Nall at Troy


Book Description

From his own crucifixion to a colorful tribute to Rosa Parks, the artist known only as Nall has quite a diverse body of work. Nall's art--including large-scale mixed-media collages, etchings, and paintings--encapsulates the human experience, from death and religion to sexuality and gender. Collecting his pieces, some for the very first time in print, Nall at Troy traces the life of this internationally respected artist to his humble hometown of Troy, Alabama, and the university there to which he has made a large permanent bequest of his work. Troy, Alabama, is not the first place that comes to mind as a source of great art. It's probably not even the thousandth place. But it is the birthplace of Fred Nall Hollis, an internationally acclaimed and celebrated artist who works under the moniker Nall. In his large-scale mixed media collages and paintings, often featuring his own print work, Nall tackles the most difficult topics in art: death, religion, politics, sexuality, gender, and more. Truly an artist with a multicultural focus, the subject matter of Nall's work originates in his own story, shared in Nall at Troy. After attending the University of Alabama during the turbulent 1960s, Nall boldly ventured to Europe and developed relationships with some of the West's most influential figures, including Salvador Dali, James Baldwin, Prince Albert of Monaco, and Ringo Starr. His career blossomed in Europe, but Nall began to feel a longing for his hometown of Troy and artists with which he might find a close kinship. Nall at Troy is an exploration of the artist's homecoming, his promotion of Alabama artists, and his establishing of unique relationships with students and faculty at Troy University. Nall's contributions to the town, such as the creation of an international art center and the Nall Museum, have caused the community to have a great affinity for the artist. Nall at Troy is an opportunity for the city of Troy and its excellent university to share one of Alabama's best-kept secrets with the world.




The Southwestern Reporter


Book Description




The South Western Reporter


Book Description

Includes the decisions of the Supreme Courts of Missouri, Arkansas, Tennessee, and Texas, and Court of Appeals of Kentucky; Aug./Dec. 1886-May/Aug. 1892, Court of Appeals of Texas; Aug. 1892/Feb. 1893-Jan./Feb. 1928, Courts of Civil and Criminal Appeals of Texas; Apr./June 1896-Aug./Nov. 1907, Court of Appeals of Indian Territory; May/June 1927-Jan./Feb. 1928, Courts of Appeals of Missouri and Commission of Appeals of Texas.










Southern Homes and Plan Books


Book Description

Southern Homes and Plan Books showcases the architectural legacy and design philosophy of Leila Ross Wilburn (1885–1967), a legacy that includes hundreds of houses in a variety of popular house styles, from bungalows to ranch houses, built using Wilburn’s plan books during the first six decades of the twentieth century. Wilburn opened her own firm in Atlanta in 1908 and practiced until her death in 1967. She published nine plan books that offered mail order house designs to contractors, builders, and prospective homeowners and allowed them the ease of choosing a preconceived design and construction plan. Sarah J. Boykin and Susan M. Hunter provide a survey of the southern homes built from Wilburn’s plan books, examining Wilburn’s architectural legacy and her achievements as a plan book architect. The book provides beautiful photographs of houses built from her plans, along with illustrations from the plan books themselves and other related documents from the time. Readers can thus see how her designs were realized as individual houses and also how they influenced the development of some of the Atlanta area’s beloved historical neighborhoods, most notably Druid Hills, Morningside, Virginia-Highland, and Candler Park, as well as the McDonough–Adams–Kings Highway (MAK) Historic District in Decatur. Today, Wilburn’s houses are enjoyed as appealing, historic homes and represent some of the richest examples of southern vernacular architecture to emerge from the plan book tradition.













Alabama Creates


Book Description

A visually rich survey of two hundred years of Alabama fine arts and artists Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous. Published to coincide with the state’s bicentennial, Alabama Creates: 200 Years of Art and Artists features ninety-four of Alabama’s most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a broad spectrum of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art. This retrospective volume features biographical sketches and representative examples of each artist’s most masterful works. Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee’s Bend Quilters, Lonnie Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists. Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot A. Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state’s artistic heritage by Gail C. Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama’s extraordinarily rich visual and artistic heritage.