Blundering to Glory


Book Description

Renowned for its accuracy, brevity, and readability, this book has long been the gold standard of concise histories of the Napoleonic Wars. Now in an updated and revised edition, it is unique in its portrayal of one of the world's great generals as a scrambler who never had a plan, strategic or tactical, that did not break down or change of necessity in the field. Distinguished historian Owen Connelly argues that Napoleon was the master of the broken play, so confident of his ability to improvise, cover his own mistakes, and capitalize on those of the enemy that he repeatedly plunged his armies into uncertain, seemingly desperate situations, only to emerge victorious as he "blundered" to glory. Beginning with a sketch of Napoleon's early life, the book progresses to his command of artillery at Toulon and the "whiff of grapeshot" in Paris that netted him control of the Army of Italy, where his incredible performance catapulted him to fame. The author vividly traces Napoleon's campaigns as a general of the French Revolution and emperor of the French, knowledgeably analyzing each battle's successes and failures. The author depicts Napoleon's "art of war" as a system of engaging the enemy, waiting for him to make a mistake, improvising a plan on the spot-and winning. Far from detracting from Bonaparte's reputation, his blunders rather made him a great general, a "natural" who depended on his intuition and ability to read battlefields and his enemy to win. Exploring this neglected aspect of Napoleon's battlefield genius, Connelly at the same time offers stirring and complete accounts of all the Napoleonic campaigns.




Napoleon and the Operational Art of War


Book Description

In Napoleon and the Operational Art of War, the leading scholars of Napoleonic military history provide the most authoritative analysis of Napoleon’s battlefield success and ultimate failure in a work that features the very best of campaign military history.




Napoleon and the Operational Art of War


Book Description

In Napoleon and the Operational Art of War, the leading scholars of Napoleonic military history provide the most authoritative analysis of Napoleon’s battlefield success and ultimate failure. Napoleon’s development and mastery of the operational art of warfare is revealed as each chapter analyzes one Napoleonic war or major campaign of a war. To achieve this, the essays conform to the common themes of Napoleon’s planning, his command and control, his execution of plans, and the response of his adversaries. Napoleon's sea power and the British response to the French challenge at sea is also investigated. Overall, this volume reflects the finest scholarship and cutting-edge research to be found in Napoleonic Military History. Contributors include Jonathan Abel, Robert M. Citino, Huw Davies, Mark T. Gerges; John H. Gill; Jordan Hayworth, Kenneth G. Johnson, Michael V. Leggiere, Kevin D. McCranie, Alexander Mikaberidze, Frederick C. Schneid, John Severn, Dennis Showalter, Geoffrey Wawro, and John F. Weinzierl.




Military Maxims Of Napoleon


Book Description

A concise collection of Napoleon's military maxims that offer advice on strategy, tactics, and leadership in the battlefield. These maxims are still relevant to this day and are considered a masterpiece in the art of war. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Art of Warfare in the Age of Napoleon


Book Description

Some 12 years ago it was estimated that well over 300,000 works existed on this period and since then several thousand more have appeared. Therefore, it might be reasonably argued that there is little room for another volume. Nonetheless, this vast outpouring of literature has usually dealt with major leaders, specific battles or campaigns, and with certain branches of the service. Moreover, at least in English, the literature tends to concentrate primarily on the French or British armies. There appears to be a lack of works combining a description of the major changes and trends in the art of war, especially at the cutting edge of events, with a discussion of the French military establishment and the armies of the major opponents, British as well as continental. And while this book is only a brief survey, I do believe that it may serve as a contribution towards filling this gap in our historical knowledge of military institutions and fighting men.




Napoleon On the Art of War


Book Description

In the capstone work of his career, distinguished military historian Jay Luvaas brings together in one volume the military genius of Napoleon. Unlike Sun Tzu or Carl von Clausewitz, Napoleon never wrote a unified essay on his military philosophy. Yet, as one of the world's great strategists and tacticians, he sprinkled wisdom throughout his many and varied writings. Jay Luvaas spent over three decades poring through the thirty-two volumes of Napoleon's correspondence, carefully translating and editing all of his writings on the art of war, and arranging them into seamless essays. The resulting book captures the brilliant commander's thoughts on everything from the preparation of his forces to the organization, planning, and execution of his battles -- all buttressing Napoleon's view that "in war there is but one favorable moment; the great art is to seize it." Napoleon on the Art of War will be essential reading for military buffs, students of history, and any business leader looking for timeless insights on strategy.




Plunder


Book Description

One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.




The Campaigns of Napoleon


Book Description

In this “engrossing,” (The New Yorker) vivid, and intensively researched volume, esteemed Napoleon scholar David Chandler outlines the military strategy that led the famous French emperor to his greatest victories—and to his ultimate downfall. Napoleonic war was nothing if not complex—an ever-shifting kaleidoscope of moves and intentions, which by themselves went a long way towards baffling and dazing his conventionally minded opponents into that state of disconcerting moral disequilibrium which so often resulted in their catastrophic defeat. The Campaigns of Napoleon is a masterful analysis and insightful critique of Napoleon's art of war as he himself developed and perfected it in the major military campaigns of his career. Napoleon disavowed any suggestion that he worked from formula (“Je n'ai jamais eu un plan d'opérations”), but military historian David Chandler demonstrates this was at best only a half-truth. To be sure, every operation Napoleon conducted contained unique improvisatory features. But there were from the first to the last certain basic principles of strategic maneuver and battlefield planning that he almost invariably put into practice. To clarify these underlying methods, as well as the style of Napoleon's fabulous intellect, Chandler examines in detail each campaign mounted and personally conducted by Napoleon, analyzing the strategies employed, revealing wherever possible the probable sources of his subject's military ideas. “Writing clearly and vividly, [Chandler] turns dozens of persons besides Napoleon from mere wooden soldiers into three- dimensional characters” (The Boston Globe) and this definitive work is “a fine book for the historian, the student, and the intelligent reader” (The New York Review of Books).




Napoleon and the Art of Diplomacy


Book Description

Napoleon's official diplomatic career lasted nearly two decades and involved relations with scores of kings, queens, ministers, diplomats, and secret agents across Europe and beyond. All those involved asserted their respective state (and often their private) interests across the entire span of international relations in which conflicts over trade and marriage were often inseparable from war and peace. For Napoleon, war and diplomacy were inseparable and complementary for victory. Much of Napoleon's military success was built upon a foundation of alliances and treaties. Although not always at war, Napoleon incessantly practiced diplomacy on a steady stream of international issues.




The Evolution of Operational Art


Book Description

Broadly defined as the grey area between strategy and tactics, operational art spans the theory and practice of planning and conducting campaigns and major operations aimed at accomplishing strategic and operational objectives in a given theatre of operations. An intermediate link between strategy and tactics has always existed, but a distinct concept that encompasses a systematic and deliberate plan of campaign for major operations is a mere two hundred years old. Based on country specific case-studies, this book describes how the concepts that underpin operational art originated, how they received practical expression in various campaigns, and how they developed over time. The point of departure is the campaigns of 'the God of War', Napoleon Bonaparte. The book then proceeds with chapters on the evolution of operational art in Prussia / Germany, the Soviet Union / Russia, the United Kingdom, United States, Israel, and China. The final chapter deals with the future of operational art in irregular warfare. Theory is critical to refining and improving existing methods of applying operational warfare, and its importance cannot be overstated; however, to be useful, theory and its accompanying vocabulary must be combined with a proper examination of historical trends and practical experience. The present volume attempts to achieve that combination. This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.