Author : Peter Selz
Publisher : Univ of California Press
Page : 274 pages
File Size : 23,46 MB
Release : 2002-03-12
Category : Architecture
ISBN : 9780520231016
Generously illustrated with 183 images, more than 100 in color, and including valuable, previously unpublished biographical and bibliographical information, Nathan Oliveira will accompany the major traveling exhibition of the same name.".
Author : Linda Patricia Cleary
Publisher :
Page : pages
File Size : 19,96 MB
Release : 2015-07-14
Category :
ISBN : 9781320549431
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author : Caroline A. Jones
Publisher : Univ of California Press
Page : 258 pages
File Size : 40,19 MB
Release : 1990
Category : Art
ISBN : 9780520068421
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
Author : Nathan Oliveira
Publisher :
Page : 68 pages
File Size : 10,31 MB
Release : 1991
Category :
ISBN :
Author : John Lawrence Ward
Publisher : University of Delaware Press
Page : 262 pages
File Size : 15,48 MB
Release : 2003
Category : Art
ISBN : 0874137837
Featuring 19 color plates and 65 b&w illustrations, this text critically examines the imagery, process, and pictorial structure of works by American painter Edwin Dickinson (1891-1978). Drawing upon 56 years of the artist's journals and several thousand pages of his letters, Ward makes connections b
Author : Peter Selz
Publisher : Univ of California Press
Page : 550 pages
File Size : 34,37 MB
Release : 2023-04-28
Category : Art
ISBN : 0520341503
Published in 1957, German Expressionist Painting was the first comprehensive study of one of the most pivotal movements in the art of this century. When it was written, however, German Expressionism seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art. But as historians well know, each generation alters the concept of mainstream to encompass those aspects of the past which seem most relevant to the present. The impact of German Expressionism on the art and thought of later generations could never have been anticipated at the time of the original writing of this book. During the subsequent years an enormous body of scholarly research and an even larger number of popular books on German expressionist art has been printed. Numerous monographs and detailed studies on most of the artists exist now and countless exhibitions with accompanying catalogues have taken place. Much of this new research could have been incorporated in a revised edition and the bibliography certainly could have been greatly expanded to include the important writings which have been published in Germany, the United States and elsewhere since this book was originally issued. The author, however, was faced with the choice of reprinting the original text with only the most necessary alterations-such as updating the captions to indicate present locations of the paintings-or the preparation of a revised text and bibliography. Desirable as a revision appeared, present printing costs would have priced the paperback out of reach for students. It is for this reason that I decided to reissue the original text which stands on its own as a primary investigation of German Expressionist Painting.
Author : MOSER JOANN
Publisher : Smithsonian Books (DC)
Page : 232 pages
File Size : 30,40 MB
Release : 1997-02-17
Category : Art
ISBN :
The first comprehensive survey of the monotype in America, Singular Impressions discusses the work of more than one hundred artists who, attracted by the medium's intimacy and freedom, made prints ranging from the romantic, pastoral landscapes of Bostonian Charles Alvah Walker to the Savarin-can "self-portraits" of Jasper Johns. Whether created as a brief fling with the technique by John Singer Sargent or as a sustained exploration of its subtleties by Maurice Prendergast, monotypes have attracted countless artists who usually work in other media. Describing how artists invented new methods and variations on the basic process, Joann Moser analyzes the role of the monotype in the "Black and White" exhibitions of New York's Salmagundi Club, at the 1915 Panama-Pacific Exposition in San Francisco, and in 1920s artists' communities from Provincetown to Taos. It was not until the 1970s that the monotype emerged as an alternative to the technical, structured enterprise that printmaking had become. Recognizing no rules or boundaries, artist pushed the previous limits of the medium to create a richer, more complex, more versatile means of expression.
Author : Bruce Nixon
Publisher : Stanford University Press
Page : 323 pages
File Size : 21,17 MB
Release : 2017
Category : Art
ISBN : 9781503605480
The exploration of the human figure has been the pursuit of artists for millennia. Manuel Neri (b. 1930), a California native and former student of Richard Diebenkorn and Nathan Oliveira, has spent a lifetime accentuating the gesture, surface, and materiality of the figure. He renders his work in several different mediums that include plaster, marble, bronze, and paper. This exhibition, drawn from and celebrating gifts donated to the museum by The Manuel Neri Trust, provides a glimpse into the artist's creative process and his quest to define the figure on his own terms. Manuel Neri is known for his prolonged artistic engagement with the figure in a variety of materials, starting with plaster in the late 1950s and moving into bronze and marble. The seven sculptures in the outdoor installation reference Neri's origins with plaster and his expressionistic manipulation of the medium. By casting plaster in bronze, tactile surfaces are preserved and enhanced.
