Narrative Gravity


Book Description

This text explores the anti-foundationalist, anti-essentialist idea that our stories make us up, rather than we make up our stories. This is a foundational text for students of linguistics, philosophy and literary theory.




Narrative Gravity


Book Description

In this elegantly written and theoretically sophisticated work, Rukmini Bhaya Nair asks why human beings across the world are such compulsive and inventive storytellers. Extending current research in cognitive science and narratology, she argues that we seem to have a genetic drive to fabricate as a way of gaining the competitive advantages such fictions give us. She suggests that stories are a means of fusing causal and logical explanations of 'real' events with emotional recognition, so that the lessons taught to us as children, and then throughout our lives via stories, lay the cornerstones of our most crucial beliefs. Nair's conclusion is that our stories really do make us up, just as much as we make up our stories.




Self and Consciousness


Book Description

This volume contains an array of essays that reflect, and reflect upon, the recent revival of scholarly interest in the self and consciousness. Various relevant issues are addressed in conceptually challenging ways, such as how consciousness and different forms of self-relevant experience develop in infancy and childhood and are related to the acquisition of skill; the role of the self in social development; the phenomenology of being conscious and its metapsychological implications; and the cultural foundations of conceptualizations of consciousness. Written by notable scholars in several areas of psychology, philosophy, cognitive neuroscience, and anthropology, the essays are of interest to readers from a variety of disciplines concerned with central, substantive questions in contemporary social science, and the humanities.




Do You Feel it Too?


Book Description

Do You Feel It Too? explores a new sense of self that is becoming manifest in experimental fiction written by a generation of authors who can be considered the 'heirs' of the postmodern tradition. It offers a precise, in-depth analysis of a new, post-postmodern direction in fiction writing, and highlights which aspects are most acute in the post-postmodern novel. Most notable is the emphatic expression of feelings and sentiments and a drive toward inter-subjective connection and communication. The self that is presented in these post-postmodern works of fiction can best be characterized asrelational. To analyze this new sense of self, a new interpretational method is introduced that offers a sophisticated approach to fictional selves combining the insights of post-classical narratology and what is called 'narrative psychology'.Close analyses of three contemporary experimental texts – Infinite Jest (1996) by David Foster Wallace,A Heartbreaking Work of Staggering Genius (2000) by Dave Eggers, and House of Leaves(2000) by Mark Danielewski – provide insight into the typical problems that the self experiences in postmodern cultural contexts. Three such problems or 'symptoms' are singled out and analyzed in depth: an inability to choose because of a lack of decision-making tools; a difficulty to situate or appropriate feelings; and a structural need for a 'we' (a desire for connectivity and sociality).The critique that can be distilled from these texts, especially on the perceivedsolipsistic quality of postmodern experience worlds, runs parallel to developments in recent critical theory. These developments, in fiction and theory both, signal, in the wake of poststructural conceptions of subjectivity, a perhaps much awaited 'turn to the human' in our culture at large today.




Making of the Modern Mind


Book Description

The Making of the Modern Mind traces the emergence of "consciousness" in social thought from the 17th Century to the 21st. Against the classical notions of consciousness and self, alternative agendas began to be developed in the 19th Century by figures as diverse as Marx and Nietzsche. The struggles between classical conceptions of consciousness and these alternatives--which promised more radical and emancipatory interpretations--continued into the 20th Century.From the start, the concept of "consciousness" connected with a range of other notions. Questions of the self and of identity were widely disputed in the Enlightenment whilst the 20th Century contributed new concerns, chiefly the philosophical issues of being and acting and the problematic status of reality for a theory of mind. Today, consciousness is viewed much more as a public and linguistic world rather than a private and mentalistic one.The Making of the Modern Mind explores the contemporary debates around consciousness and identity, crucially setting the analysis within its social and historical context. Written in a clear and engaging style, the book will be of interest to students in Philosophy, Psychology, Sociology and Anthropology.




The Gravity of Birds


Book Description

A debut novel already destined to be a book club favorite. “With its deft interweaving of psychological complexity and riveting narrative momentum, with its gorgeous prose and poetic justice, The Gravity of Birds is about sibling rivalry, tragedies, and resurrections. And it’s irresistibly exquisite” (San Francisco Chronicle). Forty-four years after the brilliant young painter, Thomas Bayber, first meets Alice and Natalie Kessler, Bayber unveils a never-before-seen work, Kessler Sisters—a provocative painting depicting the young Thomas, Alice, and Natalie. Bayber asks Dennis Finch, an art history professor, and Stephen Jameson, an eccentric young art authenticator, to sell the painting. But their task becomes more complicated when the artist requires that they first locate Alice and Natalie, who seem to have disappeared. Told in alternating chapters that weave revelations about the sisters’ past with clues Finch and Jameson discover in the present, this story sets three characters on a collision course with their histories, showing how families tear themselves apart and then try to bind themselves together again, not always creating the same fabric. The Gravity of Birds “combines the drama of warring sisters, the mystery of a missing painting, and the sorrow of lost love into a haunting elegy that will…leave you breathless” (Tiffany Baker, author of The Little Giant of Aberdeen County).




