Music and Mysticism


Book Description

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Art, Music, and Mysticism at the Fin de Siècle


Book Description

This edited volume explores the dialogue between art and music with that of mystical currents at the turn of the twentieth century. The volume draws on the most current research from both art historians and musicologists to present an interdisciplinary approach to the study of mysticism’s historical importance. The chapters in this edited volume gauge the scope of different interpretations of mysticism and illuminate how an exchange between the sister arts unveil an underlying stream of metaphysical, supernatural, and spiritual ideas over the course of the century. Case studies include Charles Tournemire, Joseph Péladan, Erik Satie, Hilma af Klint, Jean Sibelius, František Kupka, and Wassily Kandinsky. The contributors’ unique theoretical perspectives and disciplinary methodologies offer expert insight on both the rewards and inevitable aesthetic complications that arise when one artform meets another. The book will be of interest to scholars working in art history, musicology, visual culture, and mysticism.




The Mysticism of Sound and Music


Book Description

The first teacher to bring Islamic mysticism to the West presents music’s divine nature and its connection to our daily lives in this poetic classic of Sufi literature. Music, according to Sufi teaching, is really a small expression of the overwhelming and perfect harmony of the whole universe—and that is the secret of its amazing power to move us. The Indian Sufi master Hazrat Inayat Khan (1882–1927), the first teacher to bring the Islamic mystical tradition to the West, was an accomplished musician himself. His lucid exposition of music's divine nature has become a modern classic, beloved not only by those interested in Sufism but by musicians of all kinds.




Musical mysticism.


Book Description

The book is an eclectic mix of selected poem from the various works of poetry spanning over a period of time and covering various subjects like mythology, beauty, nature, music and rains. The word imagery is quite vivid and creates very sound patterns of imagination and imagery in the minds of the readers with enhanced sensibilities and sensitivities to enhance the aesthetic experiences in the reader of the viewer. The subjects often intersperse into each other and create a visual and aesthetic delight out of the beauty of the exchange. The choice of words is exacting and appropriate to the situation or the subject.




Music and Mysticism


Book Description

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.




Mysticism, Ritual and Religion in Drone Metal


Book Description

This is the first extensive scholarly study of drone metal music and its religious associations, drawing on five years of ethnographic participant observation from more than 300 performances and 74 interviews, plus surveys, analyses of sound recordings, artwork, and extensive online discourse about music. Owen Coggins shows that while many drone metal listeners identify as non-religious, their ways of engaging with and talking about drone metal are richly informed by mysticism, ritual and religion. He explores why language relating to mysticism and spiritual experience is so prevalent in drone metal culture and in discussion of musical experiences and practices of the genre. The author develops the work of Michel de Certeau to provide an empirically grounded theory of mysticism in popular culture. He argues that the marginality of the genre culture, together with the extremely abstract sound produces a focus on the listeners' engagement with sound, and that this in turn creates a space for the open-ended exploration of religiosity in extreme states of bodily consciousness.




Mysticism


Book Description




A New Companion to Hispanic Mysticism


Book Description

The canon of Hispanic mysticism is expanding. No longer is our picture of this special brand of early modern devotional practice limited to a handful of venerable saints. Instead, we recognize a wide range of marginal figures as practitioners of mysticism, broadly defined. Neither do we limit the study of mysticism necessarily to the Christian religion, nor even to the realm of literature. Representations of mysticism are also found in the visual, plastic and musical arts. The terminology and theoretical framework of mysticism permeate early modern Hispanic cultures. Paradoxically, by taking a more inclusive approach to studying mysticism in its marginal manifestations, we draw mysticism---in all its complex iterations---back toward its rightful place at the center of early modern spiritual experience. Contributors: Colin Thompson, Alastair Hamilton, Christina Lee, Clara Herrera, Darcy Donahue, Elena del Rio Parra, Evelyn Toft, Fernando Duran Lopez, Piancisco Morales, Freddy Dominguez, Glyn Redworth, Jane Ackerman, Jessica Boon, Jose Adriano de Freitas Carvalho, Luce Lopez-Barat, Maria Mercedes Carrion, Maryrica Lottman, and Tess Knighton.




Imagery Techniques in Modern Jewish Mysticism


Book Description

This book analyzes and describes the development and aspects of imagery techniques, a primary mode of mystical experience, in twentieth century Jewish mysticism. These techniques, in contrast to linguistic techniques in medieval Kabbalah and in contrast to early Hasidism, have all the characteristics of a full screenplay, a long and complicated plot woven together from many scenes, a kind of a feature film. Research on this development and nature of the imagery experience is carried out through comparison to similar developments in philosophy and psychology and is fruitfully contextualized within broader trends of western and eastern mysticism.




Mysticism


Book Description

First published in 1911, Mysticism remains the classic in its field and was lauded by The Princeton Theological Review as "brilliantly written [and] illuminated with numerous well-chosen extracts ... used with exquisite skill." Mysticism makes an in-depth and comprehensive exploration of its subject. Part One examines "The Mystic Fact," explaining the relation of mysticism to vitalism, to psychology, to theology, to symbolism, and to magic. Part Two, "The Mystic Way," explores the awakening, purification, and illumination of the self; discusses voices and visions; and delves into manifestatioins from ecstasty and rapture to the dark night of the soul. Rounding out the book are a useful Appendix, an exhaustive Bibliography, and an Index. Mysticism is thoroughly documented with material drawn from such great mystics as St. Teresa of Avila, Meister Eckhart, and St. John of the Cross, and this new Image Classic features a Foreword by Ira Progoff, translator of Cloud Unknowing and director of Dialogue House in New York City.