Neo-classicism


Book Description







Neo-classicism


Book Description




Neo-classicism


Book Description




200 Neoclassical Designs and Motifs


Book Description

In 18th-century France, the neoclassicism of the Louis XVI style reflected a definite reaction against over-elaborate rococo and baroque designs; and with Napoleon's assumption of power late in the century, there came a deliberate artistic attempt to re-create the aura of Imperial Rome to give a sense of legitimacy and permanence to the new "empire." This French neoclassicism was soon reflected in many stylebooks published in England during the period. The present volume comprises a selection of 43 plates from one of these extremely rare British collections. It provides artists and illustrators with a host of elegant, royalty-free fine line illustrations depicting cherubs astride lions, gods and goddesses at play, figures draped in classical robes, cartouches, busts, and a wealth of other designs, all ready to add a touch of timeless classical elegance to a wide variety of print projects as well as numerous art and craft activities.




David and Neo-classicism


Book Description

This text shows how Jacques-Louis David became the master of neoclassicism and why this work represented a profound renewal of the pictoral tradition. There is also a detailed account of his career.




Historical Dictionary of Neoclassical Art and Architecture


Book Description

The Historical Dictionary of Neoclassical Art and Architecture provides an overview of Neoclassicism, focusing on its major artists, architects, stylistic subcategories, ideas, and historical framework of the 18th century style found mainly in Europe and the United States. This is done through a chronology, an introductory essay, an extensive bibliography, and over 200 dictionary entries on famous artists, sculptors, architects, patrons, and other historical figures and events.




Neoclassicism


Book Description

In the arts, Neoclassicism is a historical tradition or aesthetic attitude based on the art of Greece and Rome in antiquity. The movement started around the 18th-century, age of Enlightenment, and continued into the early 19th-century The general credo associated with the aesthetic attitude of Classicism was that art had to be rational and therefore morally better. Neoclassicists also believed that art should be cerebral, not sensual and therefore characterised by clarity of form, sober colours and shallow space. It was a reaction against both the surviving Baroque and Rococo styles, and a desire to return to the perceived ""purity"" of the arts of Rome. The important artists of the movement include the sculptors Antonio Canova,Jean-Antoine Houdon and Bertel Thorvaldsen, and the painters J.A.D. Ingres, Jacques-Louis David and Anton Raphael Mengs.




Formation of English Neo-Classical Thought


Book Description

This book reexamines some of the prevalent critical assumptions about English Neo-Classical thought and literature and tests them by viewing Neo-Classicism within its intellectual tradition and its self-defined limits. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.