Murder at the Academy Awards (R)


Book Description

As the Queen of the Red Carpet, Joan Rivers has been eyewitness to Hollywood's most heinous crimes (okay, so they're fashion-related). And in this über-stylish mystery, she enlists her no-holds-barred, slightly blonder literary counterpart, Maxine Taylor, to solve a crime of a different sort. When a gorgeous young actress dies on the Red Carpet, some in Tinseltown call it bad publicity. Max calls it murder. The Academy Awards®. It's Hollywood's biggest night, and there's no star better equipped than the tart-tongued Max Taylor to hold court on the glamorous Red Carpet. Sharing the dish with her daughter, Drew, the calls-it-as-she-sees-it entertainer has parlayed this star-studded annual gig into television's most-watched pre-show event. And tonight, Max has landed a real coup—an exclusive interview with Halsey Hamilton, a fabulous, young, paparazzi-trailed Oscar nominee. But not even Max, who's seen her share of celebrity train wrecks, is prepared for an incoherent Halsey, straight out of rehab, to stumble up to the mic, slur a few cryptic words, and drop dead at the hem of Max's stunning Michael Kors gown. To Hollywood, the starlet's demise was tragic but inevitable. To Max, it looks more like a perfectly calculated crime. After all, she alone heard Halsey's final whisper—a clue that leads Max to the pricey rehab clinic Wonders. With a weakness for nothing more disturbing than artificial sweeteners, Max nonetheless goes undercover and embarks on a twelve-step investigation into murder. Once inside the luxury clinic, Max's list of suspicious players expands faster than the Jolie-Pitt family: Burke Norris, a professional cad and Drew's ex-fiancé; Halsey's father, who is still making money off his dead daughter's fame; Halsey's jealous younger sister; and Rojo Bernstein, a tattooed karate hipster who knew the troubled fallen star much better than anyone suspected. Now it's left to Max to unravel the sordid motives and find Halsey's killer while upstaging an over-the-top Hollywood memorial service and funeral where the ill-fated actress was buried in, of all things, a tacky designer knockoff! And you thought the Oscars were all swag bags and Jimmy Choos? Hah! Honey, it's murder. In Murder at the Academy Awards®, Joan Rivers delivers a very smart, bracingly funny, and pitch-perfect reflection of a Hollywood only she would dare to reveal—all seen through the eyes of an indomitable, high-end amateur sleuth who isn't asking "Who are you wearing?" but rather "Whodunit?"




Murder at the Academy Awards (R)


Book Description

As the Queen of the Red Carpet, Joan Rivers has been eyewitness to Hollywood's most heinous crimes (okay, so they're fashion-related). And in this über-stylish mystery, she enlists her no-holds-barred, slightly blonder literary counterpart, Maxine Taylor, to solve a crime of a different sort. When a gorgeous young actress dies on the Red Carpet, some in Tinseltown call it bad publicity. Max calls it murder. The Academy Awards®. It's Hollywood's biggest night, and there's no star better equipped than the tart-tongued Max Taylor to hold court on the glamorous Red Carpet. Sharing the dish with her daughter, Drew, the calls-it-as-she-sees-it entertainer has parlayed this star-studded annual gig into television's most-watched pre-show event. And tonight, Max has landed a real coup—an exclusive interview with Halsey Hamilton, a fabulous, young, paparazzi-trailed Oscar nominee. But not even Max, who's seen her share of celebrity train wrecks, is prepared for an incoherent Halsey, straight out of rehab, to stumble up to the mic, slur a few cryptic words, and drop dead at the hem of Max's stunning Michael Kors gown. To Hollywood, the starlet's demise was tragic but inevitable. To Max, it looks more like a perfectly calculated crime. After all, she alone heard Halsey's final whisper—a clue that leads Max to the pricey rehab clinic Wonders. With a weakness for nothing more disturbing than artificial sweeteners, Max nonetheless goes undercover and embarks on a twelve-step investigation into murder. Once inside the luxury clinic, Max's list of suspicious players expands faster than the Jolie-Pitt family: Burke Norris, a professional cad and Drew's ex-fiancé; Halsey's father, who is still making money off his dead daughter's fame; Halsey's jealous younger sister; and Rojo Bernstein, a tattooed karate hipster who knew the troubled fallen star much better than anyone suspected. Now it's left to Max to unravel the sordid motives and find Halsey's killer while upstaging an over-the-top Hollywood memorial service and funeral where the ill-fated actress was buried in, of all things, a tacky designer knockoff! And you thought the Oscars were all swag bags and Jimmy Choos? Hah! Honey, it's murder. In Murder at the Academy Awards®, Joan Rivers delivers a very smart, bracingly funny, and pitch-perfect reflection of a Hollywood only she would dare to reveal—all seen through the eyes of an indomitable, high-end amateur sleuth who isn't asking "Who are you wearing?" but rather "Whodunit?"




