Muslim Religious Architecture


Book Description




Muqarnas, Volume 24


Book Description

Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.




The Religious Architecture of Islam


Book Description

The Religious Architecture of Islam is a wide-ranging multi-author study of the architectural traditions associated with the religion of Islam across the globe. A total of 59 essays by 48 authors are presented across two volumes, Volume 1: Asia and Australia and Volume 2: Africa, Europe, and the Americas. Essays address major themes across historical and contemporary periods of Islam and provide more focused studies of developments unique to specific regions and historical periods. The essays cover Islamic religious architecture broadly defined, including mosques, madrasas, saints' shrines, and funerary architecture. The Religious Architecture of Islam both provides an introduction to the history of Islamic architecture and reflects the most recent scholarship within the field.




Sufism in Ottoman Damascus


Book Description

Sufism in Ottoman Damascus analyzes thaumaturgical beliefs and practices prevalent among Muslims in eighteenth-century Ottoman Syria. The study focuses on historical beliefs in baraka, which religious authorities often interpreted as Allah's grace, and the alleged Sufi-ulamaic role in distributing it to Ottoman subjects. This book highlights considerable overlaps between Sufis and ʿulamāʾ with state appointments in early modern Province of Damascus, arguing for the possibility of sociologically defining a Muslim priestly sodality, a group of religious authorities and wonder-workers responsible for Sunni orthodoxy in the Ottoman Empire. The Sufi-ʿulamāʾ were integral to Ottoman networks of the holy, networks of grace that comprised of hallowed individuals, places, and natural objects. Sufism in Ottoman Damascus sheds new light on the appropriate scholarly approach to historical studies of Sufism in the Ottoman Empire, revising its position in official early modern versions of Ottoman Sunnism. This book further re-approaches early modern Sunni beliefs in wonders and wonder-working, as well as the relationship between religion, thaumaturgy, and magic in Ottoman Sunni Islam, historical themes comparable to other religions and other parts of the world.




Objects of Translation


Book Description

Objects of Translation offers a nuanced approach to the entanglements of medieval elites in the regions that today comprise Afghanistan, Pakistan, and north India. The book--which ranges in time from the early eighth to the early thirteenth centuries--challenges existing narratives that cast the period as one of enduring hostility between monolithic "Hindu" and "Muslim" cultures. These narratives of conflict have generally depended upon premodern texts for their understanding of the past. By contrast, this book considers the role of material culture and highlights how objects such as coins, dress, monuments, paintings, and sculptures mediated diverse modes of encounter during a critical but neglected period in South Asian history. The book explores modes of circulation--among them looting, gifting, and trade--through which artisans and artifacts traveled, remapping cultural boundaries usually imagined as stable and static. It analyzes the relationship between mobility and practices of cultural translation, and the role of both in the emergence of complex transcultural identities. Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.




Traditional Islamic Principles of Built Environment


Book Description

Written with the non-Muslim reader in mind, this book analyses the principles and values established by Islamic tradition to govern the social and physical environments of Muslims. The picture of Islam that emerges from this work is of a way of life with social ideals. Relying on the Qur'an and Sunna, the basic sources of Islamic law, and using examples of the built environment of early Muslims in North Africa, the Middle East, Europe and Central Asia, the author explains how following these ideals can create an urban environment that responds to social and environmental variables.Islamic views on the controversial issue of modernisation are also examined. This book will be of interest to people in the fields of urban planning, architecture, sociology, anthropology, housing and built environment, as well as Islamic studies.




A Historical Archaeology of the Ottoman Empire


Book Description

Archaeology in the Middle East and the Balkans rarely focuses on the recent past; as a result, archaeologists have largely ignored the material remains of the Ottoman Empire. Drawing on a wide variety of case studies and essays, this volume documents the emerging field of Ottoman archaeology and the relationship of this new field to anthropological, classical, and historical archaeology as well as Ottoman studies.







Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set


Book Description

The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.