The Musical Standard
Author :
Publisher :
Page : 390 pages
File Size : 47,18 MB
Release : 1864
Category : Music
ISBN :
Author :
Publisher :
Page : 390 pages
File Size : 47,18 MB
Release : 1864
Category : Music
ISBN :
Author :
Publisher :
Page : 238 pages
File Size : 50,5 MB
Release : 1927
Category : Music
ISBN :
Author : Bruce Pearson
Publisher : Neil a Kjos Music Company
Page : 48 pages
File Size : 43,37 MB
Release : 1996-08-01
Category : Music
ISBN : 9780849759789
Author : John CROWDY
Publisher :
Page : 152 pages
File Size : 20,3 MB
Release : 1864
Category :
ISBN :
Author : Chuck Elledge
Publisher :
Page : 52 pages
File Size : 22,54 MB
Release : 1995
Category : Juvenile Nonfiction
ISBN : 9780849705168
Author : Anna Bull
Publisher : Oxford University Press
Page : 265 pages
File Size : 13,51 MB
Release : 2019-06-04
Category : Music
ISBN : 0190844361
Why is classical music predominantly the preserve of the white middle classes? Contemporary associations between classical music and social class remain underexplored, with classical music primarily studied as a text rather than as a practice until recent years. In order to answer this question, this book outlines a new approach for a socio-cultural analysis of classical music, asking how musical institutions, practices, and aesthetics are shaped by wider conditions of economic inequality, and how music might enable and entrench such inequalities or work against them. This approach is put into practice through a richly detailed ethnography which locates classical music within one of the cultures that produces it - middle-class English youth - and foregrounds classical music as bodily practice of control and restraint. Drawing on the author's own background as a classical musician, this closely observed account examines youth orchestra and youth choir rehearsals as a space where young people learn the unspoken rules of this culture of weighty tradition and gendered control. It highlights how the middle-classes' habitual roles - boundary drawing around their protected spaces and reproducing their privilege through education - can be traced within the everyday spaces of classical music. These practices are camouflaged, however, by the ideology of 'autonomous art' that classical music carries. Rather than solely examining the social relations around the music, the book demonstrates how this reproductive work is facilitated by its very aesthetic, of 'controlled excitement', 'getting it right', precision, and detail. This book is of particular interest at the present moment, thanks to the worldwide proliferation of El Sistema-inspired programmes which teach classical music to children in disadvantaged areas. While such schemes demonstrate a resurgence in defending the value of classical music, there has been a lack of debate over the ways in which its socio-cultural heritage shapes its conventions today. This book locates these contestations within contemporary debates on class, gender and whiteness, making visible what is at stake in such programmes.
Author :
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Page : 504 pages
File Size : 20,79 MB
Release : 1865
Category : Music
ISBN :
Author :
Publisher :
Page : 982 pages
File Size : 18,62 MB
Release : 1900
Category : Drama
ISBN :
Author :
Publisher :
Page : 454 pages
File Size : 50,16 MB
Release : 1894
Category : Church music
ISBN :
Author : Antoine Hennion
Publisher : Taylor & Francis
Page : 231 pages
File Size : 25,98 MB
Release : 2021-05-03
Category : Music
ISBN : 1000381994
This volume seeks to offer a new approach to the study of music through the lens of recent works in Science and Technology Studies (STS). Applied to the study of music, this approach enables us to reconcile the human, social, factual, and technological aspects of the musical world, and opens the prospect of new areas of inquiry in musicology and sound studies. Drawing together contributions from a wide range of scholars, the book’s four sections focus on key areas of music study that are impacted by STS: organology, sound studies, music history, and epistemology.