Naval sketch book
Author : William Nugent Glascock
Publisher :
Page : 194 pages
File Size : 20,8 MB
Release : 1836
Category :
ISBN :
Author : William Nugent Glascock
Publisher :
Page : 194 pages
File Size : 20,8 MB
Release : 1836
Category :
ISBN :
Author : William Nugent Glascock
Publisher :
Page : 290 pages
File Size : 22,24 MB
Release : 1826
Category :
ISBN :
Author : Nicki Marshall
Publisher : Gramercy
Page : 0 pages
File Size : 45,99 MB
Release : 1998
Category : Marine art
ISBN : 9780517160725
Here is a vast collection of nautical imagery that doubles as a history of maritime illustration throughout the ages. Arranged thematically, the more than 1,600 line drawings encompass shipbuilding designs, navigational instruments, lighthouses, trade and smuggling, guns and armaments, famous ships and seafarers, and exotica. This is an indispensable resource for artists, designers, and naval enthusiasts. Includes 16 full-color pages.
Author :
Publisher :
Page : 486 pages
File Size : 23,12 MB
Release :
Category :
ISBN :
Author : William Nugent Glascock
Publisher :
Page : 286 pages
File Size : 40,74 MB
Release : 1831
Category :
ISBN :
Author : Janice Blake
Publisher :
Page : 120 pages
File Size : 12,79 MB
Release : 2019-09
Category : Art
ISBN : 9780817922245
The Battalion Artist explores the three years, three months, and three days of Nat Bellantoni's life on the Pacific front in World War II. He had known since childhood that he wanted to be--that he in fact was--an artist. When he packed his seabag and took leave of his family and his sweetheart to go to war, he knew that the best way to manage the narrative of his life and to cope with the ups and downs of his feelings was to create images--visual records that spoke of what he felt, as well as what he saw. In this stunning book filled with authentic World War II images--many in full color--we see and feel the intensity of wartime life through the eyes of a talented young artist who was also a US Navy Seabee. Natale Bellantoni, a young art student from Boston, sailed across the Pacific in 1943-45 and returned home with a sea chest of art and photographs documenting his experiences in New Caledonia, New Guinea, the Admiralty Islands, and Okinawa. His subject matter was his daily life: endless weeks at sea, harbors and ships, men at work, airstrips, the local countryside, and the view of enemy planes overhead at night from his fox hole. Now collected in a lavishly illustrated volume, his watercolors, sketches, and photographs offer a window onto one of the most significant moments in American history. The Battalion Artist explores the World War II experiences of Nat Bellantoni, but it reflects the story of an entire generation.
Author : Nathan Miller
Publisher : Oxford University Press, USA
Page : 614 pages
File Size : 49,32 MB
Release : 1997
Category : History
ISBN : 0195110382
From the sinking of the British passenger liner Athenia on September 3, 1939, by a German U-boat (against orders) to the Japanese surrender on board the Missouri on September 2, 1945, War at Sea covers every major naveal battle of World War II. "A first-rate work and the best history of its kind yet written".--Vice Admiral William P. Mack, U.S.N. (Ret.). 30 photos.
Author : Geoffrey Campbell Beaumont
Publisher :
Page : 272 pages
File Size : 49,32 MB
Release : 2016-05-01
Category :
ISBN : 9780982120187
This monograph documents the life and work of plein air painter Arthur Beaumont, often called "Artist Laureate of the Fleet." From 1931 on--through World War II, Korea, the Cold War, and Vietnam--Beaumont documented the ships and personnel of the United States Navy and played a significant role in creating and maintaining its public image and popularity.
Author : Brett Friedman
Publisher : Naval Institute Press
Page : 251 pages
File Size : 21,27 MB
Release : 2021-10-15
Category : History
ISBN : 168247707X
On Operations: Operational Art and Military Disciplines traces the history of the development of military staffs and ideas on the operational level of war and operational art from the Napoleonic Wars to today, viewing them through the lens of Prussia/Germany, the Soviet Union, and the United States. B. A. Friedman concludes that the operational level of war should be rejected as fundamentally flawed, but that operational art is an accurate description of the activities of the military staff, an organization developed to provide the brainpower necessary to manage the complexity of modern military operations. Rather than simply serve as an intercession between levels, the military staff exists as an enabler and supporting organization to tacticians and strategists alike. On Operations examines the organization of military staffs, which has changed little since Napoleon’s time. Historical examinations of the functions staffs provided to commanders, and the disciplines of the staff officers themselves, leads to conclusions about how best to organize staffs in the future. Friedman demonstrates these ideas through case studies of historical campaigns based on the military discipline system developed.
Author : Meredith Martin
Publisher : Getty Publications
Page : 258 pages
File Size : 11,33 MB
Release : 2022-01-04
Category : Art
ISBN : 1606067303
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.