt from Mrs. Dane's Defence: A Play in Four Acts ON tuesday, october oth, 1900, AT and following evenings at Will be presented an Original Play, in Four Acts, em titled. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Who's who in the Theatre


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Issues for 1914-67 include "Notable productions and important revivals of the London stage from the earliest times."




The Oxford Guide to Plays


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Anyone with an academic, professional, amateur, or recreational interest in the theatre is likely to want to look up details of particular plays sometimes - perhaps to check on the author, or on when they were first performed, or perhaps to see how many characters they have, and whether or not they would be suitable for their theatre company or drama group to perform. The Oxford Dictionary of Plays provides essential information on the 1000 best-known, best-loved, and most important plays in world theatre. Each entry includes details of title, author, date of composition, date of first performance, genre, setting, and the composition of the cast, and more. A synopsis of the plot and a brief commentary, perhaps on the context of the play, or the reasons for its enduring popularity, follow. Around 80 of the most significant plays - from The Oresteia to Waiting for Godot - are dealt with in more detail. Genres covered include: burlesque, comedy, farce, historical drama, kabuki, masque, melodrama, morality play, mystery play, No, romantic comedy, tragicomedy, satire, and tragedy. An index of characters enables the reader to locate favourite characters, and trace the trajectory of major historical and legendary characters - such as Iphigenia - through world drama, including in plays that do not have entries in the Dictionary. An index of playwrights, with dates, allows the reader to find all the plays included by a particular author.




Margaret Anglin


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From Margaret Anglin's birth in 1876 in the Speaker's suite of the Canadian House of Commons, to her death in Toronto in 1958, Margaret Anglin: A Stage Life is a lively biography researched from personal sources and theatre periodicals of the times. Author John Le Vay gives us glimpses of the rich and colourful personal life behind the stage persona. Called ""Canada's greatest actress"" by Herbert Whittaker, Margaret Anglin succeeded in winning critical acclaim for her sensitive portrayals in Shakespearean comedy and Greek tragedy. In more contemporary productions she was praised for her work with actor-managers James O'Neill, E.H. Sothern, Richard Mansfield, and Henry Miller, and playwrights Somerset Maugham, H.A. Jones, and Paul Kester.




Life


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The Fortnightly


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