Necessity and Truthful Fictions


Book Description

This book discovers areas and themes, especially in philosophical psychology, for novel observations and investigations, the diversity of which is systematically unified within the frame of the author¿s original metaphysics, panenmentalism. The book demonstrates how by means of truthful fictions we may detect meaningful possibilities as well as their necessary relationships that otherwise could not be discovered.




First Person


Book Description

Kif Kehlmann, a young, penniless writer, thinks he’s finally caught a break when he’s offered $10,000 to ghostwrite the memoir of Siegfried “Ziggy” Heidl, the notorious con man and corporate criminal. Ziggy is about to go to trial for defrauding banks for $700 million; they have six weeks to write the book. But Ziggy swiftly proves almost impossible to work with: evasive, contradictory, and easily distracted by his still-running “business concerns”—which Kif worries may involve hiring hitmen from their shared office. Worse, Kif finds himself being pulled into an odd, hypnotic, and ever-closer orbit of all things Ziggy. As the deadline draws near, Kif becomes increasingly unsure if he is ghostwriting a memoir, or if Ziggy is rewriting him—his life, his future, and the very nature of the truth. By turns comic, compelling, and finally chilling, First Person is a haunting look at an age where fact is indistinguishable from fiction, and freedom is traded for a false idea of progress.




Telling the Truth


Book Description

Barbara Foley here focuses on the relatively neglected genre of documentary fiction: novels that are continually near the borderline between factual and fictive discourse. She links the development of the genre over three centuries to the evolution of capitalism, but her analyses of literary texts depart significantly from those of most current Marxist critics. Foley maintains that Marxist theory has yet to produce a satisfactory theory of mimesis or of the development of genres, and she addresses such key issues as the problem of reference and the nature of generic distinctions. Among the authors whom Foley treats are Defoe, Scott, George Eliot, Joyce, Isherwood, Dos Passos, William Wells Brown, Ishmael Reed, and Ernest Gaines.




A Panenmentalist Philosophy of Literature, or How Does Actual Reality Imitate Pure Possibilities?


Book Description

The relationship between the literary imagination, literary possibilities, and actual reality poses a major philosophical problem in the field of the metaphysics of literature. This detailed analysis of some literary masterpieces, by Proust, Kafka, Tolstoy, Dostoyevsky, Thomas Mann, Virginia Woolf, and William Faulkner, demonstrates that actual reality actualizes or “imitates” literary pure possibilities. As such, these masterpieces should be treated not as romans a clef, but, instead, as paradigm-cases on whose basis we grasp and understand actual reality.




Five Fictions in Search of Truth


Book Description

Fiction, far from being the opposite of truth, is wholly bent on finding it out, and writing novels is a way to know the real world as objectively as possible. In Five Fictions in Search of Truth, Myra Jehlen develops this idea through readings of works by Flaubert, James, and Nabokov. She invokes Proust's famous search for lost memory as the exemplary literary process, which strives, whatever its materials, for a true knowledge. In Salammbô, Flaubert digs up Carthage; in The Ambassadors, James plumbs the examined life and touches at its limits; while in Lolita, Nabokov traces a search for truth that becomes a trespass. In these readings, form and style emerge as fiction's means for taking hold of reality, which is to say that they are as epistemological as they are aesthetic, each one emerging by way of the other. The aesthetic aspects of a literary work are just so many instruments for exploring a subject, and the beauty and pleasure of a work confirm the validity of its account of the world. For Flaubert, famously, a beautiful sentence was proven true by its beauty. James and Nabokov wrote on the same assumption--that form and style were at once the origin and the confirmation of a work's truth. In Five Fictions in Search of Truth, Jehlen shows, moreover, that fiction's findings are not only about the world but immanent within it. Literature works concretely, through this form, that style, this image, that word, seeking a truth that is equally concrete. Writers write--and readers read--to discover an incarnate, secular knowledge, and in doing so they enact a basic concurrence between literature and science.




Truth in Fiction


Book Description

This monograph examines truth in fiction by applying the techniques of a naturalized logic of human cognitive practices. The author structures his project around two focal questions. What would it take to write a book about truth in literary discourse with reasonable promise of getting it right? What would it take to write a book about truth in fiction as true to the facts of lived literary experience as objectivity allows? It is argued that the most semantically distinctive feature of the sentences of fiction is that they areunambiguously true and false together. It is true that Sherlock Holmes lived at 221B Baker Street and also concurrently false that he did. A second distinctive feature of fiction is that the reader at large knows of this inconsistency and isn’t in the least cognitively molested by it. Why, it is asked, would this be so? What would explain it? Two answers are developed. According to the no-contradiction thesis, the semantically tangled sentences of fiction are indeed logically inconsistent but not logically contradictory. According to the no-bother thesis, if the inconsistencies of fiction were contradictory, a properly contrived logic for the rational management of inconsistency would explain why readers at large are not thrown off cognitive stride by their embrace of those contradictions. As developed here, the account of fiction suggests the presence of an underlying three - or four-valued dialethic logic. The author shows this to be a mistaken impression. There are only two truth-values in his logic of fiction. The naturalized logic of Truth in Fiction jettisons some of the standard assumptions and analytical tools of contemporary philosophy, chiefly because the neurotypical linguistic and cognitive behaviour of humanity at large is at variance with them. Using the resources of a causal response epistemology in tandem with the naturalized logic, the theory produced here is data-driven, empirically sensitive, and open to a circumspect collaboration with the empirical sciences of language and cognition.




The Privacy of the Psychical


Book Description

This book argues that the irreducible singularity of each person as a psychical subject implies the privacy of the psychical and that of experience, and yet the private accessibility of each person to his or her mind is compatible with interpersonal communication and understanding. The book treats these major issues against the background of the author’s original metaphysics—panenmentalism.




Nature and Necessity in Spinoza's Philosophy


Book Description

Spinoza's guiding commitment to the thesis that nothing exists or occurs outside of the scope of nature and its necessary laws makes him one of the great seventeenth-century exemplars of both philosophical naturalism and explanatory rationalism. Nature and Necessity in Spinoza's Philosophy brings together for the first time eighteen of Don Garrett's articles on Spinoza's philosophy, ranging over the fields of metaphysics, epistemology, philosophy of mind, ethics, and political philosophy. Taken together, these influential articles provide a comprehensive interpretation of that philosophy, including Spinoza's theories of substance, thought and extension, causation, truth, knowledge, individuation, representation, consciousness, conatus, teleology, emotion, freedom, responsibility, virtue, contract, the state, and eternity-and the deep interrelations among them. Each article aims to resolve significant problems in the understanding of Spinoza's philosophy in such a way as to make evident both his reasons for his views and the enduring value of his ideas. At the same time, Garrett's articles elucidate the relations between his philosophy and those of predecessors and contemporaries like Aristotle, Hobbes, Descartes, Locke, and Leibniz. Lastly, the volume offers important and substantial replies to leading critics on four crucial topics: the necessary existence of God (Nature), substance monism, necessitarianism, and consciousness.