Gravity's Arc


Book Description

Advance Praise for Gravity's Arc "A beautifully written exposition of the still mysterious force that holds our universe together--and the even more mysterious dark twin that may blow it apart." --Joshua Gilder, coauthor of Heavenly Intrigue "A lucid book as up-to-date as the effect of gravity on the bones of astronauts." --Denis Brian, author of The Unexpected Einstein How did they do it? How did one of the greatest geniuses who ever lived retard the study of gravity for 2,000 years? How did a gluttonous tyrant with a gold nose revolutionize our view of the solar system? How could an eccentric professor shake the foundations of an entire belief system by dropping two objects from a tower? How did a falling apple turn the thoughts of a reclusive genius toward the moon? And how could a simple patent clerk change our entire view of the universe by imagining himself riding on a beam of light? In Gravity's Arc, you'll discover how some of the most colorful, eccentric, and brilliant people in history first locked, then unlocked the door to understanding one of nature's most essential forces. You'll find out why Aristotle's misguided conclusions about gravity became an unassailable part of Christian dogma, how Galileo slowed down time to determine how fast objects fall, and why Isaac Newton erased every mention of one man's name from his magnum opus Principia. You'll also figure out what Einstein meant when he insisted that space is curved, whether there is really such a thing as antigravity, and why some scientists think that the best way to get to outer space is by taking an elevator.




Dennett


Book Description

A systematic and thorough interpretation of the philosophy of Daniel Dennett, this book is a tantalizing entrée into the philosophy of mind. Manifestly, we human beings are conscious, thinking, free and responsible agents. However, science has revealed that we are also natural products of evolution, composed of simple biochemical components which are arranged in complex self-maintaining configurations. How do these two aspects of humanity coincide? Tadeusz Zawidzki outlines Dennett’s reconciliation of three major components - thought, consciousness, and freedom of the will – with what science tells us about human nature. In the course of this exposition, the book highlights the important role that Darwinian thinking plays in Dennett’s proposed reconciliation, as well as his innovative proposals regarding the ‘reality’ of our consciousness and its attributes. An insightful introduction to Dennett’s thought, this work will prove invaluable to interested readers, students, and scholars alike.




Demo(s)


Book Description

This book is framed as a dialogue, between Hugo Letiche’s iconoclastic appeals to demonstrate (as in a demo) for a pedagogy/philosophy/politics of (re-)territorialization (as in the demos), and Jacques Rancière’s calls for dissensus and a new sensibility (le partage du sensible) that may lead to radical democratization. Writing here are: Asmund Born, Damian O’Doherty, Joanna Latimer, Hugo Letiche, Geoff Lightfoot, Simon Lilley, Alphonso Lingis, Stephen Linstead, Garance Maréchal, Jean-Luc Moriceau, Rolland Munro, Rukmini Bhaya Nair, Peter Pelzer, Yvon Pesqueux, Burkard Sievers, Isabelle Stengers, and Niels Thyge Thygesen. These authors explore learning and education, research and investigation, writing and practice, in the context of the study of organization and of organizing. They champion affect, hope, poetic narrative, slow science, justice, the commons, engagement and fairness.




Contemporary Comics Storytelling


Book Description

What if fairy-tale characters lived in New York City? What if a superhero knew he was a fictional character? What if you could dispense your own justice with one hundred untraceable bullets? These are the questions asked and answered in the course of the challenging storytelling in Fables, Tom Strong, and 100 Bullets, the three twenty-first-century comics series that Karin Kukkonen considers in depth in her exploration of how and why the storytelling in comics is more than merely entertaining. Applying a cognitive approach to reading comics in all their narrative richness and intricacy, Contemporary Comics Storytelling opens an intriguing perspective on how these works engage the legacy of postmodernism--its subversion, self-reflexivity, and moral contingency. Its three case studies trace how contemporary comics tie into deep traditions of visual and verbal storytelling, how they reevaluate their own status as fiction, and how the fictional minds of their characters generate complex ethical thought experiments. At a time when the medium is taken more and more seriously as intricate and compelling literary art, this book lays the groundwork for an analysis of the ways in which comics challenge and engage readers' minds. It brings together comics studies with narratology and literary criticism and, in so doing, provides a new set of tools for evaluating the graphic novel as an emergent literary form.