The Civil War in Georgia


Book Description

"A project of the New Georgia Encyclopedia"




New Georgia


Book Description

“A detailed, up-to-date, integrated air-land-sea history” of a pivotal WWII campaign in the Pacific from both American and Japanese perspectives (Vincent P. O'Hara, author of In Passage Perilous). In 1942, the Solomon Islands formed the stepping stones toward Rabaul, the main base of Japanese operations in the South Pacific, and the Allies’ primary objective. The stunning defeat of Japanese forces at the Naval Battle of Guadalcanal in November marked the turning point in the war against Japan and the start of an offensive in the Central Solomons aimed at New Georgia. New Georgia: The Second Battle for the Solomons tells the story of the land, sea, and air battles fought there from March through October 1943. Making careful and copious use of both Japanese and Allied sources, Ronnie Day masterfully weaves the intricate threads of these battles into a well-crafted narrative of this pivotal period in the war. As Day makes clear, combat in the Solomons exemplified the war in the Pacific, especially the importance of air power, something the Japanese failed to understand until it was too late, and the strategy of island hopping, bypassing Japanese strongholds (including Rabaul) in favor of weaker or more strategically advantageous targets. This multifaceted account gives the fighting for New Georgia its proper place in the history of the drive to break the Japanese defensive perimeter and bring the homeland within range of Allied bombers.




Won’t Lose This Dream


Book Description

The “heartfelt” (Shelf Awareness) story of how Georgia State University tore up the rulebook for educating lower-income students Published to wide acclaim, Won’t Lose This Dream is the “illuminating” (Times Literary Supplement) story of a public university that has blazed an extraordinary trail for lower-income and first-generation students in downtown Atlanta, the birthplace of the civil rights movement. “A powerful story of institutional transformation” (bestselling author Beverly Daniel Tatum), Won’t Lose This Dream shows how Georgia State University has upended the conventional wisdom about low-income students by harnessing the power of big data to identify and remove obstacles that previously stopped them from graduating—an earthshaking achievement that is reverberating across every college campus today. “Drawing on extensive on-the-ground reporting” (Kirkus Reviews), Andrew Gumbel delivers a thrilling, blow-by-blow account of visionary leaders who overcame fierce resistance, and the remarkable students whose resilience and determination inspired the work at every stage. Their success shows how the promise of social advancement through talent and hard work, the essence of the American dream, can be rekindled even in an age of deep inequalities and divisive politics. “A superb work for anyone interested in higher education” (Library Journal), Won’t Lose This Dream “lays out a persuasive vision for reform” (Publishers Weekly) and a concrete vision of higher ed that works for all Americans.




The New Georgia Guide


Book Description

The Georgia Humanities Council presents a guidebook with cultural, historical, and regional coverage of Georgia




Heart Maps


Book Description

How do we get students to "ache with caring" about their writing instead of mechanically stringing words together? We spend a lot of time teaching the craft of writing but we also need to devote time to helping students write with purpose and meaning. For decades, Georgia Heard has guided students into more authentic writing experiences by using heart maps to explore what we all hold inside: feelings, passions, vulnerabilities, and wonderings. In Heart Maps, Georgia shares 20 unique, multi-genre heart maps to help your students write from the heart, such as the First Time Heart Map, Family Quilt Heart Map, and People I Admire Heart Map. You'll also find extensive support for using heart maps, including: tips for getting started with heart maps writing ideas to jumpstart student writing in multiple genres from heart maps suggested mentor texts to provide additional inspiration. Filled with full-color student heart maps, examples of the resulting writing, along with online access to 20 different uniquely designed reproducible heart map templates, Heart Maps will be a practical tool for awakening new writing possibilities and engaging and motivating your students' writing throughout the year.




I Am a Fugitive from a Georgia Chain Gang!


Book Description

I Am a Fugitive from a Georgia Chain Gang! is the amazing true story of one man's search for meaning, fall from grace, and eventual victory over injustice. In 1921, Robert E. Burns was a shell-shocked and penniless veteran who found himself at the mercy of Georgia's barbaric penal system when he fell in with a gang of petty thieves. Sentenced to six to ten years' hard labor for his part in a robbery that netted less than $6.00, Burns was shackled to a county chain gang. After four months of backbreaking work, he made a daring escape, dodging shotgun blasts, racing through swamps, and eluding bloodhounds on his way north. For seven years Burns lived as a free man. He married and became a prosperous Chicago businessman and publisher. When he fell in love with another woman, however, his jealous wife turned him in to the police, who arrested him as a fugitive from justice. Although he was promised lenient treatment and a quick pardon, he was back on a chain gang within a month. Undaunted, Burns did the impossible and escaped a second time, this time to New Jersey. He was still a hunted man living in hiding when this book was first published in 1932. The book and its movie version, nominated for a Best Picture Oscar in 1933, shocked the world by exposing Georgia's brutal treatment of prisoners. I Am a Fugitive from a Georgia Chain Gang! is a daring and heartbreaking book, an odyssey of misfortune, love, betrayal, adventure, and, above all, the unshakable courage and inner strength of the fugitive himself.




