Nature’s Final Curtain Call?


Book Description

In the performing arts, curtain calls transpire when performers return to the stage to be recognized by the audience for their performance. It may seem somewhat strange to speak of "nature's curtain call," but I am thinking of those amazing moments when with the passing of seasons Mother Nature presents a stunning performance, so to speak, for which we, the observers, are amazed: the appearance of spring's flowers, the budding trees of spring, snow-white winter snow, huge flocks of Canadian geese flying south, the filling of dry waterbeds with late spring's melting snow, the stunning colors of autumn's leaves, the glorious colors of desert flowers, newborn animals of diverse species, and changing climates across the earth. There are cycles of nature that enable these wonders. The poems in this book address some of the wonders of nature: the seasons, weather, flowers, creatures, and beautiful scenes of nature. In the final section, however, the question is raised as to whether these wonders will survive the devastating effects of climate change, global warming, and other threats to nature. Will humankind awaken to the need of caring for nature?




Nature's Final Curtain Call?


Book Description

In the performing arts, curtain calls transpire when performers return to the stage to be recognized by the audience for their performance. It may seem somewhat strange to speak of “nature’s curtain call,” but I am thinking of those amazing moments when with the passing of seasons Mother Nature presents a stunning performance, so to speak, for which we, the observers, are amazed: the appearance of spring’s flowers, the budding trees of spring, snow-white winter snow, huge flocks of Canadian geese flying south, the filling of dry waterbeds with late spring’s melting snow, the stunning colors of autumn’s leaves, the glorious colors of desert flowers, newborn animals of diverse species, and changing climates across the earth. There are cycles of nature that enable these wonders. The poems in this book address some of the wonders of nature: the seasons, weather, flowers, creatures, and beautiful scenes of nature. In the final section, however, the question is raised as to whether these wonders will survive the devastating effects of climate change, global warming, and other threats to nature. Will humankind awaken to the need of caring for nature?




Nature's Sorrows and Nature's Joys


Book Description

What if many desirable things in nature were no longer there?—clean air, freshly grown vegetables, wildflowers, a waterfall, a green forest, spring rains, colors of flowers, a willow tree, fresh trout from a stream, autumn leaves, sunrise, sunset, mineral-rich farmland, etc. What if in a few years global warming and its devasting effects so damaged the earth, its atmosphere, and its resources, that many of these things were no longer possible? These poems address openly both the sorrows we face with forces that destroy nature and the things we celebrate in nature that provide much of humankind’s joy and sustenance. Some may ask appropriately, “What difference can a poet’s words make in correcting the paths of nature’s destruction down which humankind is traveling?” Certainly, words alone cannot save nature. Perhaps poetry can help to shape a new understanding of human failure, as well as to shape new visions of hope for the nature we know and are ever discovering.




Letters


Book Description

In his second book titled Letters, C. J. Frost takes us on a journey of the heart and soul. A journey filled with love . . . hurt . . . passion . . . desire and loss. With a unique writing style that grips and tugs at our hearts, making us feel that these letters of love were written for us . . . to us . . . and about us.




A Leaf Falls


Book Description




The Political Dialogue of Nature and Grace


Book Description

The discourse between nature and grace finds its linguistic and existential podium in the political condition of human beings. As Caitlin Smith Gilson shows, it is in this arena that the perennial territorial struggle of faith and reason, God and man, man and state, take place; and it is here that the understanding of the personal-as-political, as well as the political-as-personal, finds its meaning. And it is here, too, that the divine finds or is refused a home. Any discussion of “post-secular society” has its origins in this political dialogue between nature and grace, the resolution of which might determine not only a future post-secular society but one in which awe is re-united to affection, solidarity and fraternity. Smith Gilson questions whether the idea of pure nature antecedently disregards the fact that grace enters existence and that this accomplishes a conversion in the metaphysical/existential region of man's action and being. This conversion alters how man acts as an affective, moral, intellectual, social, political and spiritual being. State of nature theories, transformed yet retained in the broader metaphysical and existential implications of the Hegelian Weltgeist, are shown to be indebted to the ideological restrictedness of pure nature (natura pura) as providing the foremost adversary to any meaningful type of divine presence within the polis, as well as inhibiting the phenomenological facticity of man as an open nature.




