Networked Bollywood


Book Description

Networked Bollywood provides interdisciplinary analysis of the role of the stars in the transformation of Hindi cinema into a global entertainment industry. The first Indian film was made in 1913. However, filmmaking was recognized as an industry almost a hundred years later. Yet, Indian films have been circulating globally since their inception. This book unearths this oft-elided history of Bollywood's globalization through multilingual, transnational research and discursive cultural analysis. The author illustrates how over the decades, a handful of primarily male megastars, as the heads of the industry's most prominent productions and corporations, combined overwhelming charismatic affect with unparalleled business influence. Through their “star switching power,” theorized here as a deeply gendered phenomenon and manifesting broader social inequalities, India's most prominent stars instigated new flows of cinema, industrial collaborations, structured distinctive business models, influenced state policy and diplomatic exchange, thereby defining the future of Bollywood's globalization.




Verve


Book Description




Bollywood Roulette


Book Description

Every year, thousands of young men and women come to Mumbai to make it big in Bollywood. They come from all over India. They come from all backgrounds. They all come with one common thing - hope. Starry-eyed, they land in Mumbai and begin a pursuit that will change their lives. Some will make it. Most won't. They know that. They know they are taking a chance, a roll of the dice, a gamble with their own future at stake. They are playing a game of roulette, where the odds are stacked against them; but they also know that the rewards are out of this world.




Spreadable Media


Book Description

"Spreadable Media" maps fundamental changes taking place in the contemporary media environment, a space where corporations no longer tightly control media distribution. This book challenges some of the prevailing frameworks used to describe contemporary media.




Networked Communities


Book Description

Today, information communication technologies, such as the Internet and World Wide Web, are inextricably woven into the fabric of numerous facets of social and economic development. ""Networked Communities: Strategies for Digital Collaboration"" provides an understanding of best practices in building sustainable collaboration in intelligent community development. This unique collection contains extensive referencing and sophistication in the nature of dealing with communities using information communication technologies - a significant contribution to the field of digital collaboration.




Networked Publics


Book Description

How maturing digital media and network technologies are transforming place, culture, politics, and infrastructure in our everyday life.




The Politics of Surviving


Book Description

For women who have experienced domestic violence, proving that you are a “good victim” is no longer enough. Victims must also show that they are recovering, as if domestic violence were a disease: they must transform from “victims” into “survivors.” Women’s access to life-saving resources may even hinge on “good” performances of survivorhood. Through archival and ethnographic research, Paige L. Sweet reveals how trauma discourses and coerced therapy play central roles in women’s lives as they navigate state programs for assistance. Sweet uses an intersectional lens to uncover how “resilience” and “survivorhood” can become coercive and exclusionary forces in women’s lives. With nuance and compassion, The Politics of Surviving wrestles with questions about the gendered nature of the welfare state, the unintended consequences of feminist mobilizations for anti-violence programs, and the women who are left behind by the limited forms of citizenship we offer them.




A History of Three-Dimensional Cinema


Book Description

A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films—for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)—until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.




Retrospective Hallucination Echo in Bollywood Modernities


Book Description

Retrospective Hallucination.............In Newly Decolonized India, Popular Film Found Itself At The Center Of The Celebration Of New Nationhood. Pranja Paramita Parasher Traces The Politics Of Representation, Who Is Acknowledged And Who Is Left Out, And Offers A Retrospective Glimpse Into The Aporias And Elisions Which Surround The Projection Of A Unified National Self. The Filmic Experience Is Visual, And Its Growing Library Forms An Archive Which Calls Into Question The Meaning Of History And Thus Allows Us To Imagine, To See, What Has Not Yet Been Thought. Review 1947'S Patriotic Self And It Is Gender'S Hollow Image That Is Most Haunting. Where Is Echo? Asks Gayatri Spivak Of Narcissism. From Replies And Silences Fixed In Film Records, Dr. Parasher Posits Echoes, Lost Stories Whose Dense Occupation Of Shadow Space Provides The Luminosity For Film'S Distracting Power, Radiant And Seductive In Its Absolute Control Of Reflected Light.




South Asian Media Cultures


Book Description

'South Asian Media Cultures' examines a wide range of media cultures and practices from across South Asia, using a common set of historical, political and theoretical engagements. In the context of such pressing issues as peace, conflict, democracy, politics, religion, class, ethnicity and gender, these essays explore the ways different groups of South Asians produce, understand and critique the media available to them.