Navajo Weavings with Ceremonial Themes


Book Description

Featuring more than 500 photos and maps, this is the first comprehensive, research-based history of Navajo weavings with imagery inspired by tribal sacred practices. These Yei, Yeibichai, and sandpainting textiles have been the most sought after by collectors and the least studied by scholars. In spite of their iconography, they never served a ceremonial function. They were created by Navajo women at the instigation of Anglo traders, for sale to wealthy collectors willing to pay premium prices for their perceived spiritual symbolism. This book describes the historical and artistic development of the genre from its controversial emergence around 1900, to the 1920-1940 period of intense creativity, and concluding with the contemporary search for innovative patterns. Never-before-published weavings, detailed annotations, and an extensive bibliography make this an invaluable reference for scholars and collectors, and a fascinating exploration for all who are interested in the Southwest and its native cultures.




Weaving the Dance


Book Description

"Weaving the Dance is the first book to focus on the early development of a special category of twentieth-century Navajo textiles known as Yeibichai weavings. These weavings are artistic interpretations of the Yeibichai dance, a sacred rite that provides a spectacular conclusion to the nine-day Navajo ceremony known as the Nightway. In spite of their theme, Yeibichai textiles were never intended for ceremonial use, but were produced exclusively for sale to an Anglo clientele willing to pay premium prices for them. Like other textiles featuring ceremonial figures, their appearance in the first decade of the twentieth century nevertheless created controversy among Navajos since traditional beliefs strongly prohibit the reproduction of sacred figures outside a ceremonal context. By the 1930s, scholars were dismissing these novel weavings as bad examples of tourist art and writing them off as a "passing fad." Despite this dire prediction, weaving with ceremonial figures continued to be produced and now constitute a recognized and well-established category of Navajo textiles." "Because of their rarity and their intriguing theme, the first Navajo weavings to feature stylized ceremonal figures in their designs captured the imagination of wealthy collectors. William Randolph Hearst, for example, purchased two such rugs to complement his extensive collection of classic (pre-1870) Navajo blankets. Collectors of Yeibichai weavings include personalities as diverse as Marjorie Merriwether Post, the cereal businesswoman and philanthropist, and Chee Dodge, the Navajo leader who became the first chairman of the Tribal Council in 1923." "Today, early Yeibichai weavings are appreciated not for their ceremonial themes, but for their originality, beauty and relative scarcity. This book traces the stylistic evolution of the genre from the highly original and complex designs created in the 1910-1935 period, to the more standarized patterns which emerged in the late 1930s and 1940s."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Navajo Textiles


Book Description

William Randolph Hearst's collection of Navajo textiles is one of the most complete gatherings of nineteenth-century Navajo weaving in the world. Comprising dozens of Classic Period serapes, chief blankets, Germantown eyedazzlers, and turn-of-the-century rugs, the 185-piece collection was donated to the Los Angeles County Museum of Natural History in 1942 but for the next forty years was known only to a handful of scholars. Hearst began acquiring textiles from the Fred Harvey Company after viewing an exhibit of Indian artifacts. Over four decades he amassed a collection spanning more than a century of Navajo weaving and including nearly every major type produced from 1800 to 1920. Hearst's passion for American Indian artifacts was so strong that he had originally visualized his now-famous castle in San Simeon as a showplace for his Navajo textile collection. At a time when the Harvey Company was itself influencing the development of Indian handcrafts by opening up the tourist market, Hearst contributed to this influence by expressing his own artistic preference for rare and unusual pieces. This catalogue raisonnA(c), featuring nearly 200 illustrations, provides the general public with the first look at this important collection. Nancy Blomberg's narrative introduces the reader to the history of Navajo weaving and documents Hearst's role in its development. The heart of the book provides a detailed analysis of each textile: fibers, yarn types, dyes, and designs. Navajo Textiles thus constitutes an invaluable reference for scholars and collectors and will be enjoyed by anyone who appreciates these beautiful creations from the Navajo loom.




One Hundred Years of Navajo Rugs


Book Description

A guide to identifying and dating rugs by means of weaving materials, providing historical background on the great Navajo weavers and traders.




Navajo Textiles


Book Description

Navajo Textiles provides a nuanced account the Navajo weavings in the Crane Collection at the Denver Museum of Nature & Science—one of the largest collections of Navajo textiles in the world. Bringing together the work of anthropologists and indigenous artists, the book explores the Navajo rug trade in the mid-nineteenth century and changes in the Navajo textile market while highlighting the museum’s important, though still relatively unknown, collection of Navajo textiles. In this unique collaboration among anthropologists, museums, and Navajo weavers, the authors provide a narrative of the acquisition of the Crane Collection and a history of Navajo weaving. Personal reflections and insights from foremost Navajo weavers D. Y. Begay and Lynda Teller Pete are also featured, and more than one hundred stunning full-color photographs of the textiles in the collection are accompanied by technical information about the materials and techniques used in their creation. An introduction by Ann Lane Hedlund documents the growing collaboration between Navajo weavers and museums in Navajo textile research. The legacy of Navajo weaving is complex and intertwined with the history of the Diné themselves. Navajo Textiles makes the history and practice of Navajo weaving accessible to an audience of scholars and laypeople both within and outside the Diné community.




Navajo Weaving Way


Book Description

This revision of the authors' Working with the wool, with much Navajo tradition and many photos added, is a guide to Navajo rug weaving, from carding & spinning through set up and weaving.




Salish Blankets


Book Description

"A wide-ranging cultural study that explores Coast Salish weaving and culture through technical and anthropological approaches."--Provided by publisher.




First Laugh--Welcome, Baby!


Book Description

In Navajo families, the first person to make a new baby laugh hosts the child's First Laugh Ceremony. Who will earn the honor in this story? The First Laugh Ceremony is a celebration held to welcome a new member of the community. As everyone--from Baby's nima (mom) to nadi (big sister) to cheii (grandfather)--tries to elicit the joyous sound from Baby, readers are introduced to details about Navajo life and the Navajo names for family members. Back matter includes information about other cultural ceremonies that welcome new babies and children, including man yue celebration (China), sanskaras (Hindu) and aquiqa (Muslim).




Southwestern Indian Designs


Book Description

Treasury of 250 copyright-free images, drawn from authentic motifs on Hopi ceremonial dress, Zuni shields, Anasazi pottery, Navajo jewelry, rugs and sand paintings, Pueblo pottery, and many more. Clearly drawn in detail, easily reproducible, these motifs represent a highly useful resource for a myriad of art and craft projects.




The Unbroken Thread


Book Description

Housed in the former 16th-century convent of Santo Domingo church, now the Regional Museum of Oaxaca, Mexico, is an important collection of textiles representing the area’s indigenous cultures. The collection includes a wealth of exquisitely made traditional weavings, many that are now considered rare. The Unbroken Thread: Conserving the Textile Traditions of Oaxaca details a joint project of the Getty Conservation Institute and the National Institute of Anthropology and History (INAH) of Mexico to conserve the collection and to document current use of textile traditions in daily life and ceremony. The book contains 145 color photographs of the valuable textiles in the collection, as well as images of local weavers and project participants at work. Subjects include anthropological research, ancient and present-day weaving techniques, analyses of natural dyestuffs, and discussions of the ethical and practical considerations involved in working in Latin America to conserve the materials and practices of living cultures.