Mystifying Russian soul


Book Description

Why is the name of this composite book “Mystifying Russian soul”? Let’s apply to Wikipedia: “The concept arouse in the second part of the 19th century due to a philosophy of the leading Russian writers such as Dostoevsky and Tolstoy. In their popular in Europe books not ethic, but aesthetic principles as well as not entertaining, but moral needs are playing the dominant role. “Spirit” of such writings turned into “Soul” and lead to a concept “Mystifying Russian soul” popular abroad. Except Dostoyevsky and Tolstoy almost all the writers who became classics of Russian and world literature took part in this process. The composite book “Mystifying Russian soul” contains more than twenty their novels, tales, plays and poems. Contents: Nikolai Gogol Dead Souls Nikolai Gogol Taras Bulba Fyodor Dostoevsky The Brothers Karamazov Fyodor Dostoevsky The Idiot Leo Tolstoy War and Peace Leo Tolstoy Anna Karenina Alexander Pushkin Eugene Onegin Alexander Pushkin The Daughter Of The Commandant Alexander Pushkin The Bakchesarian Fountain Ivan Turgenev Fathers and Children Ivan Goncharov Oblomov Anton Chekhov The Witch and Other Stories Anton Chekhov The Cherry Orchard Anton Chekhov The Three Sisters Mikhail Lermontov A Hero of Our Time Aleksandr Ostrovsky The Storm Mikhail Saltykov A Family of Noblemen Aleksandr Kuprin The Duel Maxim Gorky Mother




Agents Risky Liaison


Book Description

Angela wants to escape from Gloomy Castle. The place has dark secrets. But escape is next to impossible, even for Angela, a secret agent with very unique set of skills. Luckily for Angela, she has been sent out of the Castle on a top-secret mission to Monaco. There she needs to get closer to the dangerous and powerful billionaire Vladimir (or, as close friends call him, Vlad). Vlad is smitten by Angelas beauty and personality. She seems to be so different from glamorous models that surround him. But it is high time for Angela to return to the Castle. Can Angela resist falling in love with the handsome billionaire? But what if she is just being played?




Words in Space and Time


Book Description

With forty-two extensively annotated maps, this atlas offers novel insights into the history and mechanics of how Central Europe’s languages have been made, unmade, and deployed for political action. The innovative combination of linguistics, history, and cartography makes a wealth of hard-to-reach knowledge readily available to both specialist and general readers. It combines information on languages, dialects, alphabets, religions, mass violence, or migrations over an extended period of time. The story first focuses on Central Europe’s dialect continua, the emergence of states, and the spread of writing technology from the tenth century onward. Most maps concentrate on the last two centuries. The main storyline opens with the emergence of the Western European concept of the nation, in accord with which the ethnolinguistic nation-states of Italy and Germany were founded. In the Central European view, a “proper” nation is none other than the speech community of a single language. The Atlas aspires to help users make the intellectual leap of perceiving languages as products of human history and part of culture. Like states, nations, universities, towns, associations, art, beauty, religions, injustice, or atheism—languages are artefacts invented and shaped by individuals and their groups.




Russia and Soul


Book Description

Pt. 1. Situating soul. Is soul a thing? O.M.S.K. -- pt. 2. Against and for dusha. In public transportation and in the soul : you call this life? A channel between worlds. The language of music and the Russian language. The baths : a celebration for soul and body. Story : For Anna Viktorovna -- pt. 3. Everyone wants something, but only through someone. Two stories : Decency, generosity. Do not have a hundred rubles, have instead a hundred friends. Story : Pulling something out of a hat. Like the Trojan Horse's gut : hospitality and nationalism. Standing bottles, washing deals, and drinking for the soul. If you want to live you've got to krutit'sia : crooked and straight -- pt. 4. Authority. Depth, openings and closings. Story : A second soul. If you want to know a man, give him power -- pt. 5. Togetherness. Those who poke into my soul : Bakhtin, Dostoevsky, love. We lost some neatness -- pt. 6. Conclusions. Two discussions : semantics and national character, homo sovieticus. Epilogue. Non-Russian souls.




The Quest for Russia's Soul


Book Description

The author's comprehensive research and first-person experience result in an informative, instructive, and compelling book.




The Dial


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Book Review Digest


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Multiple Exposure


Book Description

Russian mafia, illicit oil deals and murder: Photojournalist Sophie Medina is on the case These are the things Sophie Medina will swear to be true about her husband, oil executive and covert CIA operative Nick: He is an honorable, trustworthy, and loyal friend; an American patriot who would die for his country; and a loving husband. He is also - according to his MI6 handler - a murderer. They say the wife is always the last to know. Renowned photojournalist Sophie is used to Nick keeping secrets from her. But when Nick is kidnapped from their London home, only to be spotted in Russia months later, his bosses are convinced he's turned traitor. Russian-born Nick is not the only thing that's vanished - so have top-secret papers about an oil discovery that could destabilize the market and spark war. Sophie trusts Nick, but when she moves back to her hometown of Washington, DC, she's not so sure about his CIA colleagues. Struggling to tell friend from foe, Sophie's drawn deeper into Nick's shadowy world, where Russian mafia rub shoulders with American senators . . . and where death lurks, around every corner. Multiple Exposure, the first mystery featuring photojournalist and female sleuth Sophie Medina, is a gripping blend of international mystery and espionage thriller.




Asia


Book Description




Russian Literary Culture in the Camera Age


Book Description

This book explores how one of the world's most literary-oriented societies entered the modern visual era, beginning with the advent of photography in the nineteenth century, focusing then on literature's role in helping to shape cinema as a tool of official totalitarian culture during the Soviet period, and concluding with an examination of post-Soviet Russia's encounter with global television. As well as pioneering the exploration of this important new area in Slavic Studies, the book illuminates aspects of cultural theory by investigating how the Russian case affects general notions of literature's fate within post-literate culture, the ramifications of communism's fall for media globalization, and the applicability of text/image models to problems of intercultural change.