Mannequins in Museums


Book Description

Mannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects. Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques.




Living Pictures, Missing Persons


Book Description

In the late nineteenth century, Scandinavian urban dwellers developed a passion for a new, utterly modern sort of visual spectacle: objects and effigies brought to life in astonishingly detailed, realistic scenes. The period 1880-1910 was the popular high point of mannequin display in Europe. Living Pictures, Missing Persons explores this phenomenon as it unfolded with the rise of wax museums and folk museums in the largest cities of Denmark, Sweden, and Norway. Mark Sandberg asks: Why did modernity generate a cultural fascination with the idea of effigy? He shows that the idea of effigy is also a portal to understanding other aspects of visual entertainment in that period, including the widespread interest in illusionistic scenes and tableaux, in the "portability" of sights, spaces, and entire milieus. Sandberg investigates this transformation of visual culture outside the usual test cases of the largest European metropolises. He argues that Scandinavian spectators desired an unusual degree of authenticity--a cultural preference for naturalism that made its way beyond theater to popular forms of museum display. The Scandinavian wax museums and folk-ethnographic displays of the era helped pre-cinematic spectators work out the social implications of both voyeuristic and immersive display techniques. This careful study thus anticipates some of the central paradoxes of twentieth-century visual culture--but in a time when the mannequin and the physical relic reigned supreme, and in a place where the contrast between tradition and modernity was a high-stakes game.




Museum Mannequins


Book Description




Museum Matters


Book Description

Museum Matters tells the story of Mexico's national collections through the trajectories of its objects. The essays in this book show the many ways in which things matter and affect how Mexico imagines its past, present, and future.




Museum mannequins


Book Description




"Characters of ... Several Nations Represented as Perfect as Possible"


Book Description

Racialized mannequins were a common sight in the museums of the early American republic. These life-sized models could differ significantly in terms of their materiality and their exhibition. Most were cast from dyed beeswax in American or European workshops. However, some likenesses of "Chinese mandarins" were in fact repurposed clay decorations imported from Canton. In terms of display, the majority of racialized figures were framed in an ethnographic light. Spectators would ostensibly learn about the different peoples of the world through their encounters with various "Indians," "mandarins," and "Sandwich Islanders"-many of which were dressed in "authentic" material culture. Models of Black bodies, meanwhile, stood out for their lack of didactic trappings; these were almost always posed in scenes that white audiences were meant to find entertaining. All these figures commonly emerged during an era when Euro-Americans were thinking about human difference in new ways. Developing "scientific" notions of race encouraged the belief that nonwhite peoples were innately and physiologically inferior to their European and Euro-American counterparts. This study uses racialized mannequins to examine the arbitrary and contradictory ways in which such fantasies spread among the American public. These authoritative sources that supposedly demonstrated inherent human difference were either recycled household ornaments or waxen bodies whose ascribed identities could change with a coat of paint or change of clothes.




Ralph Pucci


Book Description

Ralph Pucci is the most innovative designer in mannequin fabrication today. This volume puts Pucci in a broader context, tracking the mannequin's origin to fifteenth-century sample dolls and dress forms, while highlighting the materials, techniques and technologies that have shaped its sophistication today.




Fashion, History, Museums


Book Description

This book is available as open access through the Knowledge Unlatched programme and is available on www.bloomsburycollections.com. "A remarkable resource for the field of fashion studies suitable for both newcomers ... {and] seasoned practitioners." - Fashion Historia "A precious source in the study of the subject ... inspiring." - The Journal of Dress History The last decade has seen the growing popularity and visibility of fashion as a cultural product, including its growing presence in museum exhibitions. This book explores the history of fashion displays, highlighting the continuity of past and present curatorial practices. Comparing and contrasting exhibitions from different museums and decades-from the Paris Exposition Universelle of 1900 to the Alexander McQueen Savage Beauty show at the Metropolitan Museum of Art in 2011, and beyond-it makes connections between museum fashion and the wider fashion industry. By critically analyzing trends in fashion exhibition practice over the 20th and early 21st centuries, Julia Petrov defines and describes the varied representations of historical fashion within British and North American museum exhibitions. Rooted in extensive archival research on exhibitions by global leaders in the field-from the Victoria and Albert and the Bath Fashion Museum to the Brooklyn and the Royal Ontario Museums-the work reveals how fashion exhibitions have been shaped by the values and anxieties associated with fashion more generally. Supplemented by parallel critical approaches, including museological theory, historiography, body theory, material culture, and visual studies, Fashion, History, Museums demonstrates that in an increasingly corporate and mass-mediated world, fashion exhibitions must be analysed in a comparative and global context. Richly illustrated with 70 images, this book is essential reading for students and scholars of fashion history and museology, as well as curators, conservators, and exhibition designers.




Profiles of the Mannequin


Book Description

They've been referred to as the quintessential silent sales force, but they are so much more than fancy clothes hangers. Mannequins breathe life, emotion, and animation into retail environments across the world. They are works of art that tap into the emotions and aspirations of all who engage with them. Profiles of the Mannequin tracks the history and evolution of these intriguing figures from the headless models of 1900 right up to today's virtual mannequins. Exploring shifts in representation of gender, race and body type, this study chronicles the connection between mannequins and movements in art, the humanities, current affairs, and fashion. Beautifully illustrated and engagingly told, fascinating in-depth interviews with creative professionals recount their experiences, philosophies, and stories of the mannequin and its impact on our culture as both a utilitarian object and as an artistic statement. Interviewees include: -Carol Barnhart, former owner and CEO, Carol Barnhart Inc. -Harry Cunningham, former Senior Vice President Store Planning, Design, and Visual Merchandising, Saks Fifth Avenue -James Damian, former President of Hindsgaul Mannequins USA -Paul Olszewski, former National Director of Windows and Internal Flagship Marketing, Macy's -Barbara Paris Gifford, Curator, Museum of Art and Design (MAD), New York -Ralph Pucci, mannequin designer, gallery owner and entrepreneur -Rob Smith, the CEO and Founder of the Phluid Project, the first gender-neutral store in the retail industry




Fashion and Museums


Book Description

Why is fashion "in fashion" in museums today? This timely volume brings together expert scholars and curators to examine the reasons behind fashion's popularity in the twenty-first century museum and the impact this has had on wider museum practice. Chapters explore the role of fashion in the museum across a range of international case studies including the Costume Institute at the Metropolitan Museum of Art in New York, The Fashion Museum at Bath, ModeMuseum in Antwerp and many more. Contributions look at topics such as how fashion has made museums accessible to diverse audiences and how curators present broader themes and issues such as gender, class and technology innovatively through exhibiting fashion. Drawing on approaches from dress history, fashion studies, museum studies and curatorship, this engaging book will be key reading for students and scholars across a range of disciplines.