Creation Myths


Book Description

A leading Jungian scholar analyzes common motifs in creation myths from cultures around the world, explaining how they “inform the collective unconscious and contribute to our ability to create as human beings” (Parabola) Creation myths are the deepest and most important of all myths because they are concerned with both the basic patterns of existence and the ultimate meaning of life. In this book, an eminent Jungian analyst examines the recurring motifs that appear in creation myths from around the world and shows what they teach us about the mysteries of creativity, the cycles of renewal in human life, and the birth of consciousness in the individual psyche. Among the topics discussed are: • Why the creative process is often accompanied by anxiety, depression, loneliness, and fear of the unknown. • The meaning of creation motifs such as the egg, the seed, the primordial being, the creative fire, the separation of heaven and earth, and the four stages of creation. • Creation symbolism in the alchemical opus of medieval tradition. • How creation-myth motifs appear in the dreams of people who are on the verge of a leap forward in consciousness.




Myth and the Creative Process


Book Description




Myth and the Creative Process


Book Description

An original inquiry into how the artistic psyche interacts with myth; includes a catalogue of the works of British artist Michael Ayrton.




Creation Myth and Creativity


Book Description

This study investigates if and how creation myths illuminate the creative process. Framing the inquiry is Jan Vansina’s image of a floating gap between mythic times of ancientness and recentness. Ancientness contains magical stories of origins, and recentness contains narrative more closely resembling day-to-day reality. Between the two lies a floating gap, or a mythic time that contains very little story content and serves to separate and connect ancientness and recentness. In order to examine the imagery of creativity in sacred stories of origin, this study travels over many floating gaps to examine creation myths from many cultures. Based on these myths, cosmogonic narrative can indeed contain imagery of the creative process. By means of contextualization and close readings of mythic texts, this study demonstrates that the particularities of these myths reflect kaleidoscopic variations on creativity. The polyvalent cosmogonic thought of ancient Egypt comfortably holds many creator deities and modes of creation. Creativity in Hindu creation myth displays a free, light, spiritual nature. First Nations cosmogonies in the Americas reveal animistic, shamanistic creativity. Cool, resilient West African creator deities express their creativity through the song and dance of ritual. And the cosmogonic roots of Western civilization show that metaphorically, the creativity of monotheism and polytheism can coexist. Correlations between these cosmogonies and creativity are evident, instructive, and serve as models for individuals who engage in creative work. These case studies of eminent mythological creators also present recurring themes from creativity studies, such as Sarnoff Mednick’s theory of remote associates, Mihaly Csikszentmihalyi’s formulation of the flow of creative work, and the importance of affect and passion for creativity. Creator deities appear as unique beings who embody different inflections of creativity, and no single god or goddess encapsulates its totality. Therefore, creativity itself remains elusive. In these cosmogonic narratives, creativity flows through creator goddesses and gods to make the cosmos without fully yielding to definition.




Inspiration: Bacchus and the Cultural History of a Creation Myth


Book Description

The Max Planck Yearbook of United Nations Law Online offers in-depth articles on issues such as Human Rights, UN organs and Commissions as well as questions of international law in connection with the United Nations. The core of authors proves to be a well balanced mix between young scholars and professors from all over Europe.










The Myths of Creativity


Book Description

How to get past the most common myths about creativity to design truly innovative strategies We tend to think of creativity in terms reminiscent of the ancient muses: divinely-inspired, unpredictable, and bestowed upon a lucky few. But when our jobs challenge us to be creative on demand, we must develop novel, useful ideas that will keep our organizations competitive. The Myths of Creativity demystifies the processes that drive innovation. Based on the latest research into how creative individuals and firms succeed, David Burkus highlights the mistaken ideas that hold us back and shows us how anyone can embrace a practical approach, grounded in reality, to finding the best new ideas, projects, processes, and programs. Answers questions such as: What causes us to be creative in one moment and void in the next? What makes someone more or less creative than his or her peers? Where do our flashes of creative insight come from, and how can we generate more of them? Debunks 10 common myths, including: the Eureka Myth; the Lone Creator Myth; the Incentive Myth; and The Brainstorming Myth Written by David Burkus, founder of popular leadership blog LDRLB For anyone who struggles with creativity, or who makes excuses for delaying the work of innovation, The Myths of Creativity will help you overcome your obstacles to finding new ideas.