Mystics After Modernism


Book Description

The mystics Steiner writes about in this book were early giants in the modern art of illumined self-knowledge. Their ways of seeing the world, God, and themselves foreshadowed all that we practice now in the best of meditation, both East and West. Here, you can read about their essential passion for unity, their practice of intensification of perception, and their ever-fresh insights into the process of knowing itself. Contents: Foreword by Christopher Bamford Preface to the 1923 Edition Introduction: Mystics, Natural Science, and the Modern World (by Rudolf Steiner) Meister Eckhart The Friendship with God: Johannes Tauler Cardinal Nicolas of Cusa Agrippa of Nettesheim & Theophrastus Paracelsus Valentin Weigel & Jacob Boehme Giordano Bruno & Angelus Silesius Epilogue Afterword: About the Author, the People, and the Background of This Book (by Paul M. Allen) Preface to First Edition 1901 Steiner immerses us in the evolving stream of these eleven mystics who appeared in central Europe between the thirteenth and seventeenth centuries. They managed to resolve the conflict between inner perceptions and the new seeds of modern science and human individuality. Based on the lives of those mystics and on his own spiritual insight, Steiner shows how their ideas can illuminate and preserve our true human nature today. Rudolf Steiner ends his book with a quotation from the Cherubinic Wanderer, a collection of sayings gathered by Angelus Silesius: "Dear Friend, this is enough for now. If you wish to read more, go and become the writing and the essence yourself." A previous edition was titled Mysticism at the dawn of the Modern Age.




Mysticism After Modernism


Book Description

In the wake of changing political attitudes and cultural values, it's time for a look at what can now be discerned as an equally new development, on the fringes of Western civilization, among what came to be known as "popular culture," during the so-called pre- and post-war eras: a new kind of spiritual teacher or "guru," one more interested in methods, techniques and results than in dogmas, institutions, or - especially - followers. James O'Meara examines these "populist gurus" from a wide variety of different perspectives, featuring substantial chapters on well-known figures such as William Burroughs, Aleister Crowley, Colin Wilson, Alan Watts, Neville Goddard, and Julius Evola, as well as such fringe phenomena as Chaos Magick and even the origins of the Internet's 'meme magic.' Could it be that those who have looked in vain for a revival of traditional spirituality, have been looking in the wrong place? Perhaps it has been here all along, but in a new form, more appropriate for the modern era.




Modernists and Mystics


Book Description

In the six original essays included in this volume, the authors discuss how von Hügel, Blondel, Bremond, and Loisy all found inspiration in the great mystics of the past.




H.D. and Modernist Religious Imagination


Book Description

Exploring the intersection of religious sensibility and creativity in the poetry and prose of the American modernist writer, H.D., this volume explores the nexus of the religious, the visionary, the creative and the material. Drawing on original archival research and analyses of newly published and currently unpublished writings by H.D., Elizabeth Anderson shows how the poet's work is informed by a range of religious traditions, from the complexities and contradictions of Moravian Christianity to a wide range of esoteric beliefs and practices. H.D and Modernist Religious Imagination brings H.D.'s texts into dialogue with the French theorist Hélène Cixous, whose attention to writing, imagination and the sacred has been a neglected, but rich, critical and theological resource. In analysing the connection both writers craft between the sacred, the material and the creative, this study makes a thoroughly original contribution to the emerging scholarly conversation on modernism and religion, and the debate on the inter-relation of the spiritual and the material within the interdisciplinary field of literature and religion.




Mystics after Modernism


Book Description

Steiner immerses the reader in the evolving stream of 11 mystics who appeared in central Europe between the 13th and 17th centuries, who resolved the conflict between their inner perceptions and beginnings of modern science.




Mystic Modernity


Book Description

This is a transnational and bilingual investigation of the cross-fertilisation of mystical religiosity and modern poetical imagination in the works of the Bengali poet Rabindranath Tagore and the Irish poet W. B. Yeats. The book demonstrates how their commitments to transnational mysticism deeply form and inform the modernist literary projects of these poets as well as their understanding of cultural modernity. Although its primary interest lies in their poetry and poetics, the monograph also includes some of their relevant prose works. This study begins with a close look at and around the phase of 1912-1913, when Yeats and Tagore met over the collection of the latter’s English translations of his spiritual verses, Gitanjali, and took mutual interests in each other’s works and cultural significances. The monograph then expands on both sides of that phase, selectively covering the whole career of the poets in its exploration of their parallel mystic-modern cultural-poetical projects.




Mysticism and Architecture


Book Description

Mysticism and Architecture: Wittgenstein and the Palais Stonborough is a multi-disciplinary study of the Viennese palais that the philosopher Ludwig Wittgenstein helped design and build for his sister shortly after he abandoned philosophy for more practical activities and during the period that supposedly separates his 'early' from his 'late' philosophy. Weaving together discussions of a number of social, political, and cultural developments that helped to give fin-de-si_cle Vienna its character -- including the late modernization of Austrian society, industry, and economy; the construction of Vienna's Ringstrasse; the slow decay of the Hapsburg monarchy; and the failure of Austrian liberalism; as well as Tolstoy's religiously-based ethical views; Adolf Loos's critique of architectural ornament; Karl Kraus's analysis of Vienna's decadence; Kierkegaard's and Nestroy's views on the importance of indirect communication; Otto Weininger's theory of the nature and duty of genius; Camillo Sitte and Otto Wagner's dispute over good urban form; Schopenhauer's aesthetic theories and his 'Eastern' philosophy of life; and Russell and Frege's philosophical and logical theories -- the book presents a philosophical biography of Wittgenstein reminiscent of, but substantially different from, Janik and Toulmin's Wittgenstein's Vienna. This philosophical biography underpins a new interpretation of the house which argues that the house belongs to neither architectural Modernism, nor Postmodernism, but is instead caught between those two movements. This analysis of the house, in turn, grounds a new interpretation of Wittgenstein's philosophical works that emphasizes their mystical nature and practical purpose. Finally, this interpretation shows the unity of these works while simultaneously suggesting an underlying flaw; namely, that they arise from two fundamentally-opposed worldviews present in Vienna during Wittgenstein's youth, 'aesthetic modernism' and 'critical modernism.'




Mysticism After Modernity


Book Description

In Mysticism After Modernity, Don Cupitt argues that the extensive modern literature about mysticism has rested upon a mistake - the belief that there can be meaningful experience prior to language.




Curating Consciousness


Book Description

In 'Curating Consciousness', Marcia Brennan focuses on one of the transformational figures of 20th century curatorial culture, and the main protagonist of this (until now) unacknowledged curatorial practice.




Modernism and Affect


Book Description

This book addresses an under-researched area of modernist studies, reconsidering modernist attitudes towards feeling in the light of the humanities' turn to affect.