Author : Cecil V. Deane
Publisher : Psychology Press
Page : 166 pages
File Size : 45,2 MB
Release : 1967-11
Category : History
ISBN : 9780714611549
First published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Patricia Meyer Spacks
Publisher : John Wiley & Sons
Page : 305 pages
File Size : 44,60 MB
Release : 2009-02-17
Category : Literary Criticism
ISBN : 1405153628
Reading Eighteenth-Century Poetry recaptures for modern readers the urgency, distinctiveness and rewarding nature of this challenging and powerful body of poetry. An essential guide to reading eighteenth-century poetry, written by world-renowned critic, Patricia Meyer Spacks Exposes the multiplicity of forms, tones, and topics engaged by poets during this period Provides in-depth analysis of poems by established figures such as Alexander Pope and Jonathan Swift, as well as work by less familiar figures, including Anne Finch and Mary Leapor A broadly chronological structure incorporates close reading alongside insightful contextual and historical detail Captures the power and uniqueness of eighteenth-century poetry, creating an ideal guide for those returning to this period, or delving into it for the first time
Author : M. Koehler
Publisher : Springer
Page : 236 pages
File Size : 16,60 MB
Release : 2015-12-17
Category : Literary Criticism
ISBN : 1137313609
By identifying a pervasive cultivation of attention as a perceptual and cognitive state in eighteenth-century poetry, this book explores overt themes of attention and demonstrate techniques of readerly attention.
Author : John Sitter
Publisher : Cambridge University Press
Page : 322 pages
File Size : 35,51 MB
Release : 2001-03-26
Category : Literary Criticism
ISBN : 9780521658850
This book analyzes major premises and practices of eighteenth-century English poets.
Author : Eric Rothstein
Publisher : Routledge
Page : 256 pages
File Size : 21,16 MB
Release : 2014-10-10
Category : Literary Criticism
ISBN : 1317589181
Restoration and Eighteenth-Century Poetry 1660-1780, originally published in 1981, considers poetry written between 1660 and 1780, a period which, although largely recovered from its nineteenth-century reputation, still attracts widely varying critical responses. Abandoning the old labels such as ‘neoclassicism’, ‘romanticism’ and ‘sensibility’, the author focuses on descriptions of genres and their formal elements and traces the broader patterns of literary and historical change running through the period. Eric Rothstein describes different poetic modes- panegyric, satire, pastoral and topographical poetry, the epistle, and the ode- to suggest their aesthetical possibilities as well as their process of change. He also considers style and the uses of the past, topics which have often caused particular problems for the students of the period. What becomes clear is the extraordinary originality, flexibility and power with which Restoration and eighteenth-century poets handles the stylistic assumptions and the body of poems they inherited and employed in their own works.
Author : Courtney Weiss Smith
Publisher : University of Virginia Press
Page : 288 pages
File Size : 30,54 MB
Release : 2016-04-05
Category : Literary Criticism
ISBN : 0813938392
Featuring a moment in late seventeenth- and early eighteenth-century England before the disciplinary divisions that we inherit today were established, Empiricist Devotions recovers a kind of empiricist thinking in which the techniques and emphases of science, religion, and literature combined and cooperated. This brand of empiricism was committed to particularized scrutiny and epistemological modesty. It was Protestant in its enabling premises and meditative practices. It earnestly affirmed that figurative language provided crucial tools for interpreting the divinely written world. Smith recovers this empiricism in Robert Boyle’s analogies, Isaac Newton’s metaphors, John Locke’s narratives, Joseph Addison’s personifications, Daniel Defoe’s diction, John Gay’s periphrases, and Alexander Pope’s descriptive particulars. She thereby demonstrates that "literary" language played a key role in shaping and giving voice to the concerns of eighteenth-century science and religion alike. Empiricist Devotions combines intellectual history with close readings of a wide variety of texts, from sermons, devotional journals, and economic tracts to georgic poems, it-narratives, and microscopy treatises. This prizewinning book has important implications for our understanding of cultural and literary history, as scholars of the period’s science have not fully appreciated figurative language’s central role in empiricist thought, while scholars of its religion and literature have neglected the serious empiricist commitments motivating richly figurative devotional and poetic texts. Winner of the Walker Cowen Memorial Prize for an Outstanding Work of Scholarship in Eighteenth-Century Studies
Author : Paula R. Backscheider
Publisher : JHU Press
Page : 556 pages
File Size : 26,91 MB
Release : 2005-12-31
Category : Biography & Autobiography
ISBN : 9780801881695
Co-Winner, James Russell Lowell Prize, Modern Language Association This major study offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women's poetry is necessary for an accurate and nuanced literary history. Within chapters on important canonical and popular verse forms, she gives particular attention to such topics as women's use of religious poetry to express candid ideas about patriarchy and rape; the continuing evolution and important role of the supposedly antiquarian genre of the friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet.
