Music, Evolution, and the Harmony of Souls


Book Description

Music is central to human cultural and intellectual experience. It is vitally important for the welfare of human society and - this book argues - should become more widely accepted in our community as a mainstream educational and therapeutic tool. This book explores the importance of music throughout human evolution, and its continued relevance to modern-day human society. Throughout, the emphasis is on the origin of music and how (and where) it is processed in our brains, exploring in detail the genetic and cultural evolution of modern, loquacious humans, how we may have evolved with unique neural and cognitive architecture, and why two complementary but distinct communication systems - language and music - remain a human universal. In addition the book explores, in some depth, the different theories that have been put forward to explain why musical communication was (and remains) advantageous to our species, with a particular emphasis on the role of music and dance in enhancing altruistic and prosocial behaviours. The author suggests that music, and the social harmonization it brings, was of vital importance in early humans as we became more and more individualized by the emergence of modern language and the modern mind, and the realization that we are mortal. Music, Evolution, and the Harmony of Souls demonstrates the evolutionary sociobiological importance of music as a driver of cooperative and interactive behaviour throughout human existence, and what this evolutionary imperative means to twenty-first century humanity and beyond, from social and medical/neurological perspectives




Music, Language, and Human Evolution


Book Description

The accompanying DVD provides some glimpses of the practice of music in a variety of cultures and illustrates ways of listening to the human voice that reveal its intrinsic musicality. The DVD was edited by Pedro Espi-Sanchis, who recorded further material in South Africa.




Music, Its Laws and Evolution


Book Description




The Prehistory of Music


Book Description

Music is possessed by all human cultures, and archaeological evidence for musical activities pre-dates even the earliest known cave art. Music has been the subject of keen investigation across a great diversity of fields, from neuroscience and psychology to ethnography, archaeology, and its own dedicated field, musicology. Despite the great contributions that these studies have made towards understanding musical behaviours, much remains mysterious about this ubiquitous human phenomenon—not least, its origins. In a ground-breaking study, this volume brings together evidence from these fields, and more, in investigating the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. Seeking to understand the true relationship between our unique musical capabilities and the development of the remarkable social, emotional, and communicative abilities of our species, it will be essential reading for anyone interested in music and human physical and cultural evolution.




Why We Like Music


Book Description

Ranging widely through discoveries in acoustics, emotion, healing, cognition, neuroscience, and infant development, Silvia Bencivelli covers the state of the art in research about our relationship with music and presents several possible conclusions.




The Digital Evolution of Live Music


Book Description

The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. - Gives perspectives on the function of live music in digital culture and the role of digital in live music - Focuses on the interaction between live and digital music - Takes the discussion of live music beyond economics and marketing, to the cultural and philosophical implications of digital culture for the art - Includes interviews with producers and players in the digital world of music production - Furthers debate by looking at access to digital music via social media, websites, and applications that recognise the impact of digital culture on the live music experience




The Evolution of Music


Book Description

This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact.




Music


Book Description




A Million Years of Music


Book Description

What is the origin of music? In the last few decades this centuries-old puzzle has been reinvigorated by new archaeological evidence and developments in the fields of cognitive science, linguistics, and evolutionary theory. Starting at a period of human prehistory long before Homo sapiens or music existed, Tomlinson describes the incremental attainments that, by changing the communication and society of prehuman species, laid the foundation for musical behaviors in more recent times. He traces in Neandertals and early sapiens the accumulation and development of these capacities, and he details their coalescence into modern musical behavior across the last hundred millennia




The Evolution of Electronic Music


Book Description

"This is the first comprehensive historical study of electronic music from World War II to the present. Giving an overall perspective of the electronic medium, David Ernst correlates historical developments with structural procedures. To aid the reader in understanding the evolution and compositional aesthetics of electronic music the author divides it into three categories: solo tape, performer with tape, and live electronics. In discussing each category Ernst concentrates upon small groups of pieces so that the structural relations between them become apparent. The Evolution of Electronic Music has a number of important features: A chronological list of pre-1948 events related to electronic music provides an historical background; It is the first non-technical examination of specific categories of electronic music based on sound sources and compositional techniques; Ernst analyzes major compositions of Stockhausen, Berio, Ligeti, Reich, and the Paris school of musique concrète composers; Graphic illustrations of selected works aid the reader in listening to those compositions; The appearance of voice in electronic works is documented; The use of electronics in jazz and rock is fully explored; Over ninety percent of all electronic compositions that are available as recordings are discussed; The detailed coverage of compositional techniques includes suggestions for original compositions; Each chapter has a discography; The bibliography includes general readings, works on computers and acoustics, and musical scores. The Evolution of Electronic Music covers both 'serious' and popular music, both notated and improvised uses of electronic sounds. It is the most complete and up-to-date book on the subject." --Back cover.