Physiognomy at the Crossroad of Magic, Science, and the Arts


Book Description

The essays examine how the study of facial features or expressions as indicative of character or ethnicity, has evolved from the crossroad of magic, religion and primitive medicine to present-day cultural concern for wellness and beauty. In this context, the discoveries of cranio-facial neurophysiology and psychology and the practice of cosmetic and reconstructive surgery have a centuries-old relationship with physiognomy. As the study of outward appearances evolved from its classical roots and self-representations through 18th- and 19th-century adaptations in fiction and travelogues, it gradually became a scientific discipline. Along the way, physiognomy was associated with phrenology and craniology and promoted eugenic policies. Tainted with racial bigotry and biological determinism, it was trapped within questions of delinquency, monstrosity and posthumanism. Throughout its history, physiognomy played both positive and negative roles in the evolution of significant aspects of the socio-cultural order in the West that merit update and in-depth study. The contributions follow a chronological and intertwining sequence to encompass physiognomic expressions in art, literature, spirituality, science, philosophy and cultural studies.




Religion of a Different Color


Book Description

The Church of Jesus Christ of Latter-day Saints (Mormonism) has consistently found itself on the wrong side of white. Mormon whiteness in the nineteenth century was a contested variable not an assumed fact. Religion of a Different Color traces Mormonism's racial trajectory from not white enough in the nineteenth century, to too white by the twenty-first.




Stand Up Straight!


Book Description

Our bodies are not fixed. They expand and contract with variations in diet, exercise, and illness. They also alter as we age, changing over time to be markedly different at the end of our lives from what they were at birth. In a similar way, our attitudes to bodies, and especially posture—how people hold themselves, how they move—are fluid. We interpret stance and gait as healthy or ill, able or disabled, elegant or slovenly, beautiful or ugly. In Stand Up Straight!, Sander L. Gilman probes these shifting concepts of posture to explore how society’s response to our bodies’ appearance can illuminate how society views who we are and what we are able to do. The first comprehensive history of the upright body at rest and in movement, Stand Up Straight! stretches from Neanderthals to modern humans to show how we have used our understanding of posture to define who we are—and who we are not. Gilman traverses theology and anthropology, medicine and politics, discarded ideas of race and the most modern ideas of disability, theories of dance and concepts of national identity in his quest to set straight the meaning of bearing. Fully illustrated with an array of striking images from medical, historical, and cultural sources, Stand Up Straight! interweaves our developing knowledge of anatomy and a cultural history of posture to provide a highly original account of our changing attitudes toward stiff spines, square shoulders, and flat tummies through time.







Meyer Brothers Druggist


Book Description




Face


Book Description

An elaborately illustrated A to Z of the face, from historical mugshots to Instagram posts. By turns alarming and awe-inspiring, Face offers up an elaborately illustrated A to Z—from the didactic anthropometry of the late-nineteenth century to the selfie-obsessed zeitgeist of the twenty-first. Jessica Helfand looks at the cultural significance of the face through a critical lens, both as social currency and as palimpsest of history. Investigating everything from historical mugshots to Instagram posts, she examines how the face has been perceived and represented over time; how it has been instrumentalized by others; and how we have reclaimed it for our own purposes. From vintage advertisements for a “nose adjuster” to contemporary artists who reconsider the visual construction of race, Face delivers an intimate yet kaleidoscopic adventure while posing universal questions about identity.