Book Description
Aspects of the history of music in early America and the history of early American music.
Author : Irving Lowens
Publisher : New York : W. W. Norton
Page : 328 pages
File Size : 39,4 MB
Release : 1964
Category : Composers
ISBN : 9780393097436
Aspects of the history of music in early America and the history of early American music.
Author : Glenda Goodman
Publisher : Oxford University Press
Page : 277 pages
File Size : 43,30 MB
Release : 2020-03-23
Category : Music
ISBN : 0190884924
Scattered in archives and historical societies across the United States are hundreds of volumes of manuscript music, copied by hand by eighteenth-century amateurs. Often overlooked, amateur music making played a key role in the construction of gender, class, race, and nation in the post-revolution years of the United States. These early Americans, seeking ways to present themselves as genteel, erudite, and pious, saw copying music by hand and performing it in intimate social groups as a way to make themselves--and their new nation-appear culturally sophisticated. Following a select group of amateur musicians, Cultivated by Hand makes the case that amateur music making was both consequential to American culture of the eighteenth century and aligned with other forms of self-fashioning. This interdisciplinary study explores the social and material practices of amateur music making, analyzing the materiality of manuscripts, tracing the lives of individual musicians, and uncovering their musical tastes and sensibilities. Author Glenda Goodman explores highly personal yet often denigrated experiences of musically "accomplished" female amateurs in particular, who grappled with finding a meaningful place in their lives for music. Revealing the presence of these unacknowledged subjects in music history, Cultivated by Hand reclaims the importance of such work and presents a class of musicians whose labors should be taken into account.
Author : Richard Crawford
Publisher : W. W. Norton & Company
Page : 1000 pages
File Size : 29,96 MB
Release : 2001
Category : History
ISBN : 9780393048100
An illustrated history of America's musical heritage ranges from the earliest examples of Native American traditional song to the innovative sound of contemporary rock and jazz.
Author : Michael Broyles
Publisher : Indiana University Press
Page : 432 pages
File Size : 20,16 MB
Release : 2011-10-27
Category : Biography & Autobiography
ISBN : 0253357047
Examines America's early reception to Beethoven, the use of his work and image in American music, movies, stage works, and other forms of popular culture, and related topics.
Author : Benjamin Filene
Publisher : UNC Press Books
Page : 344 pages
File Size : 43,62 MB
Release : 2000
Category : Music
ISBN : 9780807848623
In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo
Author : George Hood
Publisher :
Page : 268 pages
File Size : 12,26 MB
Release : 1846
Category : Church music
ISBN :
Author : Christopher Johnson
Publisher : Routledge
Page : 176 pages
File Size : 17,17 MB
Release : 2019-10-16
Category : Music
ISBN : 0429648510
Musicians’ Migratory Patterns: The African Drum as Symbol in Early America questions the ban that was placed on the African drum in early America. It shows the functional use of the drum for celebrations, weddings, funerals, religious ceremonies, and nonviolent communication. The assumption that "drums and horns" were used to communicate in slave revolts is undone in this study. Rather, this volume seeks to consider the "social place" of the drum for both blacks and whites of the time, using the writings of Europeans and colonial-era Americans, the accounts of African American free persons and slaves, the period instruments, and numerous illustrations of paintings and sculpture. The image of the drum was effectively appropriated by Europeans and Americans who wrote about African American culture, particularly in the nineteenth century, and re-appropriated by African American poets and painters in the early twentieth century who recreated a positive nationalist view of their African past. Throughout human history, cultural objects have been banned by one group to be used another, objects that include books, religious artifacts, and ways of dress. This study unlocks a metaphor that is at the root of racial bias—the idea of what is primitive—while offering a fresh approach by promoting the construct of multiple-points-of-view for this social-historical presentation.
Author : Judith Tick
Publisher : Oxford University Press
Page : 920 pages
File Size : 25,77 MB
Release : 2008-09-26
Category : Music
ISBN : 019803203X
Music in the USA: A Documentary Companion charts a path through American music and musical life using as guides the words of composers, performers, writers and the rest of us ordinary folks who sing, dance, and listen. The anthology of primary sources contains about 160 selections from 1540 to 2000. Sometimes the sources are classics in the literature around American music, for example, the Preface to the Bay Psalm Book, excerpts from Slave Songs of the United States, and Charles Ives extolling Emerson. But many other selections offer uncommon sources, including a satirical story about a Yankee music teacher; various columns from 19th-century German American newspapers; the memoirs of a 19th-century diva; Lottie Joplin remembering her husband Scott; a little-known reflection of Copland about Stravinsky; an interview with Muddy Waters from the Chicago Defender; a letter from Woody Guthrie on the "spunkfire" attitude of a folk song; a press release from the Country Music Association; and the Congressional testimony around "Napster." "Sidebar" entries occasionally bring a topic or an idea into the present, acknowledging the extent to which revivals of many kinds of music play a role in American contemporary culture. This book focuses on the connections between theory and practice to enrich our understanding of the diversity of American musical experiences. Designed especially to accompany college courses which survey American music as a whole, the book is also relevant to courses in American history and American Studies.
Author : John Spitzer
Publisher : University of Chicago Press
Page : 504 pages
File Size : 40,48 MB
Release : 2012-04-09
Category : History
ISBN : 0226769763
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
Author : Raoul F. Camus
Publisher : Chapel Hill : University of North Carolina Press
Page : 240 pages
File Size : 38,64 MB
Release : 1976
Category : History
ISBN :
This book correlates early American history during the Revolutionary War with the musical tradition of America. The growth and topics of American colonial and Revolutionary era music, especially in the military, are used as insight to military trends and American culture.