Murder at the Academy Awards


Book Description




Murder at the Academy Awards


Book Description




Oscar Season


Book Description

The Pinnacle is the place to stay during the Oscars, and this year the pre-Awards crises have reached fever pitch: a very recognizable body is found in the pool, Hollywood's leading man is secretly holed up in the Presidential Suite, and the larger-than-life producer of the Oscars will stop at nothing for higher ratings. A consummate professional, the hotel's PR manager Juliette Greyson must do a careful dance to save the hotel while somehow sparing herself and her famed clientele in the process. But first Juliette must figure out what is real and what is staged? Who is lying and who is acting? And when does murder stop being murder, and start becoming damn good publicity?




Murder Done to Death


Book Description

An art form comes of age when it is imitated, then parodied and finally repeated in pastiche. Crime and detective fiction is now so well established in different formats that it lends itself easily to these literary forms. After a brief history of the genre is an analysis of a large number of parody books and short stories, with details of correspondence and interviews the writer has had with masters of the craft, like Georges Simenon and Margaret Millar. The next section covers those books written by teams of six or more crime writers. The pastiche section deals with a number of books and short stories in-depth, crime stories for younger readers, and the exploits of literary detectives and criminals. "Do It Yourself Sleuthing" covers dossiers, games and books of solvable short crime stories. This leads naturally to all forms of parody and pastiche in films, theater, television and radio, including stage and film musicals.




The Mystery Fancier (Vol. 10 No. 3) Summer 1988


Book Description

The Mystery Fancier, Volume 10 Number 3, Summer 1988, contains: "Ellery Queen, Sports Fan," by Joe R. Christopher, "The Gold Medal Boys," "Further Gems from the Literature," by William F. Deeck, "An Australian Bibliomystery," by Michael J. Tolley, "Reel Murders," by Walter Albert, "Mystery Mosts," by Jeff Banks and "The Backward Reviewer," by William F. Deeck.




Pictures at a Revolution


Book Description

Documents the cultural revolution behind the making of 1967's five Best Picture-nominated films, including Guess Who's Coming to Dinner, The Graduate, Doctor Doolittle, In the Heat of the Night, and Bonnie and Clyde, in an account that discusses how the movies reflected period beliefs about race, violence, and identity. 40,000 first printing.




Murder at the Met


Book Description

Based on the exclusive accounts of Detectives Mike Struk and Jerry Giorgio of how they solved the Phantom of the Opera Case.




Mystery Women, Volume Three (Revised)


Book Description

Like other fictional characters, female sleuths may live in the past or the future. They may represent current times with some level of reality or shape their settings to suit an agenda. There are audiences for both realism and escapism in the mystery novel. It is interesting, however, to compare the fictional world of the mystery sleuth with the world in which readers live. Of course, mystery readers do not share one simplistic world. They live in urban, suburban, and rural areas, as do the female heroines in the books they read. They may choose a book because it has a familiar background or because it takes them to places they long to visit. Readers may be rich or poor; young or old; conservative or liberal. So are the heroines. What incredible choices there are today in mystery series! This three-volume encyclopedia of women characters in the mystery novel is like a gigantic menu. Like a menu, the descriptions of the items that are provided are subjective. Volume 3 of Mystery Women as currently updated adds an additional 42 sleuths to the 500 plus who were covered in the initial Volume 3. These are more recently discovered sleuths who were introduced during the period from January 1, 1990 to December 31, 1999. This more than doubles the number of sleuths introduced in the 1980s (298 of whom were covered in Volume 2) and easily exceeded the 347 series (and some outstanding individuals) described in Volume 1, which covered a 130-year period from 1860-1979. It also includes updates on those individuals covered in the first edition; changes in status, short reviews of books published since the first edition through December 31, 2008.