New One-act Plays for Acting Students


Book Description

This latest volume in a series of short play anthologies compiled by Deb and Norman Bert provides roles for almost any mix of students in an acting class. The plays range in mood from serious and heavy to dark or satiric comedy to farce. The heart of the book includes fifteen scripts for two actors. Also included are five monologues and five three-character plays. The playwrights are icons of the American avante garde, writers who have contributed much to regional theatre over recent years. An excellent resource for classrooms and festival competition use.




One-act Plays for Acting Students


Book Description

23 short length plays for a cast of one, two, or three. 5 minutes acting time for each character. Performance times vary from 8-15 minutes.




Play it Again!


Book Description

Twenty-five contemporary one-act plays by nationally known playwrights designed to fit many needs. Includes plays for one, two, or three actors with a playing time of 10 to 15 minutes with about 5 minutes acting time per character. Each play is a complete work--no cuttings-- and are of contest caliber.




Random Acts of Comedy


Book Description

Home of the most popular one-act plays for student actors, Playscripts, Inc. presents 15 of their very best short comedies. From a blind dating debacle to a silly Shakespeare spoof, from a fairy tale farce to a self-hating satire, this anthology contains hilarious large-cast plays that have delighted thousands of audiences around the world. Includes the plays The Audition by Don Zolidis, Law & Order: Fairy Tale Unit by Jonathan Rand, 13 Ways to Screw Up Your College Interview by Ian McWethy, Darcy's Cinematic Life by Christa Crewdson, The Whole Shebang by Rich Orloff, A Funny Thing Happened on the Way to Fifth Period by Jason Pizzarello, Small World by Tracey Scott Wilson, The Absolute Most Cliched Elevator Play in the History of the Entire Universe by Werner Trieschmann, The Seussification of Romeo and Juliet by Peter Bloedel, Show and Spell by Julia Brownell, Cut by Ed Monk, Check Please by Jonathan Rand, Aliens vs. Cheerleaders by Qui Nguyen, The Brothers Grimm Spectaculathon by Don Zolidis, 15 Reasons Not To Be in a Play by Alan Haehnel




Two-character Plays for Student Actors


Book Description

Each of the plays is a complete dramatic work varying in length from 10--30 minutes. Scripts are excellent for secondary and university level. Comprises 9 plays for 1 man and 1 woman; 3 plays for 2 men; and 3 plays for 2 women.




One Act Plays for Kids


Book Description

One Act Plays for Kids is the creative result of my work with Bottle Tree Productions acting students. The kids in these classes are from 6-12 In our ten week acting sessions, we get together for the first two or three classes and do theatre games, improv stories and basic acting techniques. Usually the students come up with story ideas, characters and they work out an initial improvised story which I then turn into a script. King Hector the Horizontal is the story of a brave princess who climbs a mountain to slay a dragon and save the kingdom guppy getaway is an underwater fantasy about life under the sea for a school of guppies who get lost in the ocean Night of the Gnomes is the story of Four garden gnomes rise up in rebellion against their human masters. Toys in the Closet speaks to the imagination in all children-The idea that their toys are alive Our Acting Classes are a safe place for students to share their imagination and creativity. Theatre is a place where kids can bond with other like-minded kids. Their skills are honed in front of a jury of their peers. They quickly learn what works and what doesn't. Their ideas form the basis of these scripts. As a result these plays do not speak down to kids, but speaks for them, using their own words, their own thoughts and their own imaginations.




More One-act Plays for Acting Students


Book Description

A collection of short, one-act plays written for one to three actors.




Power Plays


Book Description

"The twenty short plays in this collection vary in cast size from 2 to 7 actors and in length from 8 to 15 minutes. With moods ranging from sentimental to hard-hitting and from heart-warming to heart-wrenching, the wide variety of topics in this book provides ample opportunities for actors to explore stunning character arcs."--Back cover.




Sixteen Public Domain One-Act Plays by Modern Authors


Book Description

This fine selection of 20th century plays includes contributions from Robert Emmons Rogers ("The Boy Will"), Booth Tarkington ("Beauty and the Jacobin"), Ernest Dowson ("The Pierrot of the Minute"), Oliphant Down ("The Maker of Dreams"), Percy MacKaye ("Gettysburg"), A.A. Milne ("Wurzel-Flummery"), Harold Brighouse ("Maid of France"), Lady Gregory ("Spreading the News"), Jeannette Marks ("Welsh Honeymoon"), John Millington Synge ("Riders to the Sea"), Lord Dunsany ("A Night at an Inn"), Stark Young ("The Twilight Saint"), Lady Alix Egerton ("The Masque of the Two Strangers"), Maurice Maeterlinck ("The Intruder"), Josephine Preston Peabody ("Fortune and Men's Eyes"), and John Galsworthy ("The Little Man"). All of these plays may be staged free of charge in the United States (and possible in other countries--check your local copyright laws for details).




The Director as Collaborator


Book Description

The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction