My Heart is Inditing, HWV 261


Book Description

Handel's Coronation Anthems were composed from September to October of 1727, only four years in his post as composer of music for the Chapel Royal. The occasion was the coronation of the new king, George II, on October 22, 1727. The performance featured the Chapel Royal vocal soloists, chorus and orchestra under the composer's direction in Westminster Abbey. The anthems soon became popular and were subsequently used for other ceremonial events. Handel's four anthems have been performed at every single English coronation since the 1727 premiere. My Heart is Inditing was the final one performed in 1727 (for the coronation of Queen Charlotte) and is likewise the final one in more recent coronations. Offered here is the beautifully engraved edition prepared by Dr. Clark McAlister for the now-defunct American publisher E.F. Kalmus in 1986. Along with reproducing the engraving in the highest quality, this new vocal score has been enlarged to the larger A4 format, which makes the chorus singer's job much easier when rehearsing and performing. Serenissima Music is proud to br the exclusive publisher for Clark McAlister's outstanding catalogue of superb orchestrations and authoritative editions.




Four Coronation Anthems


Book Description

(Music Sales America). New edition by Donald Burrows, including the original 7-Part version of Zadok the Priest.




My Heart is Inditing of a Good Matter


Book Description

(Music Sales America). Coronation Anthem for King George II, 1727. Edited by Donald Burrows. This anthem was composed for six-part choir SAATBB. This edition can be used for four-part SATB. The keyboard accompaniment for Piano or Organ is a practical reduction of the orchestral parts.




Handel


Book Description

Handel was a defining figure of the late Baroque era, perhaps best known for bringing the oratorio form to an English-speaking audience. This insightful study brings to life the glory of his artistry, his elusive personality and the flavour of his time.




The King Shall Rejoice


Book Description

(Music Sales America). "The King Shall Rejoice" is a Coronation Anthem for King George II. Scored for six-part choir, SAATBB, although with some modifications can be used for SATB. The accompaniment presents a practical keyboard representation of the orchestral accompaniment. Edited by Damian Cranmer.




The Cambridge Companion to Handel


Book Description

A Companion to one of the principal creative figures in Baroque music.




Choral-Orchestral Repertoire


Book Description

Choral-Orchestral Repertoire: A Conductor’s Guide, Omnibus Edition offers an expansive compilation of choral-orchestral works from 1600 to the present. Synthesizing Jonathan D. Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, available editions, and locations of manuscript materials, as well as descriptive commentary, a discography, and a bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.




Isaiah Through the Centuries


Book Description

The first systematic and comprehensive attempt to identify and analyze the role of Isaianic language and imagery in literature, art, and music Using reception history as its basis for study, Isaiah Through the Centuries is an unprecedented exploration of the afterlife of the Book of Isaiah, specifically in art, literature, and music. This is a commentary that guides the reader through the Book of Isaiah, examining the differing interpretations of each phrase or passage from a variety of cultural and religious perspectives, Jewish, Christian and Muslim. Clearly structured and accessible, and richly illustrated, the book functions as a complete and comprehensive educational reference work. Isaiah Through the Centuries encourages readers to learn with an open mind and to understand how different interpretations have helped in the teaching and comprehension of the Bible and Isaiah’s place in it. As part of the Wiley-Blackwell Bible Commentaries series, which is primarily concerned with reception history, the book emphasizes that how people interpret the prophet—and how they’ve been influenced by him—is often just as important as the sacred text’s original meaning. Uses reception history to study the renowned prophet Provides a historical context for every use or interpretation discussed Offers essential background information on authors, artists, musicians, etc. in its glossary and biographies Minimizes historical details in order to focus as much as possible on exegetical matters Presents the role of Isaiah and the Bible in the creative arts Will be useful to multiple disciplines including theology and religion, English literature, art history and the history of music, not just Biblical Studies Comprehensive in scope, Isaiah Through the Centuries is a much-needed resource for all those interested in the influence of the Bible on Western culture, and presents unique perspectives for anyone interested in the Bible to discuss and debate for many years to come.







Directory of Choral-orchestral Music


Book Description

First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.