New Theatre Quarterly 49: Volume 13, Part 1


Book Description

Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.




New Theatre Quarterly 51: Volume 13, Part 3


Book Description

Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.




New Theatre Quarterly 57: Volume 15, Part 1


Book Description

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.




New Theatre Quarterly 60: Volume 15, Part 4


Book Description

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.




New Theatre Quarterly 76: Volume 19, Part 4


Book Description

Provides an international forum where theatrical scholarship and practice can meet.




New Theatre Quarterly 61: Volume 16, Part 1


Book Description

Provides an international forum where theatrical scholarship and practice can meet.




New Theatre Quarterly 48: Volume 12, Part 4


Book Description

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.




New Theatre Quarterly 70: Volume 18, Part 2


Book Description

Provides an international forum where theatrical scholarship and practice can meet.




New Theatre Quarterly 69: Volume 18, Part 1


Book Description

Provides an international forum where theatrical scholarship and practice can meet.




New Theatre Quarterly 45: Volume 12, Part 1


Book Description

New Theatre Quarterly provides a forum where theatrical scholarship and practice can meet. Topics covered in number 45 include: Palimpsestus: Frank Wedekind's Theatre of Self Performance, and 'Leaking Bodies and Fractured Texts': Representing the Female Body at the Omaha Magic Theatre.