Murder at Wrotham Hill


Book Description

Murder at Wrotham Hill takes the killing in October 1946 of Dagmar Petrzywalski as the catalyst for a compelling and unique meditation on murder and fate. Dagmar, a gentle, eccentric spinster, was the embodiment of Austerity Britain's prudence and thrift. Her murderer Harold Hagger's litany of petty crimes, abandoned wives, sloughed-off identities and desertion was its opposite. The texture of their lives and the impression their experiences made on their characters fated their meeting on that bleak autumn morning - and determined the manner in which both would meet their death. Featuring England's first celebrity policeman, Fabian of the Yard, the celebrated forensic scientist, Keith Simpson, and history's most famous and dedicated hangman, Albert Pierrepoint, this is a gripping and deeply moving book.




Wild Girls


Book Description

Wild Girls is the critically acclaimed true story of two wealthy American heiresses---one an artist, the other a writer---whose stormy, passionate love affair captivated Paris’s salon set between the wars. Natalie Barney and Romaine Brooks were rich, American, eccentric, and grandly lesbian. They met in Paris in 1915, and their relationship lasted more than fifty years, despite infidelity, separation, and temperamental differences. Romaine Brooks, a painter, was the product of an unhappy childhood and trusted no one but Natalie. Natalie Barney was passionate about life, sex, and love. Her Friday afternoon salons, attended by Gertrude Stein, and Colette and Edith Sitwell, were a magnet for social introductions and cultural innovations. Drawing from letters, papers, and paintings, Diana Souhami, the award-winning author of Mrs. Keppel and Her Daughter, re-creates the lives and loves of this pair of dazzling and wild women. “Epic romance . . . smartly sex-positive and so good-naturedly shocking.” ---The New York Times Book Review “Real tenderness and pathos . . . not only entertaining but affecting reading.” ---The Washington Post “Their friends were the most bohemian, their parties the most risqué, their tortured love affair the most notorious in Europe. Diana Souhami tells a remarkable tale.” ---The Sunday Telegraph (UK)




No Modernism Without Lesbians


Book Description

A Sunday Times Book of the Year Winner of the Polari Prize 'A book about love, identity, acceptance and the freedom to write, paint, compose and wear corduroy breeches with gaiters. To swear, kiss, publish and be damned. It is vastly entertaining and often moving... There isn't a page without an entertaining vignette' The Times. The extraordinary story of how a singular group of women in a pivotal time and place – Paris, Between the Wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris. 'One of the best books I've read this year.' James Bridle




Mrs. Keppel and Her Daughter


Book Description

Alice Keppel, the married lover of Queen Victoria's eldest son and great-grandmother to Camilla Parker-Bowles, was a key figure in Edwardian society. Hers was the acceptable face of adultery. Discretion was her hallmark. It was her art to be the king's mistress and yet to laud the Royal Family and the institution of marriage. Formidable and manipulative, her attentions to the king brought her wealth, power, and status. Her daughter Violet Trefusis had a long tempestuous affair with the author and aristocrat Vita Sackville-West, during which Vita left her husband and two sons to travel abroad with Violet. It was a liaison that threatened the fabric of Violet's social world, and her passion and recalcitrance in pursuit of it pitted her against her mother and society. From memoirs, diaries, and letters, Diana Souhami portrays this fascinating and intense mother/daughter relationship in Mrs. Keppel and Her Daughter. Her story of these women, their lovers, and their lovers' mothers, highlights Edwardian - and contemporary - duplicity and double standards and goes to the heart of questions about sexual freedoms.




Edith Cavell


Book Description

Edith Cavell was born in 1865, daughter of a Norfolk vicar, and shot in Brussels on 12 October 1915 by the Germans for sheltering British and French soldiers and helping them escape over the Belgian border. Following a traditional village childhood in 19th century England, Edith worked as a governess in the UK and abroad, before training as a nurse in London in 1895. To Edith, nursing was a duty, a vocation, but above all a service. By 1907, she had travelled most of Europe and become matron of her own hospital in Belgium, where, under her leadership, a ramshackle hospital with few staff and little organization became a model nursing school. When war broke out, Edith helped soldiers to escape the war by giving them jobs in her hospital, finding clothing and organizing safe passage into Holland. In all, she assisted over two hundred men. When her secret work was discovered, Edith was put on trial and sentenced to death by firing squad. She uttered only 130 words in her defence. A devout Christian, the evening before her death, she asked to be remembered as a nurse, not a hero or a martyr, and prayed to be fit for heaven. When news of Edith's death reached Britain, army recruitment doubled. Diana Souhami brings one of the Great War's finest heroes to life in this biography of a hardworking, courageous and independent woman.