Author : Camille T. Dungy
Publisher : University of Georgia Press
Page : 424 pages
File Size : 17,35 MB
Release : 2009
Category : Poetry
ISBN : 0820332771
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.
Author : Christine Gerrard
Publisher : John Wiley & Sons
Page : 624 pages
File Size : 44,26 MB
Release : 2014-02-10
Category : Literary Criticism
ISBN : 1118702298
A COMPANION TO & EIGHTEENTH-CENTURY POETRY A COMPANION TO & EIGHTEENTH-CENTURY POETRY Edited by Christine Gerrard This wide-ranging Companion reflects the dramatic transformation that has taken place in the study of eighteenth-century poetry over the past two decades. New essays by leading scholars in the field address an expanded poetic canon that now incorporates verse by many women poets and other formerly marginalized poetic voices. The volume engages with topical critical debates such as the production and consumption of literary texts, the constructions of femininity, sentiment and sensibility, enthusiasm, politics and aesthetics, and the growth of imperialism. The Companion opens with a section on contexts, considering eighteenth-century poetry’s relationships with such topics as party politics, religion, science, the visual arts, and the literary marketplace. A series of close readings of specific poems follows, ranging from familiar texts such as Pope’s The Rape of the Lock to slightly less well-known works such as Swift’s “Stella” poems and Lady Mary Wortley Montagu’s Town Eclogues. Essays on forms and genres, and a series of more provocative contributions on significant themes and debates, complete the volume. The Companion gives readers a thorough grounding in both the background and the substance of eighteenth-century poetry, and is designed to be used alongside David Fairer and Christine Gerrard’s Eighteenth-Century Poetry: An Annotated Anthology (3rd edition, 2014).
Author : Anna K. Sagal
Publisher : University of Virginia Press
Page : 425 pages
File Size : 23,47 MB
Release : 2022-08-18
Category : Literary Criticism
ISBN : 0813946972
To this day, women face barriers in entering scientific professions, and in earlier eras the challenges were greater still. But in Botanical Entanglements, Anna Sagal reveals how women’s active participation in scientific discourses of the eighteenth century was enabled by the manipulation of social and cultural conventions that have typically been understood as limiting factors. By taking advantage of the intersections between domesticity, femininity, and nature, the writers and artists studied here laid claim to a specific authority on naturalist subjects, ranging from botany to entomology to natural history more broadly. Botanical Entanglements pairs studies of well-known authors—Eliza Haywood, Charlotte Lennox, Maria Edgeworth, and Charlotte Smith—with authors and artists who receive less attention in this context—Priscilla Wakefield, Maria Jacson, Elizabeth Blackwell, Henrietta Maria Moriarty, and Mary Delany—to offer a nuanced portrait of the diverse strategies women employed to engage in scientific labor. Using socially acceptable forms of textual production, including popular periodicals, didactic texts, novels, illustrated works, craftwork, and poetry, these women advocated for more substantive and meaningful engagement with the natural world. In parallel, the book also illuminates the emotional and physical intimacies between women, plants, and insects to reveal an early precursor to twenty-first-century theorizing of plant intelligence and human-plant relationships. Recognizing such literary and artistic "entanglement" facilitates a more profound understanding of the multifaceted relationship between women and the natural world in eighteenth-century England.
