Mrs. Miniver


Book Description

The beloved classic novel of an English housewife bravely enduring WWII—the basis for the Academy Award–winning film starring Greer Garson. Winston Churchill once remarked that Mrs. Miniver, the fictional British housewife featured in Jan Struther’s newspaper columns about quotidian English life, did more for the Allied cause than a flotilla of battleships. As tensions rose across Europe, Mrs. Miniver’s domestic concerns expanded from automobiles and Christmas shopping to include gas masks, keeping calm, and carrying on. An international sensation when it was first published, this novelized collection of those columns won America’s heart—and broad public support for entering WWII. Mrs. Miniver’s story was so essential to Allied morale that when William Wyler’s film adaption was made, President Roosevelt ordered it rushed to theaters.




Simple Abundance


Book Description

In times of crisis, countless women have turned to Simple Abundance for comfort and joy -- and now this mega-bestselling guide is updated and expanded for everyone who loved the original book, as well as a new generation that needs it now more than ever. First published in 1995, Simple Abundancetopped the New York Times Bestseller list for over two years and is responsible for introducing two hugely popular concepts -- the "Gratitude Journal" and the term "Authentic Self." With daily inspirational meditations and reflections, the Simple Abundance phenomenon became a touchstone for a generation of women, helping them to reclaim their true selves, find balance during life's busiest moments, and rediscover what makes them truly happy. Simple Abundance's powerful messages are needed now more than ever, as we navigate the discord and stress instigated by a constant stream of "breaking news" cycles, and our 24/7 social media culture. Sarah Ban Breathnach has refreshed her bestselling phenomenon to address the needs of a new generation, with her signature candor, wit, and wisdom that made her a trusted and compassionate confidant for millions of women. A perennial classic whose time has come again, Sarah's work celebrates quiet joys, simple pleasures, and well-spent moments and reminds us how to find the beauty in the everyday.




The Real Mrs Miniver


Book Description

In 1937 the Court Page of the London Times began publishing a series of articles featuring a charming, upper-middle class English housewife named Mrs Miniver. The articles depicted an idyllically happy family with three children, a house in London, and a country cottage called Starlings. Two years later, Mrs Miniver was published in book form. While some critics derided the book as sentimental, many readers embraced it as a symbol of an increasingly endangered English way of life, and it went on to become the #1 bestseller in America. The Hollywood film, released in 1942 with Greer Garson in the title role, won five Oscars, including Best Picture, and did so much to promote the American war effort in Europe that even Josef Goebbels recognized it as an exemplary piece of propaganda. But who was the real Mrs Miniver? The articles were produced by Joyce Maxtone Graham, who wrote under the name Jan Struther and seemed to resemble her heroine: She was upper-middle class, and lived in a gracious, comfortable home with her husband and three children. After the war broke out, she served as an unofficial ambassador from Great Britain to the U.S. In truth, however, Jan Struther was not at all like the conventional Mrs Miniver. It wasn't merely that she didn't like tea--to the amazement of everyone in America--but her real life was neither simple nor saintly. Her marriage was ending, and she was secretly in love with a Jewish refugee from Nazi Austria. Written by Jan Struther's granddaughter Ysenda Maxtone Graham, The Real Mrs Miniver is a complex and fascinating biography. While the Hollywood version remains a powerful and inspirational movie, this book offers brilliant insights into the true impact of war upon real people's lives.




Henrietta's War


Book Description

Spirited Henrietta wishes she was the kind of doctor's wife who knew exactly how to deal with the daily upheavals of war. But then, everyone in her close-knit Devonshire village seems to find different ways to cope: there's the indomitable Lady B, who writes to Hitler every night to tell him precisely what she thinks of him; the terrifyingly efficient Mrs Savernack, who relishes the opportunity to sit on umpteen committees and boss everyone around; flighty, flirtatious Faith who is utterly preoccupied with the latest hats and flashing her shapely legs; and then there's Charles, Henrietta's hard-working husband who manages to sleep through a bomb landing in their neighbour's garden. With life turned upside down under the shadow of war, Henrietta chronicles the dramas, squabbles and loyal friendships that unfold in her affectionate letters to her 'dear childhood friend' Robert. Warm, witty and perfectly observed, Henrietta's War brings to life a sparkling community of determined troupers who pull together to fight the good fight with patriotic fervour and good humour. Henrietta's War is part of The Bloomsbury Group, a new library of books from the early twentieth-century chosen by readers for readers.