Coconut Chaos


Book Description

A unique travelogue in which the author journeys to Pitcairn Island—of Mutiny on the Bounty fame—with detours to eighteenth-century Tahiti and beyond. It started with a coconut . . . In the early hours of April 27, 1789, Fletcher Christian, master’s mate on the HMS Bounty, took a coconut from a pile on the quarterdeck. This random, seemingly inconsequential act set in motion a snowballing series of events that culminated in a revolt. In this strikingly original book, equal parts travelogue, memoir, and time-travel adventure, Diana Souhami moves across time and place, from eighteenth-century Tahiti to modern-day Pitcairn Island, from Knightsbridge to Tauranga, Mangareva to Tubuai. Along with Fletcher Christian, the sprawling cast of characters includes the unforgettable Captain William Bligh, who is cast adrift in an open boat on ferocious seas with eighteen men and no maps or supplies. Along the way, Souhami also introduces us to Pitcairn Island sex offenders, the Native American crew of a seventeen-thousand-ton ship called the Tundra Princess, her own elderly mother, and a mysterious lesbian aristocrat known as Lady Myre. Weaving together history, destiny, and chaos theory, this captivating adventure is for anyone who has ever yearned to travel to an exotic, faraway place.




Gluck


Book Description

Diana Souhami’s critically acclaimed biography of lesbian painter Hannah Gluckstein—the woman, the artist, the legend To her family, Hannah Gluckstein was known as Hig. To Edith Shackleton Heald, the journalist with whom she lived for almost forty years, she was Dearest Grub. And to the art world, she was simply Gluck. She was born in 1895 into a life of privilege. Her family had founded J. Lyons & Co., a vast catering empire. From the beginning Gluck was a rebel. At a time when only men wore trousers, she scandalized society with her masculine clothing—though she always dressed with style and turned androgyny into high fashion. Her affairs with high-profile women shocked her conservative family, even while she achieved fame as an artist. During the 1920s and thirties, Gluck’s paintings—portraits, flowers, and landscapes, presented in frames designed and patented by her—were the toast of the town. At the height of her success, when wounded in love, her own obsessions caused her to fade for decades from the public eye, but then, at nearly eighty, her return to the spotlight ensured her immortality.




Gwendolen


Book Description

"A bold feat of imagination . . . . Intriguing and moving: a fictional recovery of the woman's interior experience . . . and a powerful meditation upon the nature of creativity. Both an arresting interpretation of George Eliot's work and a compelling fiction in its own right." —Rebecca Mead, author of My Life in Middlemarch In an astonishing unsent love letter, a 19th-century Englishwoman looks back at her formative years, when she fell in love with one man but married another—the richest bidder—to save her family Gwendolen Harleth, an exceptionally beautiful upper-class Englishwoman, is gambling boldly at a resort when she catches the eye of a handsome, pensive gentleman. His gaze unnerves her, and she loses her winnings. The next day, she learns that her widowed mother and younger sisters, for whom she is financially responsible, have lost their family's fortune. As a young woman in the 1860s with only her looks to serve her, Gwendolen's options are few, so when Henleigh Grandcourt, a wealthy aristocrat, proposes to her, she accepts, despite her discovery of an alarming secret about his past. During their marriage, Grandcourt is psychologically and physically brutal to her, shattering her confidence. Gwendolen begins to encounter the alluring gentleman from the resort—Daniel Deronda—in her social circles, but Grandcourt, cold and calculating, takes pains to isolate her from everything she loves. Gwendolen's desperation nearly overcomes her, until an unexpected turn of events suddenly liberates her from Grandcourt's tyranny and leaves her financially independent. Newly free, but riddled with insecurity and desire, Gwendolen must take painful steps to shape a life that has not gone according to plan. Gwendolen and her world, originally creations of George Eliot, are inhabited and brought to sympathetic and nuanced life in this irresistible debut novel by Diana Souhami, an award-winning British biographer.




A Different Class of Murder


Book Description

'Sensational. The most minutely researched and brilliantly told account ever' MAIL ON SUNDAY. Laura Thompson re-examines the truths behind one of post-war Britain's most notorious murders: the bludgeoning to death of nanny Sandra Rivett in a Belgravia basement on 7 November 1974. Lord Lucan, found guilty of the murder, was only granted a death certificate in 2016. His wife Veronica – last surviving participant in this dark episode – died in September 2017. In this revised edition, Laura Thompson sheds new light on the volatile mental state of Veronica Lucan, and on the theories surrounding the murder, to which she adds a new, extraordinary and shocking possibility.




The Invention of Murder


Book Description

"Superb... Flanders's convincing and smart synthesis of the evolution of an official police force, fictional detectives, and real-life cause célèbres will appeal to devotees of true crime and detective fiction alike." -Publishers Weekly, starred review In this fascinating exploration of murder in nineteenth century England, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction Murder in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama-even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other-the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell. In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder in Great Britain, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare's bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London's East End. Through these stories of murder-from the brutal to the pathetic-Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.