Music of the Great Depression


Book Description

Prior to the stock market crash of 1929 American music still possessed a distinct tendency towards elitism, as songwriters and composers sought to avoid the mass appeal that critics scorned. During the Depression, however, radio came to dominate the other musical media of the time, and a new era of truly popular music was born. Under the guidance of the great Duke Ellington and a number of other talented and charismatic performers, swing music unified the public consciousness like no other musical form before or since. At the same time the enduring legacies of Woody Guthrie in folk, Aaron Copeland in classical, and George and Ira Gershwin on Broadway stand as a testament to the great diversity of tastes and interests that subsisted throughout the Great Depression, and play a part still in our lives today. The lives of these and many other great musicians come alive in this insightful study of the works, artists, and circumstances that contributed to making and performing the music that helped America through one of its most difficult times. The American History through Music series examines the many different styles of music that have played a significant part in our nation's history. While volumes in this series show the multifaceted roles of music in our culture, they also use music as a lens through which readers may study American social history. The authors present in-depth analysis of American musical genres, significant musicians, technological innovations, and the many connections between music and the realms of art, politics, and daily life.




Depression Folk


Book Description

While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labor and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the complex cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact during the 1930s and beyond. Covering myriad musical styles and performers, Cohen narrates a singular history that begins in nineteenth-century labor politics and popular music culture, following the rise of unions and Communism to the subsequent Red Scare and increasing power of the Conservative movement in American politics--with American folk and vernacular music centered throughout. Detailing the influence and achievements of such notable musicians as Pete Seeger, Big Bill Broonzy, and Woody Guthrie, Cohen explores the intersections of politics, economics, and race, using the roots of American folk music to explore one of the United States' most troubled times. Becoming entangled with the ascending American left wing, folk music became synonymous with protest and sharing the troubles of real people through song.




Music of the Great Depression


Book Description

This volume in the new American History through Music reference series examines the roles of music during the Great Depression.




Hard Luck Blues


Book Description

Showcasing American music and music making during the Great Depression, Hard Luck Blues presents more than two hundred photographs created by the New Deal's Farm Security Administration photography program. With an appreciation for the amateur and the local, FSA photographers depicted a range of musicians sharing the regular music of everyday life, from informal songs in migrant work camps, farmers' homes, barn dances, and on street corners to organized performances at church revivals, dance halls, and community festivals. Captured across the nation from the northeast to the southwest, the images document the last generation of musicians who learned to play without the influence of recorded sound, as well as some of the pioneers of Chicago's R & B scene and the first years of amplified instruments. The best visual representation of American roots music performance during the Depression era, Hard Luck Blues features photographs by Jack Delano, Dorothea Lange, Russell Lee, Arthur Rothstein, Ben Shahn, Marion Post Wolcott, and others. Photographer and image researcher Rich Remsberg breathes life into the images by providing contextual details about the persons and events captured, in some cases drawing on interviews with the photographers' subjects. Also included are a foreword by author Nicholas Dawidoff and an afterword by music historian Henry Sapoznik. Published in association with the Library of Congress.




Dancing in the Dark: A Cultural History of the Great Depression


Book Description

A cultural history of the 1930s explores the anxiety, despair, and optimism of the period, exploring how the period culture provided a dynamic lift to the country's morale.




Music in Unconventional Spaces


Book Description

The world of the Great Depression was in massive transition as the economy crumbled and people sought an escape from their ordinary and troublesome lives. The expanding and remodeling cultural forms of this time worked to provide this diversion for all people. One of these forms in particular adapted to fulfill the need of the American people: music. While music was a popular form of culture throughout the American past, it went through a large transition beginning in the Gilded Age through the Great Depression in order to survive. With the beginning of the Great Depression, professional and amateur groups began outreach for larger audiences, both as a way of maintaining their musical organization and as a means of reaching people who desired to escape from their everyday lives by losing themselves in the sound of music. Through this, cultural forms that previously belonged to certain classes no longer remained under their sole control. Cultural forms quickly became the property of the masses. One form this change took was the movement of music out of the concert hall and into the public sphere. This thesis will provide the first in-depth examination of the rise of music outside the concert hall in these unconventional spaces, which allowed for larger audiences and the presence of people who may have felt unwelcome in the formidable face of the concert hall. The first part of this thesis will establish context for the rise of music outside the concert hall during the Great Depression, beginning with the changing music scene of the Gilded Age. The first chapter will discuss the rise of public parks and the building of physical spaces made specifically for outdoor concerts. The second chapter features an overview of the concerts held outdoors during the Great Depression, as well as the groups that formed to perform at these concerts. Finally, the last chapter will examine the Federal Music Project, the first federally funded music program in America, which led to the creation of new music groups and further groups performing in unconventional venues.




