Narration, Navigation, and Colonialism


Book Description

The texts collected in this book are all produced and located within the converging fields of navigation and displacement. The connection between navigation and narration becomes clear when we realise that most of the authors and heroes of the accounts discussed by the author were, in one way or another, involved in shipping and navigation and that their accounts were produced within fluid and floating spaces and in the course of intriguing voyages and long cruises. In all cases, these narratives start with the narrators on board ships and end with them once again taking charge of their ships and sailing back home. In this book, the author argues that the seventeenth- and eighteenth-century English narratives of adventure and captivity were not produced within clearly demarcated territories and on dry land, but within spaces of indeterminacy, struggle, and transition.




Narrating Colonialism


Book Description

This Book Provides A Fascinating Portrait Gallery Of The British Imperialists, The Memsahibs And The Anti-Imperialists Caught In The Ideological Conflict Resulting From Colonization.




Narrating Post/Communism


Book Description

This book examines communist and post-communist literary and visual narratives, including the writings of prominent anti-communist dissidents and exiles such as Vladimir Nabokov, Czeslaw Milosz and Milan Kundera, exploring important themes including how Eastern European regimes and cultures have been portrayed as totalitarian, barbarian and "Orientalist" – in contrast to the civilized "West" – disappointment in the changes brought on by post-communist transition, and nostalgia for communism.




Colonial Narratives/Cultural Dialogues


Book Description

Colonial Narratives/Cultural Dialogues demonstrates the continuing validity of the colonial paradigm as it maps the geographical, political, and imaginative space of 'India/Indies' from the seventeenth century to the present. Breaking new ground in postcolonial studies, Jyotsna Singh highlights the interconnections among early modern colonial encounters, later manifestations in the Raj and their lingering influence in the postcolonial Indian nationalist state. Singh challenges the assumption of eye-witness accounts and unmeditated experiences implcit in colonial representational practices, and often left unchallenged in the postcolonial era. Essential introductory reading for students and academics, Colonial Narratives/Cultural Dialogues re-evaluates the following texts: * seventeenth century travel narratives about India * eighteenth century 'nabob' texts * letters of the Orientalist, Sir William Jones * reviews of Shakespearean productions in Calcutta and postcolonial Indo-Anglian novels




Narratives of the French Empire


Book Description

This study interrogates how the French empire was imagined in three literary representations of French colonialism: the conquest of Tahiti, and the established colonial systems in Martinique and in India. The study is the first in either English or French to demonstrate that representations of power relations, as well as the broader discourses with which they were linked, were as closely concerned with probing the similarities and differences of rival European colonial systems as they were with reinforcing their imagined superiority over the colonized, and that such power relations should not be conceptualized as a dualistic categorization of ‘colonizer’ versus ‘colonized’. In doing so, it aims to go beyond examining the interaction between colonized and colonizer, or between colonial centre and periphery, and to interrogate instead the circulation of ideas and practices across different sites of European colonialism, drawing attention to a historical complexity which has been neglected in the necessary race to recover voices previously occluded from academic analysis. In exploring how the notion of the French empire overseas was construed and how it was infused with meaning at three different historical moments, 1784, 1835 and 1938, it demonstrates how precarious the French empire was perceived to be, in terms of both European rivalry and resistance from the colonized, and how the rhetoric of a French colonisation douce was pitted against the inscribed excesses of the more powerful British empire. Rather than employing the sorts of recuperative agenda which focus on how the colonized were elided (viz., Subaltern Studies) or on the writings of the formerly colonized (viz., Francophone Studies), the study concerns itself specifically with how French colonialism and imperialism were perceived, and thus offers a further corrective to any generalizations about European colonialism and imperialism. More particularly, by examining how the representational strategy of nostalgia is used in these texts, the study demonstrates how perceived loss, and nostalgia for an imperial past, played a role in dynamically shaping the French colonial enterprise across its various manifestations.




