MY SAFARI INTO POETRY


Book Description

Born in England but educated in South Africa, Bridget now divides her time between Wiltshire, England and South Africa. She works part-time as a tour guide and devotes time to writing and travel. Her poetry and prose have been published, both in magazines and as a memoir entitled 'The Stars are Different: My Safari'.




English Lit


Book Description

Autobiographical poetry from one of Kentucky’s rising Affrilachian literary stars. Bernard Clay’s autobiographical poetry debut, English Lit, juxtaposes the roots of Black male identity against an urban and rural Kentucky landscape. Hailed as one of the most authentic voices of his generation, Clay artfully renders coming-of-age in the predominately Black West End of Louisville, Kentucky. Balancing the spirited grit of a farmer and the careful lyricism of a poet, English Lit is a triumph of new Affrilachian—African American and Appalachian—literature.




The Complete Poems


Book Description

From the Introduction: Just words of course, all just so many words. But words strung slyly, judiciously, and always lovingly one after the other in due order and in such a way as to entertain, sometimes astonish, and, the poet hopes, occasionally enlighten the literate, or even otherwise, reader; all cast in diverse poetical schemes ranging from the formal classical pentameter of Milton or Tennyson to unformed lines to satisfy even the postiest of moderns; but in fact most of the lines herein actually - can it be? - scan, and many - oh no! - even rhyme, sometimes obviously, sometimes merely hinted at in surprising ways, recalling Wallace Stevens's remark that "one writes poetry out of a delight in the harmonious and orderly"; one will find here blank verse, heroic couplets, a touch of ottava rima, numerous sonnets of various styles, even, just for fun, a limerick and a finicky double dactyl; also some rowdy cowboy poetry and other diverse schemes nearly as numerous as the pages herein.




Poetry, Politics and Culture


Book Description

This book maps the journey of the Indian poetic imagination—in Hindi, Panjabi and Indian English—from its original quasi-spiritual longings to its activist interventions in the public domain. As Indian poetry of the post-1990s gravitates towards a non-Orientalised postcolonial nationalism, it seeks to rewrite and disseminate the shifting coordinates of nationalist imagination in terms of the dissent of the subaltern discontents of the nation. The book is interdisciplinary: it studies Indian poetry from the new emerging imperatives of postcolonialism, new historiography (subaltern, dalit and diasporas), nationalism, and cultural studies. Covering the two major north Indian languages—Hindi and Punjabi—along with poetry in Indian English, the book is a close textual study of about 150 poetry collections in these languages. It is path-breaking in its study of secular poetry written in the so-called vernaculars, with critical attention to its participation in the political as well as cultural processes of nation-making. This cutting-edge book should be of interest to scholars of Indian writings in English, Hindi and Panjabi, gender studies, dalit and diaspora studies, postcolonial poetry and to students reading South Asian literature and culture.




Conversations with John A. Williams


Book Description

One of the most prolific African American authors of his time, John A. Williams (1925-2015) made his mark as a journalist, educator, and writer. Having worked for Newsweek, Ebony, and Jet magazines, Williams went on to write twelve novels and numerous works of nonfiction. A vital link between the Black Arts movement and the previous era, Williams crafted works of fiction that relied on historical research as much as his own finely honed skills. From The Man Who Cried I Am, a roman à clef about expatriate African American writers in Europe, to Clifford's Blues, a Holocaust novel told in the form of the diary entries of a gay, black, jazz pianist in Dachau, these representations of black experiences marginalized from official histories make him one of our most important writers. Conversations with John A. Williams collects twenty-three interviews with the three-time winner of the American Book Award, beginning with a discussion in 1969 of his early works and ending with a previously unpublished interview from 2005. Gathered from print periodicals as well as radio and television programs, these interviews address a range of topics, including anti-black violence, Williams's WWII naval service, race and publishing, interracial romance, Martin Luther King Jr., growing up in Syracuse, the Prix de Rome scandal, traveling in Africa and Europe, and his reputation as an angry black writer. The conversations prove valuable given how often Williams drew from his own life and career for his fiction. They display the integrity, social engagement, and artistic vision that make him a writer to be reckoned with.




The Greatest Safari


Book Description

Why does the zebra have stripes and the elephant a long trunk? How did the giraffe acquire a long neck and why does a hippopotamus lie in muddy water all day? How does an acacia tree kill grazing wild? Do wild animals speak to each other and do they have feelings? In The Greatest Safari, the reader is taken on an African adventure and told stories about the feelings, senses and communication of the savannahÕs many inhabitants. From sausage trees, cycads, termites and ants to lions, hyenas, bats and gorillas. This book deals with the mechanisms that propelled life. We humans have acquired the facility of feeling we are something special, and thus also the feeling that we constitute an evolutionary zenith. In contradiction to this, nature is indifferent and within its boundaries there is only one criterion for success, namely survival. What the brain can produce in terms of poetry and nuclear physics is beneath notice compared with the ability to survive. If we accept the prehistoric people Homo habilis and Homo erectus as the first human beings on Earth, bacteria are still thousands of times older and are currently the most successful organism.




Please Excuse This Poem


Book Description

One hundred poems. One hundred voices. One hundred different points of view. Here is a cross-section of American poetry as it is right now—full of grit and love, sparkling with humor, searing the heart, smashing through boundaries on every page. Please Excuse This Poem features one hundred acclaimed younger poets from truly diverse backgrounds and points of view, whose work has appeared everywhere from The New Yorker to Twitter, tackling a startling range of subjects in a startling range of poetic forms. Dealing with the aftermath of war; unpacking the meaning of “the rape joke”; sharing the tender moments at the start of a love affair: these poems tell the world as they see it. Editors Brett Fletcher Lauer and Lynn Melnick have crafted a book that is a must-read for those wanting to know the future of poetry. With an introduction from award-winning poet, editor, and translator Carolyn Forché, Please Excuse This Poem has the power to change the way you look at the world. It is The Best American Nonrequired Reading—in poetry form.




My Business is Circumference


Book Description

Twenty-eight contemporary American poets reflect on the poems that have most influenced their own creative vision and offer their best new works in this examination of poetic expression. Each entry includes a new poem from the author, the text of a poem or poems that particularly influenced the development of the new poem, and an essay about that influence. The dialogue created between the new works of the poets and the poems that they love provides insight into the poetic process and speaks to the meaning and endurance of great art.




Selected Poems of Anne Sexton


Book Description

A selection of poems by contemporary American author Anne Sexton, drawn primarily from eight previously published collections.




Nation, power and dissidence in third generation Nigerian poetry in English


Book Description

Nation, Power and Dissidence in Third Generation Nigerian Poetry in English is a theoretical and analytical survey of the poetry that emerged in Nigeria in the 1980s. Hurt into poetry, the poets collectively raise aesthetics of resistance that dramatises the nationalist imagination bridging the gap between poetry and politics in Nigeria. The emerging generation of poetic voices raises an outcry against the repressive military regimes of the 1980s and 1990s. Ingrained in the tradition of protest literature in Africa, the third-generation poetry is presented here as part of the cultural struggles that unseat military despotism and envisage a democratic society. Not only does Egya place emphasis on the poetry's interaction with the culture and history of military oppression in Nigeria − an interaction that sees the poetry not only feeding from the history but also feeding it; he also contextualises the generational consciousness of these poets. Scholars of Nigerian literature, African literature, and researchers interested in world literatures will welcome Nation, Power and Dissidence in Third Generation Nigerian Poetry in English as an invaluable contribution to indigenous knowledge, critical studies in Africa, and the rehabilitation and production of an African aesthetic.