My Music Man


Book Description

As Dede Montgomery moves through grief to accept of the death of her father, the stories in My Music Man shed light on change, acceptance, and forgiveness amid close personal relationships and Oregon's natural landscapes. The reader is catapulted into autumn on the Willamette's riverbank in the 1960s with the author and her brothers, where they discover their father's own childhood stories and the intimate relationship he shares with the land. Tales about generations of family weave between time periods, held together by the constancy of place and colored by memories of picking berries and filberts, traveling through the West Linn locks, and swimming in the river on a hot summer day. Montgomery describes small-town life in a school where everyone knows everybody, and how it felt to be an only girl in what often felt like a never-ending sea of boys.




"But He Doesn't Know the Territory"


Book Description

Chronicles the creation of Meredith Willson’s The Music Man—reprinted now as the Broadway Edition Composer Meredith Willson described The Music Man as “an Iowan’s attempt to pay tribute to his home state.” Now featuring a new foreword by noted singer and educator Michael Feinstein, this book presents Willson’s reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America’s most popular musicals. Willson’s whimsical, personable writing style brings readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. Fresh admiration of the musical—and the man behind the music—is sure to result.




Music Man


Book Description

Love and fame can come at any age. But be careful what you wish for... Even at 40, plus-size writer Claire is infatuated with her own personal rock star. Is it the beard? The flannel? The guitar? Claire isn't sure, but Jack is simply irresistible. It's no wonder she pushes him to audition for a local singing contest. You're never too old to chase your dreams, right? Music was Jack's first love. When life got in the way of him making it big as a singer/songwriter, he settled for teaching music--including giving piano lessons to a stunning curvy redhead named Claire. He's fallen head over heels for her--just in time for his big break to finally arrive. But do you ever really give up on your first love? Music Man is part of the Romance in Rehoboth series. If you like your romcoms sweet, funny, and semi-clean, if you enjoy a small town setting, and you have a penchant for strong, curvy, and somewhat snarky heroines, you're gonna want to move to Rehoboth Beach by the time you're done reading. Rehoboth Beach, Delaware, that is. It's a real place, and Delaware has great beaches. Who knew? Trust me, I'm just as surprised as you are! These can be read in any order, but if you're the type who has to start a book 1, here's the chronological order: Book 1: Music Man (Claire and Jack's Story) Book 2: The Flip (Sonnet and Drew's Story) Book 3: Plot Twist (Lindy and Meric's Story) Book 4: Badge Bunny (Brynne and Chris's Story) Book 5: Wedding War (Hannah and Jason's Story) Book 6: Stage Mom (Larissa and Mateo's Story) Book 7: Shark Bite (Megan and Shark's Story)




The Music Man


Book Description

A memoir by Mead Metcalf




Miracle of The Music Man


Book Description

The Music Man stands as one of the greatest achievements in American musical theatre, but few know about its rocky beginnings and the against-all-odds success story of its creator Meredith Willson. Mark Cabaniss steps back into the Golden Age of Broadway and brings to life the origins of this classic show, the music behind it, and the unlikely story of its creator. Interweaving behind-the-scenes accounts of people who worked with Willson, Cabaniss looks at his long and unusual career as a composer, conductor, radio personality, and flutist, which reached its pinnacle in The Music Man. No one initially believed in Willson’s “Valentine to Iowa,” seeing it as nothing but a corny flop or, worse, a recipe for disaster. But when the curtain fell on opening night, a star called The Music Man was born. Over 65 years later, that star is still marching right to this day, endeared by millions around the world. To understand Willson, his career, and his music is to understand how The Music Man came to be: he was truly the only person who could have ever written this show due to his unique background, talent, incredible persistence, and belief. The show’s ultimate success and longevity was anything but inevitable—rather, it was truly a miracle.




Free and Easy?


Book Description

A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research. The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and research Surveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming media Examines the different ways the film musical genre has been defined, what gets counted as a musical, why, and who gets to make that decision The text is written in an accessible manner for general cinema and musical theatre buffs, whilst retaining theoretical rigour in research Describes the contributions made to the genre by marginalized or subordinated identity groups who have helped invent and shape the musical




The Musical


Book Description

The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.




Meredith Willson - America's Music Man


Book Description

Meredith Willson – America’s Music Man is a loving, thorough and accurate examination of one of Broadway’s great composers. It tells the story before, during and after The Music Man opened in 1957. The story of Willson’s family, his life in Mason City, Iowa, and his eventual rise to the top of the music world forms the platform that led to four musicals and dozens of awards. Also included are Willson’s activities scoring movies, directing orchestras on Old Time Radio, and even becoming a character on radio and television shows. This is the first in-depth look at the career of a real music man from north central Iowa.




Let's Do It


Book Description

The must-read music book of the year—and the first such history bringing together all musical genres to tell the definitive narrative of the birth of Pop—from 1900 to the mid-1950s. Pop music didn't begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century. Who were these earliest record stars—and were they in any meaningful way "pop stars"? Who was George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after World War II? The prequel to Bob Stanley’s celebrated Yeah! Yeah! Yeah!, this new volume is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Covering superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra, alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music's formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together. Bringing the eclectic, evolving world of early pop to life—from ragtime, blues and jazz to Broadway, country, crooning, and beyond—Let's Do It is essential reading for all music lovers. "An encyclopaedic introduction to the fascinating and often forgotten creators of Anglo-American hit music in the first half of the twentieth century."—Neil Tennant (The Pet Shop Boys)




Vitaphone Films


Book Description

The headline of the Variety extra on October 27, 1926, proclaimed "Vitaphone1 Thrills L.A.!" Vitaphone, a subsidiary of Warner Bros. formed in association with Western Electric, was one of the major producers of talkies, even though its sound-on-disc technology barely lasted four years. The Vitaphone features and shorts that have survived intact, or that have been so carefully restored, preserve much of the show business history that might otherwise have been lost with the industry's fast-paced advances in movie making. This book is a catalogue of Vitaphone features and shorts. The first section lists the features and shorts by release number. The New York productions (1926-1940) are listed first, followed by the West Coast productions (1927-1970). For shorts, the following particulars, if known and if applicable, are given: title, alternate title(s), instrumental and vocal selections performed on screen, composer(s) and performers of instrumental and vocal selections, release date and synopsis of the film, names of major cast members and directors, set information if two or fewer sets were used, and the amount paid to early performers. For features, entries list release dates, genre, and major cast members. The section on performers includes only those who appeared in shorts, listing dates and places of birth when known.