Nagarjunakonda A Cultural Study


Book Description




Nāgārjunakoṇḍā


Book Description

On Nāgārjunakoṇḍā, a Buddhist archaeological monument in Palnad Taluk in Guntur District of Andhra Pradesh, and the cultural history of the Ikshvaku Dynasty.










Archaeology, Cultural Heritage Protection and Community Engagement in South Asia


Book Description

Exploring archaeology, community engagement and cultural heritage protection in South Asia, this book considers heritage management strategies through community engagement, bringing together the results of research undertaken by archaeologists, heritage practitioners and policy makers working towards the preservation and conservation of both cultural and natural heritage. The book highlights the challenges faced by communities, archaeologists and heritage managers in post-conflict and post-disaster contexts in their efforts to protect, preserve and present cultural heritage, including issues of sustainability, linkages with existing community programmes and institutions, and building administrative and social networks. The case-studies illustrate larger-scale projects to small micro-level engagement, across a range of geographical, political, social and economic contexts, providing a framework that links and synchronises programmes of archaeological activities alongside active community engagement. The chapters ‘Introduction’, ‘Community Engagement in the Greater Lumbini Area of Nepal: the Micro-Heritage Case-Study of Dohani’ and ‘Conclusion’ of this book are available open access under a CC BY 4.0 license at link.springer.com.




From the Origins to AD 1300


Book Description

This new book represents a complete rewriting by the author of her A History of India, vol. 1. Includes bibliographical references (p. 542-544) and index.




The Penguin History of Early India


Book Description

A Largely Rewritten Version Of A Classic History Of Early India Concerned Not Only With The Past But Also With The Interaction Of The Past And The Present. Romila Thapar S Penguin History Of Early India Brings To Life Many Centuries Of The Indian Past. Dynastic History Provides A Chronological Frame But The Essential Thrust Of The Book Is The Explanation Of The Changes In Society And Economy. The Mutation Of Religious Beliefs And Practices, The Exploration Of Areas Of Knowledge In Which India Excelled, Its Creative Literature, Are All Woven Into A Historical Context. In This Version, The Opening Chapters Explain How The Interpretations Of Early Indian History Have Changed. Further, Although The Diversity Of Sources And Their Readings Are Well Known, Nevertheless, This Narrative Provides Fresh Readings And Raises New Questions. Romila Thapar Gives A Vivid And Nuanced Picture Of The Rich Mosaic Of Varied Landscapes, Languages, Kingdoms And Beliefs, And The Interaction Between These That Went Into The Making Of A Remarkable Civilization.




The Idea of Ancient India


Book Description

How can the complexities of ancient India be comprehended? This book draws on a vast array of texts, inscriptions, archaeology, archival sources and art to delve into themes such as the history of regions and religions, archaeologists and the modern histories of ancient sites, the interface between political ideas and practice, violence and resistance, and the interactions between the Indian subcontinent and the wider world. It highlights recent approaches and challenges in reconstructing South Asia's early history, and in doing so, brings out the exciting complexities of ancient India. Authoritative and incisive, this revised Penguin edition-with two new chapters-is essential reading for students and scholars of ancient Indian history and for all those interested in India's past.




