Music-centered Music Therapy


Book Description

An ambitious and long-awaited text that sets out the basic practices and principles of approaches to music therapy that place music and music experience in a central role. The text provides a philosophical and practical rationale for music experience as a legitimate goal of clinical music therapy. An historical account is given of music-centered thinking in music therapy and the manifestation of this way of thinking in various contemporary music therapy models. The latter part of the book develops the specifics of a particular music-centered theory that is meant to be applicable across different domains of treatment. This book is essential for readers interested in the development of theory in music therapy, for music-centered practitioners who have been searching for a vocabulary and conceptual framework in which to articulate their clinical approach, and for anyone interested in the intrinsic value of music experience for human development.




Culture-centered Music Therapy


Book Description

An in-depth exploration of taking culture-inclusive perspectives for practice, theory, and research in music therapy. Part One outlines premises for the argument, examining basic concepts such as culture, humankind, meaning, "musicking," and the nature-nurture debate. Part Two highlights how culture-centered music therapy may be practiced. In Part Three, implications for describing and understanding music therapy are discussed, including a chapter on how to define music therapy as practice, discipline, and profession. A culture-inclusive model of the music therapy process is also proposed. Part Four suggests approaches to music therapy research within a culture-centered context.




The Oxford Handbook of Music Therapy


Book Description

Music therapy is growing internationally to be one of the leading evidence-based psychosocial allied health professions to meet needs across the lifespan.The Oxford Handbook of Music Therapy is the most comprehensive text on this topic in its history. It presents exhaustive coverage of the topic from international leaders in the field.




The Study of Music Therapy: Current Issues and Concepts


Book Description

This book addresses the issues in music therapy that are central to understanding it in its scholarly dimensions, how it is evolving, and how it connects to related academic disciplines. It draws on a multi-disciplinary approach to look at the defining issues of music therapy as a scholarly discipline, rather than as an area of clinical practice. It is the single best resource for scholars interested in music therapy because it focuses on the areas that tend to be of greatest interest to them, such as issues of definition, theory, and the function of social context, but also does not assume detailed prior knowledge of the subject. Some of the topics discussed include defining the nature of music therapy, its relation to current and historical uses of music in human well-being, and considerations on what makes music therapy work. Contemporary thinking on the role of neurological theory, early interaction theory, and evolutionary considerations in music therapy theory are also reviewed. Within each of these areas, the author presents an overview of the development of thinking, discusses contrasting positions, and offers a personalized synthesis of the issue. The Study of Music Therapy is the only book in music therapy that gathers all the major issues currently debated in the field, providing a critical overview of the predominance of opinions on these issues.




Becoming a Music-Centered Therapist


Book Description

Becoming a Music-Centered Therapist is a hands-on practical book designed to help students and professionals integrate-or re-integrate-their identity as a musician with their career as a music therapist. Theory, context, and step-by-step exercises combine to encourage students and practitioners in examining their relationship to music, prompting thoughtful questions about how their musical identity can expand what's possible clinically, and deepening insight into how to spark this growth in the design of their treatment plans. The author crafts clinical scenarios and musical examples to guide readers in building dynamic treatment plans that combine music with the complex needs of the human beings with whom they work. The strategies and philosophy at the heart of Becoming a Music-Centered Therapist help the reader bridge the divide between humanistic understanding and evidence-based outcomes. Language and communication choices, as well as the practical application of goals, are explored in depth. Music therapy educators will find this book's clear-cut practical framework-juxtaposed against a backdrop that crosses multiple disciplines-will work well in treatment planning, methods, practicum, internship, and clinical musicing classes and can be used repeatedly during different stages of a student's training. For music therapy practitioners, Becoming a Music-Centered Therapist offers a refreshing opportunity to consider where their own musicianship resides in their practice. Humanism, positivity, and the art and science of music therapy are explored to infuse the music therapist's sessions with new life and renewed purpose.




Themes for Therapy


Book Description




Music-Centered Music Therapy Interventions with the Viola


Book Description

This research involved the creation of music therapy interventions making use of the viola within a music-centered music therapy framework. The researcher elaborates on her background and experience using the viola as her primary instrument, which contributes to the design of four separate interventions. The literature review reveals that there are a number of music therapists who have evaluated the use of their primary instrument in a self-reflexive manner; these accounts were used to further examine the importance of using one's own musicality and create a guideline for the use of viola. The music-centered music therapy orientation as conceptualized by Kenneth Aigen is summarized and supports the ideas regarding the aesthetic qualities and how they influence clinical goals. The interventions developed included using the viola for improvisation, receptive listening, conducting, and movement to music. Steps were described within each intervention in order for other music therapists to be able to follow and replicate them as easily as possible. Considerations to be aware of before implementing each intervention are discussed, such as assessment and evaluation information for clients, as well as indications and contraindications that may emerge. While the research served to create the interventions from a music-centered perspective based on past studies on one's primary instrument in music therapy, the interventions were not tested. Future research that could test these interventions would be beneficial for the growth of knowledge within this field, particularly by music therapists who can provide a different viewpoint and perspective.




Being in Music


Book Description

In 1974, Paul Nordoff and Clive Robbins engaged in their final and most extensive teaching collaboration at a hospital in southeast London. The entire six-month course was audiotaped and the transcripts provide the source of this study which illuminates the foundations of this seminal approach to creative music therapy.




Music-Centered Music Therapy with Youth in Mental Health Care Contexts


Book Description

The purpose of this research was to understand how the needs of youth in mental health care contexts might be met through music-centered music therapy. This philosophical inquiry used Aigen's (2005a) five dimensions of music-centered music therapy; the creative, expressive, aesthetic, communal, and transpersonal dimensions, to reason why this approach has clinical relevance with youth in mental health care contexts. Literature relating to music-centered music therapy, the needs of youth in mental health care contexts, and the use of music therapy with this population were explored in order to formulate a basis for the inquiry. The needs of youth in mental health care contexts were developed according to research on the needs of youth in general and the needs specific to youth in mental health care contexts. Needs relating to expressing emotion, understanding and formation of self, connectedness and belonging, feeling empowered, and coping with symptoms of mental illness were identified. Using the five dimensions of music centered music therapy as a lens to explore their interaction with the needs of youth in mental health care contexts, intersections and new insights were conceptualized. Lastly, the research findings, clinical implications, research implications and limitations are discussed. This research may be used as a resource for the use of music-centered music therapy with youth in mental health care contexts, and the emergent themes may serve as a starting point for additional research.




Music at the Edge


Book Description

Music at the Edge invites the reader to experience a complete music therapy journey through the words and music of the client, and the therapist’s reflections. Francis, a musician living with AIDS, challenged Colin Andrew Lee, the music therapist, to help clarify his feelings about living and dying. The relationship that developed between them enabled Francis the opportunity to reconsider the meaning of his life and subsequent physical decline, within a musical context. First published in 1996, Music at the Edge is a unique and compelling music therapy case study. In this new edition of the highly successful book, Colin retains the force of the original text through the lens of contemporary music therapy theory. This edition also includes more detailed narrative responses from the author and his role as a therapist and gay man. Central to the book are the audio examples from the sessions themselves. The improvisations Francis played and his insightful verbal explorations provide an extraordinary glimpse into the therapeutic process when working in palliative and end-of-life care. This illuminating book offers therapists, musicians, related professionals and those working with, or facing, illness and death a unique glimpse into the transcendent powers of music. It is also relevant to anyone interested in the creative account of a pianist’s discovery of life and death through music.