Author : Emily York
Publisher :
Page : 372 pages
File Size : 24,50 MB
Release : 2008
Category : Art
ISBN :
"Magical secrets are quickly grasped. They open doors to fresh ways of seeing and understanding. Artists use aquatint, a form of etching, to create delicate washes, velvety blacks, and intricate layers of color impossible in other art media. In this book, the third in a series about etchings, Emily York discusses 46 aquatints by 32 artists, with special attention to fascinating sequential works by Richard Diebenkorn and Al Held. Emily York is a master painter at Crown Point Press, a publishing workshop where artists have been creating etchings since 1962. She ties processes directly to art, and with clear writing and abundant illustrations explains the aquatint processes of spit bite, sugar lift, soap ground, and water bite. She also details steel-facing and multiple-plate printing, and gives step-by-step instructions for making your own aquatints. Anyone who cares about art will enjoy this book, and anyone who makes etchings will find it indefensible. The included DVD demonstrates the processes, and the accompanying website provides ongoing information about printmaking."--Publisher's description.
Author : John Seed
Publisher :
Page : 176 pages
File Size : 26,12 MB
Release : 2019-04-27
Category :
ISBN : 9781095997925
As a young man, art writer John Seed had a knack for meeting extraordinary people. Mentored by Bay Area artist Nathan Oliveira and introduced to modern art by collectors Hunk and Moo Anderson, Seed was perfectly positioned to observe the explosive growth of the art world in the early 1980s. He had his portrait done by Jean-Michel Basquiat, met Richard Dienbenkorn, worked for an intense young art dealer named Larry Gagosian, got advice from painter Robert De Niro Sr. and became a founding staff member of MOCA in Los Angeles. My Art World includes Seed's vivid recollections-including essays on Joan Brown, Sam Francis and Frank Lobdell- as well as samples of his later essays for the HuffingtonPost. Once called an "Art World Anthony Bourdain" John Seed's writings are revealing, readable and honest. My Art World brings together writings that were previously published in magazines, in art catalogs, on the author's personal website, on the HuffingtonPost and on Hyperallergic.com. Table of Contents: 1. Nathan Oliveira: A Mentor and a Friend 2. Hunk and Moo Anderson: Passions Cannot Be Denied 3. A David Park Drawing: A Gift 4. Frank Lobdell: "Nothing Worth Anything Is Easy" 5. My Visit with Richard Diebenkorn 6. A Critical Piece of Advice Robert De Niro Senior Gave Me About Art 7. Mazurki: The Multiple Meanings of a Philip Guston Drawing 8. Joan Brown: Towards Unexpected Joy 9. Working for Larry Gagosian (1982-83) 10. The Angry One: Jean Michel Basquiat 11. MOCA Memories: 1983-85 12. F. Scott Hess: A Contemporary Realist 13. Nathan Oliveira: Forgetting the Self 14. Masks and Other Spectral Presences: Prints by Nathan Oliveira, 1952 - 1972 15. "Basel Mural I" by Sam Francis: An Artist at the Height of His Powers 16. Richard Diebenkorn: The Berkeley Years 17. The Other End of the Stick: Richard Diebenkorn's Ocean Park Series 18. Saying "Goodbye" to Diebenkorn 19. When Art Likes You Back 20. Contemporary Art (TM) is a Now a 'Brand' 21. Is Having an 'Eye' for Art a Thing of the Past? 22. A Brief Rant on the Exhaustion of the Avant-Garde 23. So These Three Artists Walk Into a Jeff Koons Show: Thoughts on Art and Skill 24. Hell Has Frozen Over: Figurative Art Is Poised to Become the 'Next Big Thing' 25. On Art and Empathy 26. Bo Bartlett: The Intermediary 27. Margaret Bowland: They Say It's Wonderful 28. Kerry James Marshall: "Mastry" at MOCA