The Great Depression Put to Music, Song and Dance


Book Description

The Great Depression is a part of real history that really did happen. In 1929 was when it was really bad. People were hungry there were no jobs and no money. I was born the 1929 and the depression went all through the twenties and thirties and into the early forties; but times were getting bad. The depression was taking its toll on everything and everyone. A little money went a long way, but there was no money and to top everything off the stock market fell and everyone lost their money in the stock market, the banks closed their doors, no one could bet their money out. My father had a friend that lost all of his money in the bank in 1929. If you didn't live in this time of history you can't imagine what life was like. I watched my father walk 4miles to work in a rock quarry carrying his lunch box then walk home after sledging rock all day. My mother raised a vegetable garden and canned a lot of food so we would have food for the winter. This is just a preview. Now, how did I come up with the name of my book? The Great Depression Put to Music, Song and Dance. My father played violin and mother played piano - Music My sister and I sang - Song I grew up to teach dance - Dance




The Great Depression Put to Music, Song and Dance


Book Description

The Great Depression is a part of real history that really did happen. In 1929 was when it was really bad. People were hungry there were no jobs and no money. I was born the 1929 and the depression went all through the twenties and thirties and into the early forties; but times were getting bad. The depression was taking its toll on everything and everyone. A little money went a long way, but there was no money and to top everything off the stock market fell and everyone lost their money in the stock market, the banks closed their doors, no one could bet their money out. My father had a friend that lost all of his money in the bank in 1929. If you didn't live in this time of history you can't imagine what life was like. I watched my father walk 4miles to work in a rock quarry carrying his lunch box then walk home after sledging rock all day. My mother raised a vegetable garden and canned a lot of food so we would have food for the winter. This is just a preview. Now, how did I come up with the name of my book? The Great Depression Put to Music, Song and Dance. My father played violin and mother played piano - Music My sister and I sang - Song I grew up to teach dance - Dance




Music for the Common Man


Book Description

In the 1930s, Aaron Copland began to write in an accessible style he described as "imposed simplicity." Works like El Salón México, Billy the Kid, Lincoln Portrait, and Appalachian Spring feature a tuneful idiom that brought the composer unprecedented popular success and came to define an American sound. Yet the cultural substance of that sound--the social and political perspective that might be heard within these familiar pieces--has until now been largely overlooked. While it has long been acknowledged that Copland subscribed to leftwing ideals, Music for the Common Man is the first sustained attempt to understand some of Copland's best-known music in the context of leftwing social, political, and cultural currents of the Great Depression and Second World War. Musicologist Elizabeth Crist argues that Copland's politics never merely accorded with mainstream New Deal liberalism, wartime patriotism, and Communist Party aesthetic policy, but advanced a progressive vision of American society and culture. Copland's music can be heard to accord with the political tenets of progressivism in the 1930s and '40s, including a fundamental sensitivity toward those less fortunate, support of multiethnic pluralism, belief in social democracy, and faith that America's past could be put in service of a better future. Crist explores how his works wrestle with the political complexities and cultural contradictions of the era by investing symbols of America--the West, folk song, patriotism, or the people--with progressive social ideals. Much as been written on the relationship between politics and art in the 1930s and '40s, but very little on concert music of the era. Music for the Common Man offers fresh insights on familiar pieces and the political context in which they emerged.




The Great Depression in America [2 volumes]


Book Description

Everything from Amos n' Andy to zeppelins is included in this expansive two volume encyclopedia of popular culture during the Great Depression era. Two hundred entries explore the entertainments, amusements, and people of the United States during the difficult years of the 1930s. In spite of, or perhaps because of, such dire financial conditions, the worlds of art, fashion, film, literature, radio, music, sports, and theater pushed forward. Conditions of the times were often mirrored in the popular culture with songs such as Brother Can You Spare a Dime, breadlines and soup kitchens, homelessness, and prohibition and repeal. Icons of the era such as Fred Astaire and Ginger Rogers, Louis Armstrong, Bing Crosby, F. Scott Fitzgerald, George and Ira Gershwin, Jean Harlow, Billie Holiday, the Marx Brothers, Roy Rogers, Frank Sinatra, and Shirley Temple entertained many. Dracula, Gone With the Wind, It Happened One Night, and Superman distracted others from their daily worries. Fads and games - chain letters, jigsaw puzzles, marathon dancing, miniature golf, Monopoly - amused some, while musicians often sang the blues. Nancy and William Young have written a work ideal for college and high school students as well as general readers looking for an overview of the popular culture of the 1930s. Art deco, big bands, Bonnie and Clyde, the Chicago's World Fair, Walt Disney, Duke Ellington, five-and-dimes, the Grand Ole Opry, the jitter-bug, Lindbergh kidnapping, Little Orphan Annie, the Olympics, operettas, quiz shows, Seabiscuit, vaudeville, westerns, and Your Hit Parade are just a sampling of the vast range of entries in this work. Reference features include an introductory essay providing an historical and cultural overview of the period, bibliography, and index.