Hope and Danger in the New South City


Book Description

For Atlanta, the early decades of the twentieth century brought chaotic economic and demographic growth. Women--black and white--emerged as a visible new component of the city's population. As maids and cooks, secretaries and factory workers, these women served the "better classes" in their homes and businesses. They were enthusiastic patrons of the city's new commercial amusements and the mothers of Atlanta's burgeoning working classes. In response to women's growing public presence, as Georgina Hickey reveals, Atlanta's boosters, politicians, and reformers created a set of images that attempted to define the lives and contributions of working women. Through these images, city residents expressed ambivalence toward Atlanta's growth, which, although welcome, also threatened the established racial and gender hierarchies of the city. Using period newspapers, municipal documents, government investigations, organizational records, oral histories, and photographic evidence, Hope and Danger in the New South City relates the experience of working-class women across lines of race--as sources of labor, community members, activists, pleasure seekers, and consumers of social services--to the process of urban development.




Lynching in the New South


Book Description

Lynching was a national crime. But it obsessed the South. W. Fitzhugh Brundage's multidisciplinary approach to the complex nature of lynching delves into the such extrajudicial murders in two states: Virginia, the southern state with the fewest lynchings; and Georgia, where 460 lynchings made the state a measure of race relations in the Deep South. Brundage's analysis addresses three central questions: How can we explain variations in lynching over regions and time periods? To what extent was lynching a social ritual that affirmed traditional white values and white supremacy? And, what were the causes of the decline of lynching at the end of the 1920s? A groundbreaking study, Lynching in the New South is a classic portrait of the tradition of violence that poisoned American life.




Georgia Democrats, the Civil Rights Movement, and the Shaping of the New South


Book Description

"Tim Boyd has significantly reassessed the nature of southern politics in post--World War II America in this magnificent work. This is a first-rate history of Georgia politics in the modern era."--Gregory Schneider, author of The Conservative Century The precipitous fall of the Democratic Party in southern politics during the latter half of the twentieth century has sparked a rich scholarly debate. Many theories have been put forward to explain the sea change that swept Democrats out of office and replaced them with a new Republican order. In this timely volume, Tim Boyd challenges one of the most prominent explanations for this shift: the "white backlash" theory. Taking the political experience in Georgia as a case study, he makes a compelling argument that New South politics formed out of the factional differences within the state Democratic Party and not simply as a result of white reactions to the civil rights movement. Boyd deftly shows how Georgia Democrats forged a successful (if morally problematic) response to the civil rights movement, allowing them to remain in power until internal divisions eventually weakened the party. The result is a study that recognizes the myriad forces southern leaders faced as the Jim Crow South gave way to new political realities and greatly enhances our understanding of southern politics today. Tim Boyd is a history teacher at Montgomery Bell Academy and author of The 1966 Election in Georgia and the Ambiguity of the White Backlash.




George M. Sutton's Watercolors for Georgia Birds


Book Description

George M. Sutton (1898-1982), an esteemed ornithologist, was also one of the preeminent bird artists of the Twentieth Century. He was asked by his friend Thomas D. Burleigh, who worked on his manuscript for Georgia Birds during the 1940s and '50s, to provide the illustrations. Sutton painted a series of individual portraits of a select group of Georgia birds shown in their natural habitats. Sutton arranged to spend the spring and summer of 1952 with his friend Herbert L. Stoddard at Stoddard's Sherwood Plantation in southern Grady County. They made a field trip to the Georgia coast near Savannah and Brunswick to study shore birds. Otherwise Sutton sought, studied, and painted birds in Stoddard's backyard. Sutton described his experiences with Stoddard and his Meridian Road neighbors in an affectionate essay in the front matter of Georgia Birds, and in charming one-paragraph vignettes for each painting. Sutton gave the original Georgia Birds' watercolors to Stoddard, whose son later donated them to Tall Timbers; they are part of the Stoddard Collection.