A Wonderful Heart


Book Description

Revered by his cinematic peers, William Wyler (1902-1981) was one of the most honored and successful directors of Hollywood's Golden Age, with such classics as Dead End, Wuthering Heights, The Little Foxes, Roman Holiday and Ben-Hur. He won three directing Oscars and elicited over a dozen Oscar-winning performances from his actors. Such exacting performers as Bette Davis, Laurence Olivier and Charlton Heston counted him the best director they had worked with. Yet during the era of the "auteur" theory his films fell out of fashion, lacking, it was said, a distinctive stylistic and thematic signature. This new critical study of Wyler's work, the first in more than thirty years, challenges the notion of Wyler's impersonality and offers a comprehensive reappraisal of his work, particularly of the underrated postwar films. It also provides a rebuttal of the auteurist criticism whose rigid categorization of directors cannot adequately encompass the range of someone like Wyler, who put substance above style and had a breadth of human understanding that was not reducible to a cluster of characteristic themes. Supported by archival research in Los Angeles, the book traces the important milestones in Wyler's career, the context of his films, the importance of legendary producer Sam Goldwyn, his distinguished war record and his principled opposition to blacklisting during the McCarthy era.




A Raisin in the Sun


Book Description

"Never before, in the entire history of the American theater, has so much of the truth of Black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959. This edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff. Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of Black America—and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun." "The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic."




MGM


Book Description

M-G-M: Hollywood’s Greatest Backlot is the illustrated history of the soundstages and outdoor sets where Metro-Goldwyn-Mayer produced many of the world’s most famous films. During its Golden Age, the studio employed the likes of Garbo, Astaire, and Gable, and produced innumerable iconic pieces of cinema such as The Wizard of Oz, Singin’ in the Rain, and Ben-Hur. It is estimated that a fifth of all films made in the United States prior to the 1970s were shot at MGM studios, meaning that the gigantic property was responsible for hundreds of iconic sets and stages, often utilizing and transforming minimal spaces and previously used props, to create some of the most recognizable and identifiable landscapes of modern movie culture. All of this happened behind closed doors, the backlot shut off from the public in a veil of secrecy and movie magic. M-G-M: Hollywood’s Greatest Backlot highlights this fascinating film treasure by recounting the history, popularity, and success of the MGM company through a tour of its physical property. Featuring the candid, exclusive voices and photographs from the people who worked there, and including hundreds of rare and unpublished photographs (including many from the archives of Warner Bros.), readers are launched aboard a fun and entertaining virtual tour of Hollywood’s most famous and mysterious motion picture studio.




America's Corporate Art


Book Description

Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.




All the Rage


Book Description

From the popular historian and author of Among the Bohemians and How Was It For You? comes a new offering, unbuttoning the multi-layered, hundred-year-history of women's lives through fashion and beauty from 1860 to 1960 At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. In this richly detailed account, Virginia Nicholson, described as 'one of the great social historians of our time...' (Amanda Foreman) takes us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. The Power Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability. The Pain Here is Gladys, who had botched surgery on her nose; Dorothy, whose skin colour lost her an Oscar; Beccy who took slimming pills and died; and - unbelievably - the radioactive corset. The Pleasure Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.




The 50 MGM Films That Transformed Hollywood


Book Description

Movies don’t exist in a vacuum. Each MGM movie is a tiny piece of a large, colorful (although often black-and-white) quilt, with threads tying it into all of the rest of that studio’s product, going forward, yes, but also backward, and horizontally, and three-dimensionally across its entire landscape. Not necessarily a “best of” compilation, this book discusses the films that for one reason or another (and not all of them good ones) changed the trajectory of MGM and the film industry in general, from the revolutionary use of “Cinerama” in 1962’s How the West Was Won to Director Alfred Hitchcock’s near-extortion of the profits from the 1959 hit thriller North by Northwest.And there are the studio’s on-screen self-shoutouts to its own past or stars, in films like Party Girl (1958), the That’s Entertainment series, Garbo Talks (1984), Rain Man (1955), and De-Lovely (2004), or the studio’s acquisition of other successful franchises such as James Bond. But fear not—what we consider MGM’s classic films all get their due here, often with a touch of irony or fascinating anecdote. Singin' in the Rain (1952), for example, was in its day neither a financial blockbuster nor critically acclaimed but rather an excuse for the studio to reuse some old songs it already owned. The Wizard of Oz (1939) cost almost as much to make as Gone With the Wind (also 1939) and took ten years to recoup its costs. But still, the MGM mystique endures. Like the popular Netflix series The Movies that Made Us, this is a fascinating look behind the scenes of the greatest—and at times notorious—films ever made.