Nebraska's Post Office Murals


Book Description

As a part of the New Deal that offered hope during the Great Depression, scores of public art projects were commissioned around the country. Now they are among the most enduring visual legacies of that era. Twelve Nebraska post offices were chosen to receive individualized murals from the program. Nebraska's Post Office Murals presents the story of these valuable historical pieces. Richly illustrated with color fold-outs and never-before-published artists' sketches, the book reveals the personalities, conflicts, and spirit of the times from which the art emerged. Each of the artists commissioned to paint the murals had a background story. Author Robert Puschendorf, NSHS associate director and the deputy state historic preservation officer, follows the journey of each mural to its completion.




Wisconsin Post Office Murals


Book Description

The united states government commissioned over 1,100 murals for the embellishment of post offices nationwide. Wisconsin received 35 of these murals. After nearly 85 years, the story of their existence is elusive and often overlooked. Gates's research of the correspondence between the artists and government tells the stories of how the murals were developed and eventually installed in small towns throughout Wisconsin. Wisconsin Post Office Murals is packed with fascinating details: 130 full-color images of the murals 70 images of buildings and cornerstones Full-color map with the location of each town The history and story of each mural Written to educate and promote these wonderful Depression-era works of art and buildings, Wisconsin Post Office Murals is a must-have for any New Deal, history, or post office enthusiast. If you've ever been to any of the 35 post offices written about here and asked yourself, Why is there a mural in the lobby or Who is the artist who painted the mural on the wall, this is the book for you.




The Coit Tower Murals


Book Description

Created in 1934, the Coit Tower murals were sponsored by the Public Works of Art Project (PWAP), the first of the New Deal art programs. Twenty-five master artists and their assistants worked there, most of them in buon fresco, Nearly all of them drew upon the palette and style of Diego Rivera. The project boosted the careers of Victor Arnautoff, Lucien Labaudt, Bernard Zakheim, and others, but Communist symbols in a few murals sparked the first of many national controversies over New Deal art. Sixty full-color photographs illustrate Robert Cherny’s history of the murals from their conception and completion through their evolution into a beloved San Francisco landmark. Cherny traces and critiques the treatment of the murals by art critics and historians. He also probes the legacies of Coit Tower and the PWAP before surveying San Francisco’s recent controversies over New Deal murals. An engaging account of an artistic landmark, The Coit Tower Murals tells the full story behind a public art masterpiece.




Nebraska History


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Visual Shock


Book Description

In this lively narrative, award-winning author Michael Kammen presents a fascinating analysis of cutting-edge art and artists and their unique ability to both delight and provoke us. He illuminates America’s obsession with public memorials and the changing role of art and museums in our society. From Thomas Eakins’s 1875 masterpiece The Gross Clinic, (considered “too big, bold, and gory” when first exhibited) to the bitter disputes about Maya Lin’s Vietnam War Memorial, this is an eye-opening account of American art and the battles and controversies that it has ignited.







Bulletin


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We Gather Together


Book Description

The mutual history of art, agriculture, and American identity as told through the theme of the harvest. The harvest has traditionally been a productive season, both on American farms and in its artists’ studios. Before the early nineteenth century, the ideal of the Jeffersonian yeoman, singly cultivating a subsistence plot for family use, dominated the American imagination; after World War II, the advent of big agribusiness proved less immediately attractive for artists. In We Gather Together, Charles C. Eldredge examines the period in between—when many Americans were farmers and much of America was farmland. Organized in a series of case studies each devoted to a single crop, We Gather Together initially focuses on familiar commodity crops such as corn, wheat, and potatoes, and then expands to other yields by Native American harvesters and California floriculturists, as well as winter ice cutters and coastal seaweed gatherers. This novel history of agriculture and art traces parallel developments on land and canvas, highlighting breakthroughs in each field. Artists such as Winslow Homer, Doris Lee, and Georgia O’Keeffe are joined by innovators in agriculture, whether mechanical inventors such as Eli Whitney, John Deere, and Cyrus McCormick or genetic hybridizers such as Luther Burbank, W. Atlee Burpee, and Theodosia Shepherd. Surveying an astonishing amount of material and a wide range of paintings, prints, and other artworks from the nineteenth century to the mid-twentieth century, We Gather Together gorgeously demonstrates how the use of agricultural metaphors permeated American visual culture. The harvest, we see here, came to signify and dominate politics, poetry, and popular culture, ultimately representing a primary facet of American identity and nationhood.




C is for Cornhusker


Book Description

Arbor Day, Boys Town, and Kool-Aid® are just a few of the marks the Great Plains state of Nebraska has made on American culture. From the state's eastern border along the Missouri River, where Lewis and Clark embarked on the Corps of Discovery expedition, to the towering geologic landmarks of the west, chronicled in pioneers' journals, there are treasures to explore on each page of C is for Cornhusker: A Nebraska Alphabet.Rajean Luebs Shepherd was raised in Michigan and has a degree in elementary education from Central Michigan University. After graduating, she traveled the world for ten years with the international performing group Up With People. A substitute teacher, Rajean enjoys sharing her favorite children's books with her students. She lives with her family in North Platte, Nebraska. With over twenty years in commercial illustration, Sandy Appleoff's work has appeared in a range of venues from corporate advertising, to magazines to children's books to large-scale installation murals. She has taught at the Kansas City Art Institute and the Colorado Mountain College in Aspen. Currently she is teaching and working on an MFA in stage and costume design at the University of Kansas. Sandy lives on a farm in Falls City, Nebraska.