Murder at the Victoria and Albert Museum


Book Description

London, 1899. Queen Victoria lays the foundation stone on the site of what she names as The Victoria and Albert Museum. Shortly after, the Museum Detectives Daniel Wilson and Abigail Fenton are called to the site because the dead body of curator Andrew Page has been found.The Queen is determined that nothing will sully the new museum, and by association her beloved Albert's legacy. But the more Wilson and Fenton dig, the more they discover other potential motives for Page's murder, some with potentially explosive implications. They will have to tread carefully as someone is determined to stand in their way .




Murder at the Ashmolean


Book Description

1895. A senior executive at the Ashmolean Museum in Oxford is found in his office with a bullet hole between his eyes, a pistol discarded close by. The death has officially been ruled as suicide by local police, but with an apparent lack of motive for such action, the museum's administrator, Gladstone Marriott, suspects foul play. With his cast-iron reputation for shrewdness, formed during his time investigating the case of Jack the Ripper alongside Inspector Abberline, private enquiry agent Daniel Wilson is a natural choice to discreetly explore the situation, ably assisted by his partner, archaeologist-cum-detective Abigail Fenton. Yet their enquiries are hindered from the start by an interfering lone agent from Special Branch, ever secretive and intimidating in his methods. With rumours of political ructions from South Africa, mislaid artefacts and a lost Shakespeare play, Wilson and Fenton soon find themselves tangled in bureaucracy. Making unlikely alliances, the pair face players who live by a different set of rules and will need their intellect and ingenuity to reveal the secrets of the aristocracy.




Murder at Madame Tussauds


Book Description

London, 1896. Madame Tussauds opens to find one of its nightwatchmen decapitated and his colleague nowhere to be found. To the police, the case seems simple: one killed the other and fled, but workers at the museum aren't convinced. Although forbidden contact by his superior officer, Scotland Yard detective John Feather secretly enlists 'The Museum Detectives' Daniel Wilson and Abigail Fenton to aid the police investigation. When the body of the missing nightwatchman is discovered encased within a wax figure, the case suddenly becomes more complex. With questions over rival museums, the dead men's pasts and a series of bank raids plaguing the city, Wilson and Fenton face their most intriguing and dangerous case yet.




Murder at the Fitzwilliam


Book Description

After rising to prominence for his role investigating the case of Jack the Ripper, former Detective Inspector Daniel Wilson is now retired. Known for his intelligence, investigative skills, and most of all his discretion, he's often consulted when a case must be solved quickly and quietly. So when a body is found in the Egyptian Collection of the Fitzwilliam Museum in Cambridge, Wilson is called in. As he tries to uncover the identity of the dead man and the circumstances surrounding his demise, Wilson must contend with an unhelpful police Inspector, and more alarmingly, Abigail McKenzie, the archaeologist who discovered the body and is determined to protect the Egyptian collection. Can they find a way to work together to solve the mystery?




Murder at the National Gallery


Book Description

A grim portrait of murder in Victorian London.1897, London. The capital is shocked to learn that the body of a woman has been found at the National Gallery, eviscerated in a manner that recalls all too strongly the exploits of the infamous Jack the Ripper.Daniel Wilson and Abigail Fenton are contacted by a curator of the National Gallery for their assistance. The dead woman, an artist's model and lady of the night, had links to artist Walter Sickert who was a suspect during the Ripper's spree of killings. Scotland Yard have arrested Sickert on suspicion of this fresh murder but it is not the last.Copycat murders of the Ripper's crimes implicate the artist who loves to shock but Sickert insists that he is innocent. Who would want to frame him? Wilson and Fenton have their work cut out catching an elusive and determined killer.




The Invention of Murder


Book Description

"Superb... Flanders's convincing and smart synthesis of the evolution of an official police force, fictional detectives, and real-life cause célèbres will appeal to devotees of true crime and detective fiction alike." -Publishers Weekly, starred review In this fascinating exploration of murder in nineteenth century England, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction Murder in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama-even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other-the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell. In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder in Great Britain, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare's bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London's East End. Through these stories of murder-from the brutal to the pathetic-Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.







Murder in the Cathedral


Book Description

T. S. Eliot's most famous drama, a retelling of the murder of the archbishop of Canterbury Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. "The theatre is enriched by this poetic play of grave beauty and momentous decision." —The New York Times




Art of Death


Book Description

How did our ancestors die? Whereas in our own day the subject of death is usually avoided, in pre-Industrial England the rituals and processes of death were present and immediate. People not only surrounded themselves with memento mori, they also sought to keep alive memories of those who had gone before. This continual confrontation with death was enhanced by a rich culture of visual artifacts. In The Art of Death, Nigel Llewellyn explores the meanings behind an astonishing range of these artifacts, and describes the attitudes and practices which lay behind their production and use. Illustrated and explained in this book are an array of little-known objects and images such as death's head spoons, jewels and swords, mourning-rings and fans, wax effigies, church monuments, Dance of Death prints, funeral invitations and ephemera, as well as works by well-known artists, including Holbein, Hogarth and Blake.




Murder at the Natural History Museum


Book Description

1895. When the newly dubbed 'Museum Detectives' are asked to investigate deliberate damage to a dinosaur skeleton at the Natural History Museum, there is evidence that the fossil-hunting mania of the notorious Bone Wars in America may have reached their shores. But for Daniel Wilson, famed for his involvement in the Jack the Ripper case, and renowned archaeologist Abigail Fenton, events soon take a sinister turn. A museum attendant is found dead in an anteroom by none other than the infamous theatre manager Bram Stoker, who it seems may have had a personal connection with the deceased. Facing pressure both from an overseas business and local celebrity, Wilson and Fenton must rely on their talents and instincts to solve their most puzzling case yet.