The Book Thieves


Book Description

"A chilling reminder of Hitler’s twisted power." —BBC For readers of The Monuments Men and The Hare with Amber Eyes, the story of the Nazis' systematic pillaging of Europe's libraries, and the small team of heroic librarians now working to return the stolen books to their rightful owners. While the Nazi party was being condemned by much of the world for burning books, they were already hard at work perpetrating an even greater literary crime. Through extensive new research that included records saved by the Monuments Men themselves—Anders Rydell tells the untold story of Nazi book theft, as he himself joins the effort to return the stolen books. When the Nazi soldiers ransacked Europe’s libraries and bookshops, large and small, the books they stole were not burned. Instead, the Nazis began to compile a library of their own that they could use to wage an intellectual war on literature and history. In this secret war, the libraries of Jews, Communists, Liberal politicians, LGBT activists, Catholics, Freemasons, and many other opposition groups were appropriated for Nazi research, and used as an intellectual weapon against their owners. But when the war was over, most of the books were never returned. Instead many found their way into the public library system, where they remain to this day. Now, Rydell finds himself entrusted with one of these stolen volumes, setting out to return it to its rightful owner. It was passed to him by the small team of heroic librarians who have begun the monumental task of combing through Berlin’s public libraries to identify the looted books and reunite them with the families of their original owners. For those who lost relatives in the Holocaust, these books are often the only remaining possession of their relatives they have ever held. And as Rydell travels to return the volume he was given, he shows just how much a single book can mean to those who own it.




Nazi Looting


Book Description

The Nazi looting machine was notoriously efficient during the Second World War. In the Netherlands, 8.5 million citizens suffered losses estimated at 3.6 billion guilders. Approximately one-third of these losses were borne by Jews, who comprised only 1.6% of the total population. In todays terms, the German occupiers stripped the Jewish population of assets worth $7 billion.Nazi Looting offers a comprehensive history of the Dutch experience and demonstrates how reputable indigenous institutions acted as willing collaborators. Beginning with a survey of international law and various definitions of 'looting', the author shows how the Germans systematically robbed Dutch Jewry through a variety of means that gave the outward appearance of honest trading. Forced to sell under duress and at unreasonably low prices, few dared refuse the German on the doorstep when threatened with prison or incarceration in a camp.The plundering was total and systematic. In May 1940, a team of highly trained art historians, linguists, musicologists and literary experts arrived immediately behind the victorious German troops to catalogue the vast collections for Hitler. From 1941, Jews were compelled to deposit all their money into a bank called Lippmann, Rosenthal Co. The name of the bank itself was a cynical ploy since it was taken from a respected, Jewish-owned Amsterdam bank and presented as a new branch. This bank, however, simply channelled money into the Third Reich with the help of the Amsterdam Stock Exchange, insurance brokers and other well-established Dutch banks. Once the Jews were deported, their houses were emptied and the contents used to re-furnish bombed out areas of the Reich. In common with many other formerly Nazi-occupied countries in Europe, the Netherlands has been unable to retrieve many of its pre-war assets. More than fifty years after the wars end, 20% of its most important pre-war museum exhibits and approximately 80% of the less important works remain untrace




Stolen Words


Book Description

"Published by the University of Nebraska Press as a Jewish Publication Society book"-Title page verso.




Nazi Plunder


Book Description

World War II was the most devastating conflict in human history, but the tragedy did not end on the battlefields. During the war, Germany -- and, later, the Allies -- plundered Europe's historic treasures. Between 1939 and 1945, German armed forces roamed from Dunkirk to Stalingrad, looting gold, silver, currency, paintings and other works of art, coins, religious artifacts, and millions of books and other documents. The value of these items, many of which were irreplaceable, is estimated in the billions of dollars. The artwork alone, looted under Hitler's direction, exceeded the combined collections of the Metropolitan Museum, the British Museum, and the Louvre. As the war wound to its conclusion in 1945, occupying forces continued the looting. The story of these celebrated works of art and other vanished treasures -- and the mystery of where they went -- is a remarkable tale of greed, fraud, deceit, and treachery. Kenneth Alford's Nazi Plunder is the latest word on this fascinating subject.




