“Das” Deutsche Lied


Book Description




“Das” Deutsche Lied


Book Description




The Book of Lieder


Book Description

This unique volume contains, in parallel translation, a thousand of the most frequently performed Lieder, both piano-accompanied and orchestral. Composers are arranged alphabetically, with their songs appearing under poet in chronological order of composition - thus allowing the reader to engage in depth with a particular poet and at the same time to follow the composer's development. Richard Stokes, whose work in this field is already widely acclaimed, provides illuminating short essays on each of the fifty composers' approach to Lieder composition, as well as well as notes on all the poets who inspired the songs.The volume is notable for the accuracy and elegance of its translations, and for its fidelity to the German verse: every care has been taken to print the words of the sung text, while adhering to the versification and punctuation of the original poem.Beethoven, Schubert and Schumann, Goethe, Heine and Schiller are among the highlights of a book which illuminates one of the great musical traditions and will be an indispensable handbook for every music lover.




Song


Book Description

Carol Kimball's comprehensive survey of art song literature has been the principal one-volume American source on the topic. Now back in print after an absence of several years this newly revised edition includes biographies and discussions of the work of




The Nineteenth-Century German Lied


Book Description

The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.




Lieder Line by Line, and Word for Word


Book Description

German song in the nineteenth century offers some of the greatest pleasures available to the singer, pianist, and listener. The great German poets--Goethe, Schiller, Ruckert, Eichendorff, Heine, Morike, Hesse, and many lesser figures--inspired such perennial masterpieces as Schubert's song cycles Die Schone Mullerin and Winterreise, Schumann's Dichterliebe, and Mahler's Kindertotenlieder. This book provides the German texts of the most frequently studied and performed songs, and gives literal, word-for-word translations under each line, plus clear English prose versions of each poem. The composers represented are Beethoven, Schubert, Schumann, Wagner, Brahms, Wolf, Mahler, and Richard Strauss. This new edition includes numerous corrections and improvements to the translations.




Nicolae Bretan, His Life, His Music


Book Description

"The rediscovery of Bretan and the revival of his music today are important for two reasons. The need for atonement - for the political injustice done to the man himself, in his own country and as an artist - is fairly obvious. But the recovery of his works is a cultural obligation we all must share, as we must with respect to all of Western culture's great artistic creations."--BOOK JACKET.




Schubert's Poets and the Making of Lieder


Book Description

A re-examination of the life and work of four poets and Schubert's settings of their verse.




The Cambridge Companion to the Lied


Book Description

Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.




The Lied


Book Description