Colonialism Past and Present


Book Description

This collection of essays offers alternative readings of historical and literary texts produced during Latin America's colonial period. By considering the political and ideological implications of the texts' interpretation yesterday and today, it attempts to "decolonize" the field of Latin American studies and promote an ethical, interdisciplinary practice that does not falsify or appropriate knowledge produced by both the colonial subjects of the past and the oppressed subjects of the present. Using recent developments in postcolonial theory, the contributors challenge traditional approaches to Hispanism. The colonial situation under which these texts were composed, with all its injustices and prejudices, still lingers, and most studies have consistently avoided the connection between this colonial legacy and the situation of disenfranchised groups today. Colonialism Past and Present challenges discursive strategies that celebrate only European cultural traits, dismiss non-European cultural legacies, and solidify constructions of national projects considered natural extensions of European civilization since independence from Spain.




Narrating Africa


Book Description

Narrating Africa: George Henty and the Fiction of Empire offers a critique of colonialist discourse and focuses on George Henty's novels as a prototype of the literature that emerged with the rise of British imperialism, in an attempt to assess the role of nineteenth-century literature both in the perpetuation of stereotypes vis--vis Africa and in the socialization of young adults. Its approach is postcolonial inasmuch as it breaks traditional disciplinary boundaries by analyzing and critiquing literature within historical, political, economic, and cultural contexts that enable the production, reception, and import of literary texts. Indeed today's cultural, economic, and political hegemony of Europe and the United States over Africa has a legacy deeply rooted in nineteenth-century ideologies of imperialism, colonialism, and race, as well as in repercussions of the Atlantic Slave Trade. Thus the image of Africa as the Dark continent, resulting from the activities of the Atlantic Slave Trade and early Victorian explorers and missionaries, won further popularity among Victorians from all walks of life through adventure stories which became one of the vehicles for the dissemination of imperialist ideologies and concept. Narrating Africa: George Henty and the Fiction of Empire unveils the legacy, endurance, and impact of colonial stereotyping with these factors in perspective.




Maps of Englishness


Book Description

Gikandi explores the politics of identity to analyze how the colonial experience inspired narrative forms that changed the nature of the English identity by surveying the British imperial tradition since the nineteenth century. He provides detailed readings of the works of Trollope, Carlyle, and others; through the narratives of imperial women travelers such as Mary Kingsley and Mary Seacole; and through Africanist texts by Joseph Conrad, Graham Greene and postcolonialists such as Salman Rushdie and Joan Riley.




Joyce: Feminism / Post / Colonialism


Book Description

James Joyce is located between, and constructed within, two worlds: the national and international, the political and cultural systems of colonialism and postcolonialism. Joyce's political project is to construct a postcolonial contra-modernity: to write the incommensurable differences of colonial, postcolonial, and gendered subjectivities, and, in doing so, to reorient the axis of power and knowledge. What Joyce dramatizes in his hybrid writing is the political and cultural remainder of imperial history or patriarchal canons: a remainder that resists assimilation into the totalizing narratives of modernity. Through this remainder - of both politics and the psyche - Joyce reveals how a minority culture can construct political and personal agency. Joyce: Feminism / Post / Colonialism, edited by Ellen Carol Jones, bears witness to the construction of that agency, tracing the inscription of the racial and sexual other in colonial, nationalist, and postnational representations, deciphering the history of the possible. Contributors are Gregory Castle, Gerald Doherty, Enda Duffy, James Fairhall, Peter Hitchcock, Ellen Carol Jones, Ranjana Khanna, Patrick McGee, Marilyn Reizbaum, Susan de Sola Rodstein, Carol Shloss, and David Spurr.




Narrating Violence in the Postcolonial World


Book Description

This book examines representations of violence across the postcolonial world—from the Americas to Australia—in novels, short stories, plays, and films. The chapters move from what appear to be interpersonal instances of violence to communal conflicts such as civil war, showing how these acts of violence are specifically rooted in colonial forms of abuse and oppression but constantly move and morph. Taking its cue from theories in such fields as postcolonial, violence, gender, and trauma studies, the book thus shows that violence is slippery in form, but also fluid in nature, so that one must trace its movement across time and space to understand even a single instance of it. When analysing such forms and trajectories of violence in postcolonial creative writing and films, the contributors critically examine the ethical issues involved in narrating abuse, depicting violated bodies, and presenting romanticized resolutions that may conceal other forms of violence.