Bio-Diversity as Reflected on the Ramappa Temple Complex in Warangal District


Book Description

The Kakatiya kings had ruled the Telugu speaking regions from Warangal as their capital during the period from 1000AD to 1323 AD. During the rule of Ganapathi Deva (1199-1262 AD), Rudrama Devi (1262-1289) and Prathapa Rudra (1289-1323AD), theKakatiya Kingdom emerged as a powerful state and there was all-round development. The rulers and their subordinates had constructed several large irrigational tanks and promoted agriculture. The tanks are still existing in and around Warangal region and providing water to the people for drinking and also for agriculture. There was a brisk internal and foreign trade which led to economic development in the kingdom. The writings of the foreign travellers like Marco Polo (Venice, Italy) are testimony to the prosperity and glory of the Kakatiya Kingdom. The Kakatiya Rulers had patronised scholars and artists and promoted literature and fine arts like music, dance, sculpture art and architecture. Vidyanada, the court poet of PratapaRudra had written Prataparudrayeshobushanam in Sanskrit language. VinukondaVallbamatya had written Kreedabhiramamin Telugu, Palkuriki Somanadha had written Panditaradya Charitra, Kolanuganapathi Deva had written Shivayoga Saramu, Kakatiya Rudra Deva had written Neetisaramu, Baddena’s Neetisara Mukthavali , Jayapa Senani’s Nritya Ratnavali in Sanskrit are very popular writings. The Kakatiya Rulers had constructed several temples and forts etc. The Warangal fort is very famous for its strength, art and architecture during the medieval times. The Temples of Palampeta, Jakaram, Ramanujapuram, Pillalamarri, Nagulapadu, Kusumanchi and several other places are known for their beautiful art, architecture and sculpture. The Ramappa Temple, Thousand Pillar Temple, Swayambhu Temple, Ganapeswara Temple of Kusumanchi, Ghanapur group of Temples of Mulugu region are well known. The sculpture art and architecture of these temples reflect the life and culture, art, crafts, costumes, sports, music and dance forms of their times and are inspiring the present generation. There are several aspects of Bio-Diversity reflected on the temple walls. There are several figures of lions, elephants, wild boars, cow and calf, swans, lotus flowers, creepers, snakes, birds, human figures both male and female etc, on the walls and pillars of the temple complex. They reflect the Bio- Diversity of those times and also the relation of man with the nature. This book is based on my research work under the Ph.D programme. I have undertaken field work and visited all the temples built by the Kakatiyas in the Telangana region. As part of the study, I consulted several Archaeologists, Historians, Writers, who worked on the Kakatiya Temples and Culture. I have also interacted with the local people, who have been living in the surroundings of the temples. I have also collected necessary data from various libraries like Kakatiya University Library, Central Library in Warangal and also Osmania University Library, Abzal Gunz Library, City Library, Srikrishna Devaraya Andhra Bhasha Nilayam, Hyderabad. I would like to acknowledge my debt to my parents Smt. Prameela and Sri Sambaiah (late), who have brought me up to this stage with utmost care and love. I wish to express my gratitude to my Teacher and Research Supervisor Prof. Kokkonda Vijaya Babu, who guided and supported me in bringing out this book. I also thank Smt. Chandra Kala Vijaya Babu and their children, Srimukhi,Karthik and Sai Maduri, Raj Kumar for their encouragement during the course of my research. I am grateful to the Faculty Members of the Department of History, Kakatiya University, Prof. S. Srinath, Prof. T. Manohar, Dr. P. Sadanandam, Dr. T. Dayakar Rao and Dr. M. Brahmaiah for their support and encouragement. I would like to express my appreciation to my wife Palnati Mamatha, who has supported me during the research work. On this occasion, I would like to convey my blessings to my daughter, Adhvaitha who also supported me. I am thankful to my aunt and uncle Smt. Radha Rajashekar for their encouragement. I also thank my relatives, Dr. Naveen and Sushmita, Akkapelli Srinivas and Rama, Dr. G. Jaya Prakash Narayana and Kavitha, for their encouragement. I am thankful to my well-wishers and friends, who helped me in the field work and visited the temples along with me during the collection of data. They are Akula Sambaiah, Akula Ramakrishna, M. Purnender, Dr. K. Veeranna, Dr. V. Nagaraju, Dr. K. Kumaraswamy, Dr. Abhinesh, Mr. Alladi Yadagiri, Anilkumar Ettaboina and Naredla Narayana. I also thank Dr. G. Tirupati, Dr. A. Hari Babu, Dr. B. Sumalatha, B. Jyoti. Dr. Suryakiran for their support.




Javanmardi


Book Description

Javanmardi is one of those Persian terms that is frequently mentions in discussions of Persian identity, and yet its precise meaning is difficult to comprehend. A number of equivalents have been offered, including chivalry and manliness, and while these terms are not incorrect, javanmardi transcends them. The concept encompasses character traits of generosity, selflessness, hospitality, bravery, courage, honesty, truthfulness and justice--and yet there are occasions when the exact opposite of these is required for one to be a javanmard. At times it would seem that being a javanmard is about knowing and doing the right thing, although this definition, too, falls short of the term's full meaning. The present collection is the product of a three-year project financed by the British Institute of Persian Studies on the theme of "Javanmardi in the Persianate world." The articles in this volume represent the sheer range, influence, and importance that the concept has had in creating and contributing to Persianate identities over the past one hundred and fifty years. The contributions are intentionally broad in scope. Rather than focus, for example, on medieval Sufi manifestations of javanmardi, both medieval and modern studies were encouraged, as were literary, artistic, archaeological, and sociological studies among others. The opening essays examine the concept’s origin in medieval history and legends throughout a geographical background that spans from modern Iran to Turkey, Armenia, and Bosnia, among both Muslim and Christian communities. Subsequent articles explore modern implications of javanmardi within such contexts as sportsmanship, political heroism, gender fluidity, cinematic representations, and the advent of digitalization.