White Spirit Animals


Book Description

Explores the powers and wisdom of sacred White Spirit Animals • Looks in-depth at the lessons of the major White Spirit Animals: the White Bear, White Lion, White Elephant, White Wolf, and White Buffalo • Explains how to use shamanic dreaming and trans-species telepathy to communicate with these great spiritual teachers • Reveals how White Spirit Animals are calling humanity to restore balance, respect, reverence, and honor to protect our animal kin, ourselves, and the earth Beautiful rarities of nature, all-white animals are held sacred by many indigenous cultures and offer deep wisdom to all who will listen. In addition to the White Buffalo, there are other revered white animals, such as the White Wolf, White Lion, White Elephant, and White Bear. Each of these White Spirit Animals belongs to a species at the apex of their ecosystem, meaning the environment in which they live will unravel without them. Speaking through ancient and modern prophecy and the many humans who communicate with them, these White Spirit Animals are urgently calling to humanity to restore balance and protect our animal kin, ourselves, and the earth. Combining sacred elder lore, science, and her own telepathic dreams, Zohara Hieronimus looks at the special role played by White Spirit Animals in spiritual traditions and prophecy around the globe, where they are seen as guardians of animal wisdom, each with a special purpose and gift. She reveals how they have collaborated with humanity since the last ice age, inspiring spiritual practices and conferring shamanistic powers, and are considered the stewards of the great spiritual transformations that occur during transitional times. Sharing the waking vision of White Spirit Animals that called her to write this book, and their message of CPR for the earth--conservation, preservation, and restoration--she explains how to use shamanic dreaming and trans-species telepathy to communicate with these great spiritual teachers. Exploring each one of the major White Spirit Animals--White Buffalo, White Lion, White Elephant, White Wolf, and White Spirit Bear--and the cultures in which they are honored, the author shows, for example, how the White Buffalo is called a harbinger of peace and abundance by many Native American tribes and the White Bear, the great earth healer, teaches us about nurturance and patience. As a bridge between the spiritual and physical worlds, between humans and animals, White Spirit Animals are calling us to open our hearts to the wild, to the sacredness of the wind, the water, the earth, and dream a new world into being to heal our own personal and collective wounds and restore the earth to balance.




Logging


Book Description







Curtain Calls


Book Description

"I here and there o'heard a Coxcomb cry, Ah, rot--'tis a Woman's Comedy." Thus Aphra Behn ushers in a new era for women in the British Theatre (Sir Patient Fancy, 1678). In the hundred years that were to follow -- and exactly those years that Curtain Calls examines -- women truly took the theater world by storm. For each woman who chose a career in the theater world of the eighteenth century, there is a unique tale of struggle, insult, success, good or bad fortune, disaster, seduction, or fame. Whether acting, writing, reviewing, or stage managing, women played a major, if frequently unacknowledged, role in the history of the theater from the late seventeenth through the early nineteenth centuries. From Alpha Behn's earliest plays through the glorious celebrity of Sara Siddons, women molded the taste of the age and carved out in the theater one of the few available opportunities for independence and renown. Not all the women who tried succeeded, of course, and even the best faced opposition as they challenged the male stronghold of playwriting and theater managing. Curtain Calls maps the new territory as these pioneering women staked it for their own; it chronicles their lives, their triumphs, and their losses. We begin with Aphra Behn, whose first play was staged in 1670, and conclude in the early decades of the nineteenth century with Inchbald and Siddons. The one hundred and fifty years encompassed by their lives contain the careers of dozens of lesser-known women, a network, as Dr. Johnson would have it, encompassing both talent and tribulation. Contributors include: Edward Langhans, Linda R. Payne, Pat Rogers, Maureen e. Mulvihill, Deborah Payne, Betty Rizzo, Ellen Donkin, Frances M. Kavenik, Jessica Munns, nancy Cotton, Edna L. Steevs, Doreen Saar, Jean B. Kern, Katherine M. Rogers, Constance Clark, William J. Burling, Judith Phillips Stanton, Douglas Butler, Rose Zimbardo, and the editors.