Art and the Nazis, 1933-1945


Book Description

This first comprehensive analysis of the Third Reich's efforts to confiscate, loot, censor and influence art begins with a brief history of the looting of artworks in Western history. The artistic backgrounds of Adolf Hitler and Hermann Goring are examined, along with the various Nazi art looting organizations, and Nazi endeavors to both censor and manipulate the arts for propaganda purposes. Long-held beliefs about the Nazi destruction of "degenerate art" are examined, drawing on recently developed university databases, new translations of original documents and recently discovered information. Theft and destruction of artworks by the Allies and looting by Soviet trophy brigades are also documented.




Hitler's Last Hostages


Book Description

Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.




Hitler's Art Thief


Book Description

The sensational story of a cache of masterpieces not seen since they vanished during the Nazi terror—a bizarre tale of a father and aged son, of secret deals, treachery and the search for truth.




Lost Lives, Lost Art


Book Description

The legendary names include Rothschild, Mendelssohn, Bloch-Bauer--distinguished bankers, industrialists, diplomats, and art collectors. Their diverse taste ranged from manuscripts and musical instru­ments to paintings by Old Masters and the avant-garde. But their stigma as Jews in Nazi Germany and occupied Europe doomed them to exile or death in Hitler's concentration camps. Here, after years of meticulous research, Melissa Müller (Anne Frank: The Biography) and Monika Tatzkow (Nazi Looted Art) present the tragic, compelling stories of 15 Jewish collectors, the dispersal of their extraordinary collections through forced sale and/or confiscation, and the ongoing efforts of their heirs to recover their inheritance. For every victory in the effort to return these works to their rightful heirs, there are daunting defeats and long court battles. This real-life legal thriller follows works by Rembrandt, Klimt, Pissarro, Kandinsky, and others. Praise for Lost Lives, Lost Art: "A heartbreaking and enthralling story of the brutal and mindless Nazi destruction of a singularly cultivated caste of rich German and Austrian Jews and the pillage of their great art collections: a world that was lost and could never be recreated." ~ Louis Begley "Each chapter focuses on a single collector. . . the adulatory profiles [are] matched with an attractive layout and an abundance of well-selected images." ~ Wall Street Journal "The book is meticulously researched, brilliantly and dispassionately written, and is in all likelihood a game changer in the world of art, art provenance, and art restitution that will resound for years to come."~ ForeWord Reviews "Richly illustrated with excellent art reproductions and family photographs, this is a solid addition to works on Nazi art plundering and the world of art restitution, ownership, and property rights. This will be of great interest to readers wanting to know more about upper-class Austrian and German Jews. Recommended." ~ Library Journal




Plunder


Book Description

A New York Times Critics’ Best Nonfiction Book of 2021 Canadian Jewish Literary Award for Biography From a gifted young writer, the story of his quest to reclaim his family’s apartment building in Poland—and of the astonishing entanglement with Nazi treasure hunters that follows Menachem Kaiser’s brilliantly told story, woven from improbable events and profound revelations, is set in motion when the author takes up his Holocaust-survivor grandfather’s former battle to reclaim the family’s apartment building in Sosnowiec, Poland. Soon, he is on a circuitous path to encounters with the long-time residents of the building, and with a Polish lawyer known as “The Killer.” A surprise discovery—that his grandfather’s cousin not only survived the war, but wrote a secret memoir while a slave laborer in a vast, secret Nazi tunnel complex—leads to Kaiser being adopted as a virtual celebrity by a band of Silesian treasure seekers who revere the memoir as the indispensable guidebook to Nazi plunder. Propelled by rich original research, Kaiser immerses readers in profound questions that reach far beyond his personal quest. What does it mean to seize your own legacy? Can reclaimed property repair rifts among the living? Plunder is both a deeply immersive adventure story and an irreverent, daring interrogation of inheritance—material, spiritual, familial, and emotional.




Hermann Goring and the Nazi Art Collection


Book Description

During World War II, the Nazis plundered from occupied countries millions of items of incalculable value estimated in the hundreds of millions of dollars. Spearheaded by Hermann Goring the looting program quickly created the largest private art collection in the world, exceeding the collections amassed by the Metropolitan in New York, the British Museum in London, the Louvre in Paris and the Tretiakov Gallery in Moscow. By the end of the war, the Nazis had stolen roughly one-fifth of the entire art treasures of the world. This book explores the formation of the Nazi art collection and the methods used by Goring and his party to strip occupied Europe of a large part of its artistic heritage.